Trio in E-flat major (K.498) for piano, violin (or clarinet) and viola.

Mode of access: Internet.

Six sonatas for the piano forte composed in a familiar style with an accompaniment for the flute or violin ad. lib., op. 54 /

Mode of access: Internet.

French suites for the piano. [music] /

Mode of access: Internet.

Kleine Kammermusik, für fünf Bläser (Flöte, Oboe, Klarinette, Horn, Fagott) Op. 24, Nr. 2.

For flute, oboe, clarinet, horn and bassoon, piccolo replacing flute in the 2d movement.

STUDENT'S-t MIXTURE MODEL BASED MULTI-INSTRUMENT RECOGNITION IN POLYPHONIC MUSIC

We address the problem of multi-instrument recognition in polyphonic music signals. Individual instruments are modeled within a stochastic framework using Student's-t Mixture Models (tMMs). We impose a mixture of these instrument models on the polyphonic signal model. No a priori knowledge is assumed about the number of instruments in the polyphony. The mixture weights are estimated in a latent variable framework from the polyphonic data using an Expectation Maximization (EM) algorithm, derived for the proposed approach. The weights are shown to indicate instrument activity. The output of the algorithm is an Instrument Activity Graph (IAG), using which, it is possible to find out the instruments that are active at a given time. An average F-ratio of 0 : 7 5 is obtained for polyphonies containing 2-5 instruments, on a experimental test set of 8 instruments: clarinet, flute, guitar, harp, mandolin, piano, trombone and violin.

SOLO AND CHAMBER CLARINET WORKS BY AMERICAN- BORN WOMEN COMPOSERS: 1990-2005

During the period of 1990-2005, American-born women composers have contributed significantly to the standard clarinet repertoire. Pioneering composers such as Joan Tower, Margaret Brouwer, and Libby Larsen have created staples for clarinet literature. Yet, there is very little scholarly research on women composers of clarinet music, most being concentrated on Joan Tower. Through my research, I have discovered over seventy-five works by more than fifty composers in the following genres: solo clarinet; clarinet and piano; clarinet and voice, with or without piano; and small chamber pieces for up to five players. This performance dissertation project consists of three recitals featuring solo and chamber works by nine living women composers, and program notes containing pertinent biographical and compositional information. My intent is to increase recognition women composers, both prominent and lesser known, who are writing high-quality, accessible clarinet literature. Each woman selected is making a full or partial living from the sales of her compositions, has received recognition through awards, commissions, grants, and frequent performances, and has composed works that are both performer and audience accessible. Recital 1: Trios for Clarinet, Violin, and Piano Commissioned by the Verdehr Trio and Composed by American-Born Women Composers. Composers: Jennifer Higdon, Joan Tower, Margaret Brouwer, and Libby Larsen. Recital II: Programmatic Clarinet Works by American-Born Women Composers. Composers: Andrea Clearfield, Stella Sung, and Karen Amrhein. Recital III: Works for Solo Clarinet, Clarinet and Piano, and Clarinet Concerto Genres by American-Born Women Composers. Composers: Persis Parshall Vehar, Jenni Brandon, Margaret Brouwer, and Libby Larsen.

Seconde suite espagnole [Piano solo]

Each number has separate cover title.

Petite suite : pour piano à quatre mains /

I. En bateau.--II. Cortège.--III. Menuet.--IV. Ballet.

Sur cinq notes : petite suite pour piano à 4 mains : [op. 34] /

Ronde.--Barcarolle.--Mazurka.--Bercement.--Danse pyrenéenne.--Mélodie.--Pastorale.--Farandole.

En habit de cheval, pour piano 4 mains.

Choral.--Fugue litanique.--Autre choral.--Fugue de papier.

Quintet in E flat, for violin, violoncello, clarinet, horn & pianoforte, op. 3.

Cover title.

Kammersymphonie, für 15 Solo-Instrumente op. 9. [music] /

For flute, oboe, English horn, 2 clarinets, bass clarinet, bassoon, double bassoon, 2 horns, 2 violins, viola, violoncello, and double bass.

Fantasiestücke für Clarinett oder Violine, Viola oder Violoncell und Piano, Op. 12.

Includes alternative parts for violin and violoncello.

Serenade op. 92 : 2 Violinen und Piano /

Mode of access: Internet.

Maggio in Toscana = May in Tuscany : suite for piano : op. 21 /

Arlecchino -- Notturno (In Boccaccio's villa) -- Barchetta -- Misericordia -- Il rusignuolo (In my neighbor's garden) -- La pastorella (Montepiano)