William McKinley papers [microform]

Gifts of George B. Cortelyou, Sr. and Jr., 1935-46; and other gifts, purchases and transfers, 1902-59.

Notes and emendations to the text of Shakespeare's plays, from early manuscript corrections in copy of the folio, 1632, in the poszessions of J. Payne Collier.

Mode of access: Internet.

New particulars regarding the works of Shakespeare. In a letter to the Rev. A. Dyce ... from J. Payne Collier, F.S.A.

Privately printed, "limited to a small number of copies."

The works of William Shakespeare : the text formed from an entirely new collation of the old editions : with the various readings, notes, a life of the poet, and a history of the early English stage /

Includes index.

The dramatic works of William Shakespeare; with a life of the poet, and notes, original and selected.

Edited by Oliver W. B. Peabody; based on Singer's edition, "carefully compared" with the folio of 1623; with the life by Dr. Symmons, revised, and "New facts" by Collier. The first critical American edition. cf. Preface and J. Sherzer, American editions of Shakespeare (Modern lang. assoc. Publ., v. 22, pp. 658-659)

Stratford-upon-Avon, the home of William Shakespeare,

Lettered on cover: Views of Stratford on Avon.

A review of "An inquiry in the genuineness of the manuscript corrections in Mr. J. Payne Collier's annotatated Shakespeare, folio, 1632; and of certain Shaksperian documents likewise published by Mr. Collier."

Mode of access: Internet.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".