Histoire d'un pays situe dans le nouveau monde, Nomme Amerique

Este é o tomo III da Coleção Voyages, relations et mémoires originaux pour servir a l'histoire de la découverte de l'Amerique, da editora Ternaux-Compans. Embora o prefácio do editor francês afirme ser esta a primeira versão francesa do famoso livro de Staden so o Brasil, J.C. Rodrigues fala de uma edição francesa em Amsterdã, de 1714, se, contudo, fornecer detalhes. Mesmo sendo esta a segunda tradução francesa, é também rara. Narra a odisséia vivida pelo autor durante nove meses como prisioneiro dos Tupinambás, fonte de consulta importante sobre o período inicial de nossa história. Staden descreve, além das experiências de seu cativeiro, suas viagens ao Brasil, desde os portos de origem. Preocupa-se em citar os nomes das pessoas, com quem lidou em diversas circunstâncias. é a primeira publicação sobre os índios brasileiros e, ainda hoje, na opinião de Borba de Moraes "constitui uma das mais valiosas fontes da etnologia em geral e da tupinologia especialmente".

Les Portugais d'Amérique : souvenirs historiques de la guerre du Brésil en 1635 : contenant un tableau intéressant des moeurs et usages des tribus sauvages, des détails instructifs sur la situation des colons dans cette partie du nouveau-monde : ouvrage destiné a la jeunesse

Illustré de 12 dessins impremés en 2 couleurs

La réutilisation des protocoles aux époques byzantine et arabe

Etude de la réutilisation des protocoles (c'est-à-dire des premières pages des rouleaux de papyrus, qui portent un «timbre fiscal») dans l'Égypte byzantine et arabe

Reçus de taxe et marine arabe

Réédition d'un ostracon publié en 2000 et présenté alors comme un texte copte. Il s'agit en fait d'un reçu de taxe grec. Le document enregistre le paiement d'un demi sou d'or pour « les frais d'entretien des marins ». Le texte offre un intéressant témoignage sur les levées de taxes imposées par l'administration arabe au début du VIIIe siècle pour financer ses expéditions maritimes.

Travelling Images, Images of Travel in Nicolas Bouvier's L'Usage du monde

Sketches and photographs are a familiar tool of the traveller-writer, who commonly draws on them when transforming experience into a textual narrative. The verbal thus displaces the visual — the latter retained, if at all, as mere illustration — in ways that echo James Heffernan's definition of ekphrasis as the ‘verbal description of visual representation’. Yet Nicolas Bouvier's 1963 travel narrative L'Usage du monde challenges conventional conceptions of ekphrasis. Juxtaposing the stark ink drawings of Thierry Vernet — Bouvier's travelling companion — with Bouvier's textual narrative, L'Usage du monde shifts representation away from a hierarchical relationship between verbal and visual; it offers instead an account of other cultures that is grounded in polyphony and exchange. This article applies Bouvier's own image of travel as a mosaic to the dual narrative form (or ‘iconotext’, to use Michael Nerlich's term) in order to consider a range of fluid relationships between Bouvier's text and Vernet's drawings. In examining these relationships of amplification, reduction, and absence, the article argues that the plurality of the narrative prompts a rethinking of conventional, binary paradigms of intercultural contact. Ultimately, the iconotextual nature of L'Usage du monde can be interpreted as a metaphor for the processes of cultural translation and transculturation that are central to Bouvier's travelling ethos.

Two Technological Dystopias: Le monde tel que'il sera and Alpha Ralpha Boulevard

The aim of this paper is to corn pare two technological dystopias: Emile Souvestre's Le Monde tel qu'il sera (1846) and Cordwainer Smith's "Alpha Ralpha Boulevard" (1961). Both texts present dystopian societies experienced by many of its inhabitants as being the best of possible worlds. The above authors question the massive use of technology, worry about what technology can do to human beings, how it can dehumanize them. They reveal serious social and moral concerns regarding the less privileged. These are excluded from the benefits of"Utopia" while making it possible. Both authors are childs of.. their time: they live in a period of national pride, they can see the shadows behind the luminous, the dangers resulting from human beings playing God with nature and humanity. Also, they are innovators: Souvestre announces dystopian science fiction and Smith renews with the genre announcing the New Wave movement in Anglo-American science fiction.

La série, la crise, le monde

Fundação para a Ciência e a Tecnologia (FCT), Fundação Millennium bcp

Carte internationale du monde au 1:1000000 Kansainvälinen maailmankartta 1:1000000 = Internationella världskartan 1:1000000 (N.P-34)

1 kartta :, vär. ;, 65 x 81 cm

Carte internationale du monde au 1:1000000 Kansainvälinen maailmankartta 1:1000000 = Internationella världskartan 1:1000000 (N.Q.-35)

1 kartta :, vär. ;, 65 x 80 cm

Revue du monde catholique

1906/08/01 (A45,T11,N3).

Revue du monde catholique

1899/07/01 (A38,T23,SER6).

Revue du monde catholique

1904/10/01 (A43,T4,N1)-1904/12/15 (A43,T4,N6).