Hologramas de la muerte imprevista : Pregnancia urbana de las Animitas en Chile

El objetivo del presente trabajo es realizar un análisis integral de la relación que existe entre religiosidad popular y espacio urbano en la práctica de las animitas chilenas. Para ello proponemos un esquema polivalente de análisis, sostenido en el concepto de "holograma de la muerte imprevista". Este esquema propone tres clasificaciones complementarias: la animita como sujeto holográfico, como objeto holográfico y como lugar holográfico. Finalmente, estas tres clasificaciones, complementando extractos de entrevistas y análisis topológicos, muestran la cuasi totalidad de los factores socio-espaciales que esta práctica presenta, lo que da cuenta de la importancia urbana que este tipo de práctica popular posee

La dionisización del dios Pan

Pan es un dios peculiar en muchos aspectos. Al contrario que los restantes dioses del panteón griego, él no es antropomorfo, sino que tiene patas, cola y cuernos de carnero. Un dios con características tan arcaicas sólo puede sobrevivir confinado a la Arcadia, una región que conserva numerosos arcaísmos religiosos. Sin embargo, a partir del 490 a.C. en que se instaura su culto en Atenas, el dios comienza a cambiar. En su evolución, Pan se asimila cada vez más a Dioniso. El acercamiento entre ambas figuras deja su huella en el mito, pero sobre todo en el culto. Así, un dios que en Arcadia era venerado en santuarios construidos por la mano del hombre, en el resto de Grecia recibe culto en parajes agrestes, fundamentalmente cuevas. No parece casual el hecho de que también fuera de Arcadia la gruta sea el lugar reservado a los cultos mistéricos, incluidos los dionisíacos

Hologramas de la muerte imprevista : Pregnancia urbana de las Animitas en Chile

El objetivo del presente trabajo es realizar un análisis integral de la relación que existe entre religiosidad popular y espacio urbano en la práctica de las animitas chilenas. Para ello proponemos un esquema polivalente de análisis, sostenido en el concepto de "holograma de la muerte imprevista". Este esquema propone tres clasificaciones complementarias: la animita como sujeto holográfico, como objeto holográfico y como lugar holográfico. Finalmente, estas tres clasificaciones, complementando extractos de entrevistas y análisis topológicos, muestran la cuasi totalidad de los factores socio-espaciales que esta práctica presenta, lo que da cuenta de la importancia urbana que este tipo de práctica popular posee

La dionisización del dios Pan

Pan es un dios peculiar en muchos aspectos. Al contrario que los restantes dioses del panteón griego, él no es antropomorfo, sino que tiene patas, cola y cuernos de carnero. Un dios con características tan arcaicas sólo puede sobrevivir confinado a la Arcadia, una región que conserva numerosos arcaísmos religiosos. Sin embargo, a partir del 490 a.C. en que se instaura su culto en Atenas, el dios comienza a cambiar. En su evolución, Pan se asimila cada vez más a Dioniso. El acercamiento entre ambas figuras deja su huella en el mito, pero sobre todo en el culto. Así, un dios que en Arcadia era venerado en santuarios construidos por la mano del hombre, en el resto de Grecia recibe culto en parajes agrestes, fundamentalmente cuevas. No parece casual el hecho de que también fuera de Arcadia la gruta sea el lugar reservado a los cultos mistéricos, incluidos los dionisíacos

Hologramas de la muerte imprevista : Pregnancia urbana de las Animitas en Chile

El objetivo del presente trabajo es realizar un análisis integral de la relación que existe entre religiosidad popular y espacio urbano en la práctica de las animitas chilenas. Para ello proponemos un esquema polivalente de análisis, sostenido en el concepto de "holograma de la muerte imprevista". Este esquema propone tres clasificaciones complementarias: la animita como sujeto holográfico, como objeto holográfico y como lugar holográfico. Finalmente, estas tres clasificaciones, complementando extractos de entrevistas y análisis topológicos, muestran la cuasi totalidad de los factores socio-espaciales que esta práctica presenta, lo que da cuenta de la importancia urbana que este tipo de práctica popular posee

Geological patterns in the collapse of certain rock sanctuaries of Spain

Descripción de ciertos rasgos geológicos que amenazan el patrimonio religioso rupestre español. Rock sanctuaries are a historical heritage not as well-known as other religious constructions, due to their usual recondite location and abandoned condition. Spain has a large number of examples, mostly excavated during the Early Middle Age or even before. Fortunately, some of them are used on present worship, but the majority of these ancient shrines have suffered of severe damage through time, mostly due to common geological patterns. Some others threaten to collapse soon unless urgent remedial improvement is applied. Some examples at different locations are shown, reviewing their problems, which involve weathering, major rock cracks, soft rock pillars and others related to the defective site where they were located.

Kyōto-shi, Japan, 1696 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: [Kyōto ezu]. It was published by Goezusho in Genroku 9 [1696]; reprinted ca. 1860. Scale [ca. 1:10,000]. Covers Kyōto-shi, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 53N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, streets, mountains, selected buildings including Shinto shrines and Buddhist temples, and more. Relief shown pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Tokyo, Japan, 1860 (Image 2 of 4) (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Man'en kaisei O-Edo oezu, Takai Ranzan zu. It was published by Okadaya Kashichi in Man'en gannen in 1860. Scale [ca. 1:10,700]. This layer is image 2 of 4 total images of the four sheet source map, representing the southeast portion of the map. Covers Tokyo, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, names of landowners, parks, and more. Shows main temples, shrines, and points of interest pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Tokyo, Japan, 1860 (Image 1 of 4) (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Man'en kaisei O-Edo oezu, Takai Ranzan zu. It was published by Okadaya Kashichi in Man'en gannen in 1860. Scale [ca. 1:10,700]. This layer is image 1 of 4 total images of the four sheet source map, representing the northwest portion of the map. Covers Tokyo, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, names of landowners, parks, and more. Shows main temples, shrines, and points of interest pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Tokyo, Japan, 1860 (Image 3 of 4) (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Man'en kaisei O-Edo oezu, Takai Ranzan zu. It was published by Okadaya Kashichi in Man'en gannen in 1860. Scale [ca. 1:10,700]. This layer is image 3 of 4 total images of the four sheet source map, representing the northeast portion of the map. Covers Tokyo, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, names of landowners, parks, and more. Shows main temples, shrines, and points of interest pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Tokyo, Japan, 1860 (Image 4 of 4) (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Man'en kaisei O-Edo oezu, Takai Ranzan zu. It was published by Okadaya Kashichi in Man'en gannen in 1860. Scale [ca. 1:10,700]. This layer is image 4 of 4 total images of the four sheet source map, representing the southwest portion of the map. Covers Tokyo, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, names of landowners, parks, and more. Shows main temples, shrines, and points of interest pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Tokyo, Japan, 1859 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: O-Edo ezu. It was published by Suharaya Mohe zohan in Ansei 6 [1859]. Scale [ca. 1:14,000]. Covers Tokyo, Japan. Map in Japanese.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Tokyo Universal Transverse Mercator (UTM) Zone 54N projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, names of landowners, parks, and more. Shows main shrines and temples pictorially. This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Hādhihi Risālat Jāmiʻat al-funūn fī afḍalīyat Qāsiyūn / li-jāmiʻihā al-faqīr Muḥammad al-Shaṭṭī ibn al-Shaykh Ḥasan al-Shaṭṭī : manuscript, 1859

بسم الله الرحمن الرحيم الحمد لله الذي اختار لنبيه المصطفى دمشق الشام وجعلها عزا ومحشرا ومنعة وذكرا كما... :Incipit

Prospetto storico dell'immagine di Maria Vergine dipinta dall'evanegelista S. Luca, conservata, e venerata sul Monte della Guardia...

Mode of access: Internet.

Der Hausgottesdienst der alten Griechen /

Includes bibliographical references.