416 resultados para Muriel Barbery


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O objetivo da autora aqui é discutir como se dá, no trabalho da romancista e contista escocesa Muriel Spark (1918-2006), a constituição das personagens femininas e a forma como estas veem a si mesmas e aos outros. A análise tem como base a coletânea composta de 41 contos publicada em 2001 sob o título de All the Stories of Muriel Spark (inédita no Brasil), cujas narrativas, em sua maioria, já haviam sido publicadas anteriormente em outras coletâneas ou em outros meios, como jornais e revistas. A autora também estuda nos contos o modo como os textos da escritora revelam sua visão peculiar do mundo e dos indivíduos, que foi se tornando mais amarga, embora mais compreensiva, com o passar do tempo. As narrativas curtas sparkianas se distinguem por refletir os diferentes contextos históricos vividos pela escritora: há contos que têm como ambiente a África, onde ela viveu nos anos 1930 e 1940, outros que se passam na Europa do pós-guerra e ainda os contos escritos mais recentemente. De passagem, a pesquisadora também analisa o engajamento político e ideológico de Muriel Spark, cuja vida conflituosa não a impediu de alcançar considerável sucesso de crítica e público nos países de língua inglesa. Sua obra-prima, o romance Primavera de Miss Jean Brodie (1961), foi adaptada para o cinema - o filme foi exibido no Brasil sob o título Primavera de uma Solteirona

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Signatur des Originals: S 36/F03758

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Signatur des Originals: S 36/F08575

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Signatur des Originals: S 36/F11545

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Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate the problems they have with society more through presentation than judgment in their satire, which places them on the fringes of a society they wish to educate, distinguishing their satire from that written by male satirists who are judging from a privileged height above the society they are attempting to correct. All three women create heroines and secondary female characters who find ways to survive, and occasionally thrive, within the confines of a polite society that has a streak of savagery running just beneath its polished surface.

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Wright, L.H. Amer. fiction, 1876-1900,

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General note: Title and date provided by Bettye Lane.

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As a group of committed literacy teacher educators from five universities across three Australian states, the authors bring professional critique to the problematic issue of what counts in current and possible future measures of pre-service teachers’ literacy capacity. In times when normalising models of literacy assessment ignore innovative developments in technologies, we provide an example of what is happening at the ‘chalk-face’ of literacy teacher education. This paper describes a study that demonstrates how responsible alignment of teacher accreditation requirements with a scholarly impetus to incorporate digital literacies to prepare pre-service teachers will help address changing educational needs and practices (AITSL 2012; Gillen & Barton 2010; Hattie 2003; Johnson, Smith, Willis, Levine & Haywood 2011; Klein 2006; Masny & Cole 2012; OECD 2011).

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This chapter describes the challenges of integrating new technologies with literacy education in pre-service primary teacher education in Australia. The authors describe the policy context and regulatory mechanisms controlling pre-service education, including a national set of professional standards for graduate teachers, a new national curriculum for school students, the introduction of high stakes national assessment for school students, and the looming threat of decontextualized back-to-the-basics professional entry tests for aspiring teachers. The chapter includes three case studies of the authors’ pedagogical practices that attempt to reframe conceptions of the literacy capabilities of pre-service teachers to reflect the complex and sophisticated requirements of teachers in contemporary schooling. The authors conclude the chapter with a discussion of the implications of these case studies as they illustrate the ways that pre-service teachers can be scaffolded and supported to develop creative capacity and critical awareness of the kinds of literacies required in the digital age despite restrictive regimes.

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In 2015, ALEA National Council provided funds to support the implementation of a research project which was undertaken by a group of teacher educators and researchers from a range of universities across three Australian states. Stage one of the project, which is reported on here, examined primary school teachers’ perceptions of the personal and professional literacy capabilities of recently graduated primary school teachers. This stage of the project also examined primary school teachers’ perceptions of the impact of initial teacher education on the personal and professional literacy capabilities of recently graduated primary school teachers. The project team, led by Associate Professor Beryl Exley (Queensland University of Technology), included Chief Investigators Dr Eileen Honan (The University of Queensland), Associate Professor Lisa Kervin (University of Wollongong), Associate Professor Alyson Simpson (University of Sydney) and Dr Muriel Wells (Deakin University), with Dr Sandy Muspratt as the Statistical Analyst and Lesley Friend as the Research Assistant with primary responsibility for the publication of the online survey.