ATIVIDADES DE GEOGRAFIA ESCOLAR COM O EMPREGO DA LINGUAGEM DE QUADRINHOS

Este trabalho contém algumas propostas de atividades escolares de Geografia com o emprego de quadrinhos. Comunica-se, assim, resultados de uma investigação sobre a possibilidade de estudar conteúdos de Geografia escolar com a mediação da linguagem de quadrinhos no estudo de cidade. Portanto, o objetivo foi refletir acerca do potencial de tais imagens e discursos para consolidar conceitos relativos à geografia escolar. Foram selecionadas nesta pesquisa tiras de quadrinhos do livro Toda Mafalda, do argentino Quino, bem como charges  ou  tiras de quadrinhos dos desenhistas brasileiros Jorge Braga e Mariosan e do personagem Katteca, criado por João Luís Brito de Oliveira, o Britvs, publicadas no jornal O Popular, de Goiânia-GO. O critério de seleção foi a presença de elementos que se articulam com o ensino de Geografia de cidade. Procedeu-se à “observação participante” em aulas de Geografia, com alunos de uma escola pública de Goiânia. O processo de aprendizagem sugerido pressupõe a elaboração do conhecimento por sujeitos ativos, tendo o diálogo como meio de comunicação, de modo que os significados, de maneira não linear, sem hierarquia entre si, formem uma rede de significações que se entrecruzam, constituindo os nós (conceitos ou significados). As atividades indicadas se inserem nesta concepção de ensino-aprendizagem.

DISCOURSES ON EDUCATION IN COMIC STRIPS

This work aims to analyze the discourses and discursive formation about education, materialized in the following comic strips: Calvin and Hobbes, by Bill Watterson, Mafalda by Quino and Chico Bento, by Maurício de Sousa, and also establish some possible connections among them. The theoretical background is linked to the French orientation on Discourse Analysis focused on Michel Pêcheux’s works (1990a; 1990b; 1999; 2006; 2009), taking into account the notions of meaning’s effect, conditions for production as well as discursive formation. It is also taken conceptions of historicization by Maldidier (2003); concepts of theoretical and analytical device of interpretation by Orlandi (2002) and also the contributions for the concept of discursive formation by Foucault (2004). It is also added the notions of ideology, polyphony and heterogeneity according to Bakhtin (1997; 2003) and Authier-Revuz (2004), as they contribute for the A.D theory. For the comic strips theorization it is used Eisner’s works (2001; 2005), focused on the concepts of sequential and graphic narrative art; as well as Ramos’ (2009a; 2009b; 2010) with contributions for the language in comic strips. The theory about education is based on the synthesis/work by Mizukami (1986) and the limits for the teaching/learning approach. To problematize the discourses and discursive formations materialized in comic strips about school education the focus is on Paulo Freire’s works (1979; 1987; 1991; 1996; 1997). From the analysis of the discourses and, specially, discursive formations, in Calvin and Hobbes, Mafalda, and Chico Bento’s comic strips, we come to the conclusion that there is approximation among them, as the critics on the traditional teaching/learning approach. It is built up a rejection to the oppressive education, based on the repetition and on teacher’s authority; to an education merely utilitarian and capitalist; to the rigid lesson planning that don’t allow interdisciplinarity; to the evaluation methodology; to a teaching/ learning approach far from students’ reality; to the linguistic prejudice, and others.