Arte e cultura, pol��tica e filosofia: a crítica do contempor��neo nas cr��nicas de Umberto Eco

P��s-gradua����o em Letras - FCLAS

Revis��o crítica das can����es para a voz e piano de Heitor Villa-Lobos: publicadas pela Editora Max Eschig

Esta revis��o crítica apresenta uma an��lise do conjunto de can����es de Heitor Villa-Lobos (1887-1959), publicado pela editora Max Eschig de Paris. As trinta can����es publicadas formam um painel importante do estilo vocal e pian��stico do compositor, pontuando praticamente toda sua vida criativa. O trabalho respeitou a ordem cronol��gica da cria����o das cole����es de can����es: de 1919 e 1946. Al��m das trinta can����es publicadas, incluiu-se no trabalho as tr��s can����es n��o publicadas que fazem parte da s��rie Can����es T��picas Brasileiras. Tais obras est��o depositadas nos arquivos do Museu Villa-Lobos no Rio de Janeiro, Brasil.

A primazia do corpo pr��prio: posi����o e crítica da fun����o simb��lica nos primeiros trabalhos de Merleau-Ponty

P��s-gradua����o em Psicologia - FCLAS

O g��nero em quest��o: crítica e forma����o nos Bildungsromane The Secret Life of Bees, de Sue Monk Kidd, e Sapato de salto, de Lygia Bojunga

Funda����o de Amparo �� Pesquisa do Estado de S��o Paulo (FAPESP)

A pedagogia hist��rico-crítica e o marxismo: equ��vocos de (mais) uma crítica �� obra de Dermeval Saviani

This paper analyses a PhD dissertation which was written by Ademir Lazarini with the purpose to present a radical criticism to the Dermeval Saviani��s interpretation of the relation between the capital and the school education. The dissertation argues that the Historical-Critical Pedagogy based on Saviani���s works is very distant from the Marxian theory of capitalist society. The paper detects fundamental mistakes inside the criticism formulated by the author of the dissertation and the examination of those mistakes revealed a lack of comprehension of the materialistic historical dialectical method.

Ziembinski, o encenador dos tempos modernos: a constru����o de uma trajet��ria na crítica de D��cio de Almeida Prado (1950-1959)

Conselho Nacional de Desenvolvimento Cient��fico e Tecnol��gico (CNPq)

Efic��cia pol��tica de uma crítica: Paulo Em��lio Salles Gomes e a constitui����o de uma teia interpretativa da hist��ria do cinema brasileiro

This work aims to contribute to theoretical and methodological analysis of writing the history of Brazilian cinema. The object of this study the trilogy of articles in Cinema: the trajectory of underdevelopment regimented, the critic and historian Paulo Em��lio Salles Gomes, seeks to understand the process of setting up a web interpretative history of our film based on this work and how to rescue its historicity.

A no����o de rela����o na teoria lingu��stica de Ferdinand de Saussure

Our work aims at investigating the notion of relation in Ferdinand de Saussure���s linguistic reflections. As we observe his theoretical production, we see this notion was amply worked in the elaboration of other concepts of his, for example, language, signe, value, arbitrariness, among others. However, beyond the capacity of the notion of relation to produce other concepts, the way it was conceived and the theoretical space it was placed allowed Saussure to break through the essentially historical-comparative studies of the epoch, what made a new way of thinking language to have its starting point. Taking it into account, firstly, by reading the work of Herman Paul, the one who represents the neogrammarians in our text, we examine in which way Saussure is distant from his contemporary linguistics when he distinguishes the linguistic relations and give them a new status in his investigation. Secondly, we study how the notion of relation has it own place in Saussure���s theoretical process of thinking the fundamentals which later would be considered the milestone for Modern Linguistics. For that, we analyse one of his manuscripts, Notes pour un livre sur la linguistique g��n��rale, and the Course in General Linguistics. The first is composed by sketches which would become a book, as Saussure promised in a letter to Meillet; and the latter contains the principals for the science of Linguistics. So we aim at researching how the notion of relation is treated in this corpus in order to see the way it is conceived both in the particular production of a manuscript written by Saussure itself and the book which was published and considered the turning point for Linguistics.

Uma leitura de g��nero nos contos "Prel��dio", "Na ba��a" e "A casa de bonecas", de Katherine Mansfield

This work aims to analyze the short stories ���Prelude���, ���At the Bay��� and ���The Doll���s House���, by Katherine Mansfield under the prism of the gender studies (mainly on the works of Joan Scott and Elisabeth Badinter). To reach such objective, and based on the feminist criticism works (especially those of Elaine Showalter and Toril Moi), we analyzed the three stories, which are from the writer���s so-called ���family phase���. The present work contains a bibliographical contextualization of Mansfield���s modernist work under three main aspects: modernism, the short story and women���s writing/writings on women. From the analysis of the three short stories, we observed that questions of gender, representation and identity were depicted by means of the preponderance of female characters from all ages, marital statuses and classes. At the end it was possible to verify how Mansfield works contributed to a reflection about places and roles occupied by women in turn of the XIX and XX Centuries, whereas how this author was also in search for her own identity as a woman and as a writer, exactly in a context when women writers and women���s writings started to become more visible face to a predominantly masculine literary canon.