974 resultados para Protestants. 1724, dossier Hallier


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Despite being set in an unnamed Texan city, Ghost Rider (Mark Steven Johnson, 2007) was a landmark film for Melbourne. It was the first international production to be made at the Central City (now Docklands) Studios, much to the relief of the heavily-invested state government. And it demonstrated to the world (or more importantly, to producers resident in a small part of southern California), that the city was willing and available to be made over and made up to fit even (especially!) the most stupid filmmaking fantasies. Announcing the imminent arrival of the production in October 2004, the Herald Sun boldly predicted that '[c]ity lanes, Telstra Dome and the Yarra River will be the stars of the new action film'. In fact Melbourne is, as the filmmakers intended, (virtually) unidentifiable onscreen. For the Victorian State government, Ausfilm, Film Victoria and the Melbourne Film Office, this lack of specificity was something to be celebrated; a few months before Ghost Rider went in to production, the then State Minister for Innovation, John Brumby, declared that 'it's almost inconceivable that [Ghost Rider] won't put Melbourne on the map internationally'.

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El dossier contiene los siguientes documentos pertenecientes al Pbro. Dr. Víctor Manuel Fernández: La preocupación por la vida en "Aparecida" -- Un padre que ama la vida. El contexto adecuado de nuestra preocupación por la bioética -- La defensa de los que tienen menos poder -- Vida -- El niño por nacer iluminado por la palabra -- Defender los derechos humanos implica atender la vida en el vientre materno -- La opción por la vida en esta Universidad -- ¿Qué le hace el aborto al corazón de la sociedad? -- Cuestiones sensibles en torno al aborto -- Presiones internacionales sobre América Latina con respecto a temas de salud reproductiva e identidad de género.

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O objetivo do STING é oferecer uma plataforma para análise e visualização de estruturas proteicas.

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Definição de superfície. Cálculo dos valores de curvatura com SurfRace.

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Parâmetros apresentados pelo JPD. Sequência de resíduos. Contatos. Contatos internos. Contatos na interface. Estrutura secundária. Dupla ocupância. Fator de temperatura. Entropia relativa. Confiabilidade. Acessibilidade de resíduos. Ângulos de torsão. Potencial eletrostático. Curvatura na superfície. Hidrofobicidade. Analisando com maior detalhes os parâmetros apresentados.

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This study draws on a number of in-depth interviews to explore the ethnic aspect of Protestantism in the Republic of Ireland. We explore themes of shame and pride around issues of identity, together with a sense of loss of a minority rapidly losing cultural distinctiveness. Following Ireland‘s division, the ordinary Protestants of the south, comprising a range of religious denominations bound by history, intermarriage and culture, found themselves in a society in which their story was rarely told. The dominant narrative was one of a Catholic people, long oppressed by a wealthy Protestant minority. The story of ordinary Protestants, including those in rural and urban poverty, went largely unheard. Today, ordinary Protestants – small farmers, shop keepers, housewives – tell the story of Ireland as seen through their family‘s narratives. Themes of pride and shame, often intertwined, form a thread that binds their testimony, drawing on family, personal and local history, folklore and statements of identity.

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National identity is symbolically complex configuration, with shifts of emphasis and reprioritisations of content negotiated in contexts of power. This paper shows how they occur in one post-conflict situation - Northern Ireland - among some of the most extreme of national actors - evangelical Protestants. In-depth interviews reveal quite radical shifts in the content of their British identity and in their understanding of and relation to the Irish state, with implications for their future politics. The implications for understanding ethno-religious nationalism, nationality shifts and the future of Northern Ireland are drawn out.