886 resultados para Museum Hall


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2 scans. 1of2 = entire card, 2of2 = images alone, with color correction

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Program for July 4th celebration at Tammany Hall, 8 pages.

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The building, which is attached to the Mackenzie Chown complex, holds facilities for Brock's Cool Climate Oenology and Viticulture Institute. The Institute, which studies grape growing and wine production, is the only one of its kind in Canada, and only the third of its kind in North America. It includes specialized research laboratories, a climate-controlled wine cellar, a wine library, and a museum. The building is named after a Niagara winery, Inniskillin Wines.

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The Niagara Historical Society and Museum papers include a revision of a publication originally prepared by Janet Carnochan, a poem by Janet Carnochan written to commemorate the battle of Lundy’s Lane, one item of correspondence and a scrapbook of historical documents on microfilm.

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This communication develops the process of interventions of the Renaissance fortress of a new plant built in 1554–57 in Santa Pola. It is one of the earliest examples built with reference to military architecture theoretical treaties (XV–XVI) and best preserved. The study runs its own story from its initial military use, through the use of civil equipment until the final cultural and Museum Center. First, the project of Italian origin is examined and its use as barracks for troops for a duration of three centuries (1557–1850), pointing out the architectural constants of war machinery in a defense position and its origin as a rainwater collector and cistern: a perfect square with two bastions in which a plan of the uprising is preserved (1778). Secondly, we study the changes in the mentioned architecture throughout a century and a half (1850–1990) after its change of ownership (from the state to the municipality), and as a result of the new use as a city hall and public endowment: a market and health and leisure centre, which meant the demolition of defensive elements and the opening up to the outside of the inner parade ground. And thirdly, the new transfer of the municipal offices brings in the beginning of a project of transformations (1990–2015) that retrieves the demolished elements at the same time as it assigns the entire fort for a cultural centre: exhibition, research and history museum, promoting the identity between the citizens and the building which stands in the foundations of their city. The conclusions take us through an interesting route that goes from the approach of defensive tactics, its use as administrative headquarters to the current cultural policy of preservation. In addition, all the known plans of the fort are recovered (of military, civil and cultural use), some unpublished, as well as the project of the North wing that has guided the last operation and which has been set as a pattern of reference.

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no.7 (1955)

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William L. Jenney, architect. Originally University Museum, built 1880-1881. Roof replaced 1894. Museum moved in 1928. Housed Department of Romance Languages after 1928. Building razed in 1958. Old University Hall on left.

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Cornerstone laid May 26, 1888; dedicated June 1891. Gift of Helen H. Newberry of Detroit as headquarters of Students' Christian Association. Leased by U-M as classroom in 1921; gift to U-M from SCA in 1937. Adapted as museum in 1928, named the Francis W. Kelsey Museum of Archaeology in 1953.

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Plaque given by the Sarah Caswell Angell chapter of the Daughters of the American Revolution to commemorate Mason Hall. The first University building devoted to instruction, the building was known as the University Building upon completion in 1841. It was both dormitory and classroom facility. It was named after Govenor Stevens T. Mason in 1843. In 1856 the central part of the North Wing was renovated to house the University Library and Museum. A similar building was erected to the South. University Hall (built 1871-1873) connected the two buildings, which then were referred to as South Wing and North Wing. Mason Hall, South Wing and University Hall were removed in 1950.