Palabras cotidianas que enamoran : Hernández, Benedetti, Sabina y Serrat

Erich Fromm afirma que "el amor sólo es posible cuando dos personas se comunican entre sí desde el centro de sus existencias". Esta comunicación, que transmite nuestras emociones, se manifiesta de diversas formas. Una de ellas es a través de las palabras; palabras que pueden ser poesías o canciones. El presente trabajo pretende analizar cómo los conceptos de amor, palabras y música se reflejan en algunas poesías de Mario Benedetti y Miguel Hernández y en la canción Hoy por ti, mañana por mí, de Joaquín Sabina y Joan Manuel Serrat. Asimismo, se establecerán relaciones comparando las poesías y la canción. Para ello utilizaremos las ideas que Erich From y Roland Barthes nos aportan sobre el amor. Asimismo los conceptos propuestos por Mijail Bajtin en relación al discurso, y nociones de Julia Kristeva respecto del lenguaje musica

Palabras cotidianas que enamoran : Hernández, Benedetti, Sabina y Serrat

Erich Fromm afirma que "el amor sólo es posible cuando dos personas se comunican entre sí desde el centro de sus existencias". Esta comunicación, que transmite nuestras emociones, se manifiesta de diversas formas. Una de ellas es a través de las palabras; palabras que pueden ser poesías o canciones. El presente trabajo pretende analizar cómo los conceptos de amor, palabras y música se reflejan en algunas poesías de Mario Benedetti y Miguel Hernández y en la canción Hoy por ti, mañana por mí, de Joaquín Sabina y Joan Manuel Serrat. Asimismo, se establecerán relaciones comparando las poesías y la canción. Para ello utilizaremos las ideas que Erich From y Roland Barthes nos aportan sobre el amor. Asimismo los conceptos propuestos por Mijail Bajtin en relación al discurso, y nociones de Julia Kristeva respecto del lenguaje musica

Sobre la presencia de la sabina negra (Juniperus phoenicea L.) en Madrid.

Estudio de los escasos ejemplares de sabina negra localizados en la Comunidad de Madrid , importantes desde el punto de vista corológico por ser los más occidentales del centro peninsular.

Juniperus phoenicea L. (Sabina negral) en la Comunidad de Madrid

Se da a conocer la presencia de Juniperus phoenicea L. en el territorio de la Comunidad de Madrid y se estudia la distribución de las poblaciones más cercanas en territorios vecinos. Se han detectado tres localidades y se aportan inventarios de vegetación realizados en las mismas. Se hacen unas consideraciones sobre su comportamiento ecológico y distribución. Y por último se detallan medidas a tener en cuenta para la gestión de esta especie en la Comunidad de Madrid.

Sabina, oder, Morgenscenen im Putzzimmer; einer reichen Römerin,

Mode of access: Internet.

The cause and cure of a wounded conscience ; also Triana, or, A threefold romanza, of Mariana, Paduana, and Sabina ; Ornithologie, or, The speech of birds ; and Antheologia, or, The speech of flowers /

"The cause and cure" (first published 1647) has special t.-p. with identical imprint; "Triana", "Ornithologie" and "Antheologia" have each special t.-p. with imprint: London, Printed for John Stafford (dated, respectively, 1664, 1655 and 1655).

Storia dei santuari della B. Vergine in Sabina : opera premiata /

Mode of access: Internet.

El reencuentro de la música española con la Latinomérica poscolonial:el caso Joaquín Sabina

La música se convirtió en los años setenta en el medio para encauzar la oposición al régimen franquista y la incertidumbre ante la transición. Del ejemplo y la fascinación con la revolución cubana, a la oposición a las dictaduras chilena (1973), uruguaya (1974) y argentina (1976), todos ellos fueron hechos que en España se vivieron como propios. En esos años los cantautores españoles reivindicaban la libertad de expresión y el final de todas las dictaduras. Sin embargo, la música española comienza a transformar su mirada hacia Latinoamérica cuando la democracia es un hecho. Se representa ahora un nuevo espacio latinoamericano que me propongo caracterizar en este artículo, y a través del caso concreto de Joaquín Sabina, como "post-colonial".The music in the seventies became the vehicle for channeling opposition to the regime and the uncertainty of the transition. From the example and the fascination with the Cuban revolution, opposition to the dictatorships in Chile (1973), Uruguay (1974) and Argentina (1976), they were all events that were lived in Spain as their own. In those years the Spanish songwriters claiming freedom of expression and end of all dictatorships. However, the Spanish music begins to turn their attention to Latin America where democracy is a fact. It is now a new Latin American space I propose to characterize in this article, and through the specific case of Joaquin Sabina, as "post-colonial".J A brief survey of style to your work reflects his role as poet cult following in the wake of Herrera or Gongora, as did Antequerana School, aims to upgrade from his vivid descriptions, his Christian ideas and a lyrical formal mannerisms full of clichés.

Cuba's Education System: A Foundation for "The Capacity to Share"

The Capacity to Share is the first book to document how Cubans share their highly developed educational services with other low-income states, especially those in Africa, Latin America, and the Caribbean. A variety of international and Cuban authors break new ground in presenting this research. They investigate the experiences of people who have studied in Cuba on scholarships from the Cuban government, the implications for their home countries, and the work of Cuban teachers and administrators to support education in other countries. The authors discuss how the Cuban "solidarity" approach prioritizes global educational cooperation for mutual support, rather than imposing conditional aid. The book offers original and unusual insights into issues of culture, education, aid, development, and change as they relate to low-income states.

Increase in prevalence of obesity and diabetes and decrease in plasma cholesterol in a central Australian Aboriginal community

Objective: To document change in prevalence of obesity, diabetes and other cardiovascular diease (CVD) risk factors, and trends in dietary macronutrient intake, over an eight-year period in a rural Aboriginal community in central Australia. Design: Sequential cross-sectional community surveys in 1987, 1991 and 1995. Subjects: All adults (15 years and over) in the community were invited to participate. In 1987, 1991 and 1995, 335 (87% of eligible adults), 331 (76%) and 304 (68%), respectively, were surveyed. Main outcome measures: Body mass index and waist : hip ratio; blood glucose level and glucose tolerance; fasting total and high density lipoprotein (HDL) cholesterol and triglyceride levels; and apparent dietary intake (estimated by the store turnover method). Intervention: A community-based nutrition awareness and healthy lifestyle program, 1988-1990. Results: At the eight-year follow-up, the odds ratios (95% CIs) for CVD risk factors relative to baseline were obesity, 1.84 (1.28-2.66); diabetes, 1.83 (1.11-3.03); hypercholesterolaemia, 0.29 (0.20-0.42); and dyslipidaemia (high triglyceride plus low HDL cholesterol level), 4.54 (2.84-7.29). In younger women (15-24 years), there was a trebling in obesity prevalence and a four- to fivefold increase in diabetes prevalence. Store turnover data suggested a relative reduction in the consumption of refined carbohydrates and saturated fats. Conclusion: Interventions targeting nutritional factors alone are unlikely to greatly alter trends towards increasing prevalences of obesity and diabetes. In communities where healthy food choices are limited, the role of regular physical activity in improving metabolic fitness may also need to be emphasised.

High global diversity of cycloviruses amongst dragonflies

Members of the family Circoviridae, specifically the genus Circovirus, were thought to infect only vertebrates; however, members of a sister group under the same family, the proposed genusCyclovirus, have been detected recently in insects. In an effort to explore the diversity of cycloviruses and better understand the evolution of these novel ssDNA viruses, here we present five cycloviruses isolated from three dragonfly species (Orthetrum sabina, Xanthocnemis zealandica and Rhionaeschna multicolor) collected in Australia, New Zealand and the USA, respectively. The genomes of these five viruses share similar genome structure to other cycloviruses, with a circular ~1.7 kb genome and two major bidirectionally transcribed ORFs. The genomic sequence data gathered during this study were combined with all cyclovirus genomes available in public databases to identify conserved motifs and regulatory elements in the intergenic regions, as well as determine diversity and recombinant regions within their genomes. The genomes reported here represent four different cyclovirus species, three of which are novel. Our results confirm that cycloviruses circulate widely in winged-insect populations; in eight different cyclovirus species identified in dragonflies to date, some of these exhibit a broad geographical distribution. Recombination analysis revealed both intra-and inter-species recombination events amongst cycloviruses, including genomes recovered from disparate sources (e.g. goat meat and human faeces). Similar to other well-characterized circular ssDNA viruses, recombination may play an important role in cyclovirus evolution. © 2013 SGM.

Carmen e a concepção trágica de Nietzsche: o amor retraduzido em natureza

O objetivo desta dissertação de Mestrado consiste fazer uma leitura da ópera Carmen, de Georges Bizet, com a ótica do conceito de trágico de Nietzsche. Privilegiamos o conceito abordado nas obras da maturidade, a partir da publicação de Assim falou Zaratustra, quando a visão trágica é contextualizada na fisiologia da arte, a filosofia é feita com o corpo, o texto da realidade é lido pela ótica da vontade de poder e o amor fati é a mais elevada concepção de amor. Após a apresentação destes conceitos, foi necessário investigarmos o contexto da amizade de Nietzsche e Richard Wagner para entendermos não só as afinidades pessoais, como também o projeto mútuo de renovação da arte alemã através do resgate do espírito trágico, que considerava a união entre filosofia e arte musical. O comprometimento de Wagner com os ideais ascetas, sua conversão ao dogma cristão, a composição de sua última ópera, Parsifal, e o não cumprimento dos ideais reformadores da arte após a inauguração do Teatro de Bayreuth, tudo isso decepcionou Nietzsche, levando-o a romper definitivamente esta amizade a partir de 1876. Seus escritos da maturidade são críticas severas ao wagnerianismo, e é nesta fase que o filósofo descobre Carmen, elogiando-a em cartas e também em O Caso Wagner, um panfleto de 1888, um de seus últimos escritos, onde reúne diversas críticas contra o compositor alemão. Estes elogios exaltam a postura de afirmação da vida e também o fatalismo presentes na obra de Bizet, o que a coloca diametralmente oposta às composições românticas wagnerianas. Tais adjetivações nos motivaram a pesquisar a possibilidade de Carmen ser considerada uma legítima expressão do trágico na Europa finisecular.