Ausgewählte schriften für den schulgebrauch erklärt

1.t.--2.t. Gorgias. 5. aufl. neu bearb von W. Nestle. 1909.--4.t. Protagoras. 6. aufl. neu bearb. von W. Nestle. 1910.--5.t. Symposium erklärt von A. Hug. 3. aufl. besorgt von H. Schöne. 1909.--6.t. Phaedon, erklärt von M. Wohlrab. 4., verb. aufl. 1908.

Platonis opera omnia : ad fidem optimorum librorum denuo recognovit et una cum scholiis graecis /

Texto en griego.

Platonis Opera Omnia...[y otras obras] /

Mode of access: Internet.

Platonis Opera omnia...

The editions vary.

The dialogues of Plato,

v.1. Charmides. Lysis. Laches. Protagoras. Euthydemus. Ion. Meno. Euthyphro. Apology. Crito. Phaedo. Symposium. Phaedrus. Cratylus.--v.2. Republic. Timaeus. Critias.--v.3. Gorgias. Philebus. Parmenides. Theaetetus. Sophist. Statesman.--v.4. Laws. Appendix: Lesser Hippias. First Alcibiades. Menexenus. Index.

Platons ausgewählte schriften : für den schulgebrauch /

v.1 Apology, Crito ed Cron, 1888;--v.2 Gorgias, ed. Deuschle 1886;--v.3 Laches, Euthyphro, ed. Cron, 1882;--v.4 Protagoras ed. Deuschle, 1884;--v.5 Symposium ed. Arnold Hug, 1884;--v.6 Phaedo, ed. Martinus Wohlrab, 1884;--v.7 Republic bk. 1 ed. Wohlrab, 1893.

Platons werke /

German translation, without original text.

Platonis opera quae feruntur omnia.

No more published.--cf. Klussmann and Bibliothèque Nationale catalog.

Platonis Dialogi Selecti /

Text in Greek with commentary and notes in Latin.

The works of Plato : a new and literal version, chiefly from the text of Stallbaum /

Vol. 1 translated by Henry Cary; vol. 2 translated by Henry Davis; vol. 3-6 translated by George Burges.

Opera quae feruntur omnia. Ad codices denuo o collatos,

Each vol. has also special t.-p.

The Measure of All Things: Rethinking Humanism through Art (Group Show)

University of Buffalo New York Department of Art Gallery. The ancient philosopher Protagoras is most famous for his claim: “Of all things the measure is Man” and today, Western societies continue to promote anthropocentrism, an approach to the world that assumes humans are the principal species of the planet. We naturalize a scale of worth, in which beings that most resemble our own forms or benefit us are valued over those that do not. The philosophy of humanism has been trumpeted as the hallmark of a civilized society, founded on the unquestioned value of humankind defining not only our economic, political, religious, and social systems, but also our ethical code. However, artists recently have questioned whether humanism has actually lived up to its promises and made the world a better place for humankind. Are we better off privileging humans above all else or could there be other, preferable, ways to value life? With the continued prevalence of violent crimes, even genocide, in the twentieth and twenty-first centuries, we see the ways in which the discourse of humanism falters, as groups are targeted through rhetoric reducing them to the subhuman, and therefore disposable. But what if the subhuman, nonhuman, and even the non-animal and material, were reconsidered as objects of worth even if far removed from us?