1000 resultados para Scottish poetry.


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"The poems in this collection over a period of nearly twenty years (1565-1584). They are almost all of a political or party nature ... Twelve are admittedly by Robert Sempill, three by Sir John Maitland of Thirlstane, three by John Davidson ... one by Sir William Kirkaldy of Grange, one probably by Nicol Burne ... and one ... by Thomas Jenye."--Introd., v. 1.

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Includes index.

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Includes several poems written by Bannatyne himself.

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Chalmer's edition of 1800, with new title-pages prefixed to the original ones, mistakes corrected, and an appendix (v. 2, 14 p.) of poems not found in that edition. The life is by Chalmers, the "Remarks on the genius and writings of Allan Ramsay" by Lord Woodhouselee. cf. Introductory note, p. iv.

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Mode of access: Internet.

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This paper probes the public dimensions of the work of the twentieth-century Scottish poet W. S. Graham. It draws upon the public contacts and contexts that Graham's lyrics structure and reconfigure, in texts that have appeared to critics to demonstrate the poet's textual aloneness, his intellectual and geographical banishment. Repeatedly addressing his St Ives community of artists and writers, lovers and companions, Graham's work sets up strategic routes through a succession of publicly-minded verbal engagements. Refusing to allow one passively to listen in to the poet's isolation, the lyrics invite, rebuff, tease, avoid, dally with, and proposition audiences and interlocutors. Graham's poetry speaks from within and without tradition, location and heritage, subtly attuning readers to the politics of its handling of national allegiance, identity, class and patronage.

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Fore-runner of the editor's much more extensive work "The English and Scottish popular ballads," issued in ten parts, 1882-1898.

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"A reprint of Dr. Currie's second edition." cf. J. Gibson. The bibliography of Robert Burns.

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Mode of access: Internet.

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Community in Modern Scottish Literature is the first book to examine representations and theories of community in Scottish writing of the twentieth and twenty-first centuries across a broad range of authors and from various conceptual perspectives. The leading scholars in the field examine work in the novel, poetry, and drama, by key Scottish authors such as MacDiarmid, Kelman, and Galloway, as well as less well known writers. This includes postmodern and postcolonial readings, analysis of writing by gay and Gaelic authors, alongside theorists of community such as Nancy, Bauman, Delanty, Cohen, Blanchot, and Anderson. This book will unsettle and yet broaden traditional conceptions of community in Scotland and Scottish literature, suggesting a more plural idea of what community might be.