Cliticização pronominal nas cantigas religiosas galego-portuguesas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As vogais na diacronia do português: uma interpretação fonológica de três momentos da história da língua

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Sândi vocálico externo no Poruguês Arcaico

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Early versions in medieval textual traditions. Wolfram’s Parzival as a test case

Wolfram von Eschenbach’s novel Parzival is a courtly romance composed in German language shortly after 1200. In a project, based at the University of Bern, a new critical edition of the poem is prepared in electronic and printed form. It visualizes parallel textual versions, which, depending on particular circumstances of oral performance, have developed in the early stage of the poem’s transmission. Philological research as well as phylogenetic techniques common in the natural sciences, e.g. in molecular biology, have been used to demonstrate the existence of these early textual versions. The article shows how both methods work and how they are applied to the ongoing edition. Exemplary passages to be presented include the text of some rare fragments written in the first decades of the 13th century, which might even go back to the author’s lifetime and which allow to date the existence of the versions they belong to.

Talkhīṣ al-Miftāḥ : manuscript, 1682

Written in one column, from 6 to 23 lines per page, in black and red.

Taʻlīq laṭīf ʻalá al-Rāmizah fī ʻilmay al-ʻarūḍ wa-al-qāfiyah : manuscript, 1640 or 1641

Copied in 1050 AH? [1640 or 41 AD?].

al- Khazrajīyah : manuscript, 1640

Copied in 1050 AH? [1640 or 1641 AD?]

The Century dictionary and cyclopedia; a work of universal reference in all departments of knowledge with a new atlas of the world.

v. 1-8. The Century dictionary ... prepared under the superintendence of William Dwight Whitney.--v. 9. The Century cyclopedia of names ... ed. by Benjamin E. Smith.--v. 10. The Century atlas of the world, prepared under the superintendence of Benjamin E. Smith.

The Century dictionary and cyclopedia : a work of universal reference in all departments of knowledge with a new atlas of the world.

Originally published in two sets with titles: The Century dictionary, and The Century cyclopedia of names; includes original title pages.

The Century dictionary and cyclopedia, with a new atlas of the world; a work of general reference in all departments of knowledge ...

v. 1-10. The Century dictionary ... prepared under the superintendence of William Dwight Whitney ... rev. & enl. under the superintendence of Benjamin E. Smith.--v. 11. The Century cyclopedia of name ... ed. by Benjamin E. Smith.--v. 12. The Century atlas of the world, prepared under the superintendence of Benjamin E. Smith.

Merah. Emsile.

First work in Arabic and Ottoman translation; second work commented by Köse Efendi.

Soffredi del Grathia's übersetzung der philosophischen traktate Albertano's von Brescia /

Tr. of: Liber consolationis et consilii; also of parts of his Tractati: De amore et dilectione Dei, and De arte loquendi et tacendi.

The Century dictionary and cyclopedia; a work of universal reference in all departments of knowledge, with a new atlas of the world ...

Vols. 1-8 prepared under the superintendence of W. D. Whitney; v. 9 edited by B. E. Smith; v. 10 prepared under the superintendence of B. E. Smith.

The century dictionary and cyclopedia, a work of universal reference in all departments of knowledge with a new atlas of the world.

Vol. 1 has t.p.: The century dictionary and cyclopedia, an encyclopedic lexicon of the English language and a pronouncing and etymological dictionary of names in geography, biography, mythology, history, art, etc., etc. together with atlas of the world.

Mount Carmel in the Commune: Promoting the Holy Land in Central Italy in the 13th and 14th Centuries

The Carmelite friars were the last of the major mendicant orders to be established in Italy. Originally an eremitical order, they arrived from the Holy Land in the 1240s, decades after other mendicant orders, such as the Franciscans and Dominicans, had constructed churches and cultivated patrons in the burgeoning urban centers of central Italy. In a religious market already saturated with friars, the Carmelites distinguished themselves by promoting their Holy Land provenance, eremitical values, and by developing an institutional history claiming to be descendants of the Old Testament prophet Elijah. By the end of the 13th century the order had constructed thriving churches and convents and leveraged itself into a prominent position in the religious community. My dissertation analyzes these early Carmelite churches and convents, as well as the friars’ interactions with patrons, civic governments, and the urban space they occupied. Through three primary case studies – the churches and convents of Pisa, Siena and Florence – I examine the Carmelites’ approach to art, architecture, and urban space as the order transformed its mission from one of solitary prayer to one of active ministry.

My central questions are these: To what degree did the Carmelites’ Holy Land provenance inform the art and architecture they created for their central Italian churches? And to what degree was their visual culture instead a reflection of the mendicant norms of the time?

I have sought to analyze the Carmelites at the institutional level, to determine how the order viewed itself and how it wanted its legacy to develop. I then seek to determine how and if the institutional model was utilized in the artistic and architectural production of the individual convents. The understanding of Carmelite art as a promotional tool for the identity of the order is not a new one, however my work is the first to consider deeply the order’s architectural aspirations. I also consider the order’s relationships with its de facto founding saint, the prophet Elijah, and its patron, the Virgin Mary, in a more comprehensive manner that situates the resultant visual culture into the contemporary theological and historical contexts.