927 resultados para Martin, James


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La búsqueda de nuevas formas de modernidad se convirtió en la cuestión principal de la obras desarrolladas por Leslie Martin, Colin St. John Wilson y James Stirling entre los años 1955 y 1970. Enmarcadas dentro de la sensibilidad surgida en la posguerra británica, su profundo sentido crítico supone una renovada interpretación de alguno fundamentos del Movimiento Moderno así como la reflexión sobre la modificación y el uso de formas que tienen sus raíces en la tradición cultural. Esta investigación se estructura en cuatro temas ampliamente debatidos y que han articulado parte de la revisión moderna a lo largo de la segunda mitad del siglo XX: » la abstracción y el realismo » la revisión de la idea funcionalista » la reconsideración de los arquetipos formales » la relación entre forma y contexto urbano se muestran como base crítica para las obras seleccionadas. La tendencia hacia el realismo surgió como respuesta a la voluntad de universalidad (y objetividad) que representó el lenguaje abstracto, del mismo modo que la revisión de la idea funcionalista pretendió superar la consideración de la obra arquitectónica como producto racional de su función y tecnología. La reconsideración de los arquetipos de la tradición, a su vez, muestra una preocupación por el significado de las formas culturales del pasado, una cuestión igualmente decisiva en la renovada atención a la estructura de la ciudad histórica. Estos temas evidencian un interés por ampliar la arquitectura moderna sin que el reconocimiento de las formas del pasado suponga un distanciamiento respecto al futuro. La idea de revisión, asimismo, se convierte en estrategia a la hora de encontrar nuevas respuestas. Si algunos de los principios del Movimiento Moderno surgen como reacción al clasicismo Beaux Arts que le precedió, las propuestas analizadas muestran la validez operativa de este enfoque para crear obras de una intensa modernidad. Su interés, por lo tanto, no solo radica en su consideración como objetos de estudio que amplían nuestro conocimiento de un período determinado, sino como tradición reciente que sirve de base crítica para la práctica actual. ABSTRACT The search of new forms of modernity became the main theme of the works developed by Leslie Martin, Colin St. John Wilson and James Stirling between 1955 and 1970. Belonging to the sensitivity emerged in postwar Britain, their deep critical sense encourages a renewed interpretation of some principles of Modern Movement and a reflection about the modification or the use of forms that are rooted in cultural tradition. This research is divided into four themes widely discussed and which has articulated part of modern review along the second half of the twentieth century: » Abstraction and realism » Review of Functionalism » The reconsideration of the formal archetypes » The relationship between form and urban context are shown as critical base for the selected works. The trend toward realism arose in response to the will of universality (and objectivity) that represented the abstract language, just as the review of Functionalism aimed to overcome the consideration of architecture's work as rational product of its function and technology. The reconsideration of traditional archetypes, in turn, shows a concern for the meaning of the cultural forms, a matter equally decisive in the renewed attention to the structure of the historical city. These themes evidence an interest to extend modern architecture, without thereby the recognition of the past forms imply a distancing regarding the future. The idea of review also becomes strategy in finding new answers. If some principles of the Modern Movement arose in reaction to Beaux-Arts classicism which preceded it, the analyzed proposals show the operational validity of this approach to create works of a strong modernity. Their interest, therefore, lies not only in its consideration as study cases that broaden our knowledge of a certain period, but as a recent tradition which serves as a critic basis for the current practice.

Motion for a Resolution tabled by the following Members: van Aerssen, Adonnino, Aigner, Alber, Albers, von Alemann, Almirante, Ansquer, Antoniozzi, Arndt, Baduel-Glorioso, Bangemann, Barbagli, Barbi, Battersby, Baudis, Berkhouwer, Bersani, Lord Bethell, Bettiza, Beumer, Beyer de Ryke, von Bismarck, Bocklet, Bombard, Bonaccini, Boot, Bord, Bournias, Boyes, Brok, Calvez, Cerettoni Romagnoli, Casanmagnano-Cerretti, Sir Fred Catherwood, Cecovini, Chanterie, Clinton, Colleselli, Collins, Collomb, Costanzo, Couste, Cronin, Croux, Curry, Dalsass, D'Angelosante, Davern, De Gucht, Delatte, Del Duca, Deleau, Delorozoy, Deschamps, Diana, Diligent, Lord Douro, Dury, Eisma, Lady Elles, Enright, Estgen, Ewing, Fellermaier, Fergusson, de Ferranti, Ferrero, Ferri, Fich, Filippi, Fischbach, Flanagan, Focke, Franz, Ingo Friedrich, Fruh, Karl Fuchs, Fuillet, Gabert, Gaiotti de Biase, Gallacher, Awronski, Gerokostopoulos, Geursten, Ghergo, Giavazzi, Glinne, de Goede, Gontikas, Goppel, Gouthier, Gredal, Haagerup, Habsburg, Hansch, Hahn, Lord Harmar-Nicholls, von Hassel, Helms, Herklotz, Herman, van den Heuvel, Hoff, K.H. Hoffmann, Hooper, Hopper, Hord, Hume, Ippolito, Irmer, Israel, Robert Jackson, Jakobsen, Janssen van Raay, Johnson, Jonker, Jurgens, Kallias, Kaloyannis, Katzer, Kazazis, Kellett-Bowman, M. Elaine Kellett-Bowman, Key, Klepsch, Klinkenborg, Kuhn, Lagakos, Langes, Lecanuet, Lega, Lemmer, Lentz-Cornette, Lenz, Leonardi, Ligios, Louwes, Lucker, Luster, Macario, McCartin, Maher, Maij-Weggen, Majonica, Malangre, de la Malene, Marck, Mart, Simone Martin, Mertens, Michel, van Minnen, Modiano, Moller, Mommersteeg, Moorhouse, Jacques Moreau, Moreland, Mouchel, Muller-Hermann, Muntingh, Narducci, Newton Dunn, J.B. Nielsen, Calliopi Nikolaou, Konstantinos Nikolaou, Nord, Normanton, Notenboom, Nyborg, O'Donnel, Lord O'Hagan, d'Ormesson, Paisley, Pennella, Papaefstratiou, Patterson, Paulhan, Pauwelyn, Decaestecker, Pearce, Pedini, Pelikan, Penders, Pery, Pesmazoglou, Peters, Pfennig, Pflimlin, Phlix, Plaskovitis, Pottering, Poniatowski, Price, Protopapadakis, Pruvot, Purvis, Rabbethge, Sir Brandon Rhys Williams, Rieger, Rinsche, Ripa di Meana, Roberts, Rogalla, Rogers, Ruffolo, Rumor, Ryan, Salzer, Sassano, Prinz Sayn Wittgenstein-Berleburg, Schall, Schieler, Schinzel, Schleicher, Schmid, Schnitker, Karl Schon, Konrad Schon, Schwencke, Sir James Scott-Hopkins, Scrivener, Seal, Seefeld, Seeler, Segre, Seibel-Emmerling, Seitlinger, Seligmann, Sherlock, Sieglerschmidt, Simmonds, Simonnet, Simpson, Spencer, Spicer, Spinelli, Squarcialupi, Stella, Sir John Stewart-Clark, Sutra, Tolman, Travaglini, Tuckman, Turner, Tyrrell, Vandewiele, Sir Peter Vanneck, van Rompuy, Vergeer, Veronesi, Verroken, Vetter, von der Vring, Walz, Sir Fred Warner, Wawrzik, Weber, Wedekind, Welsh, Wieczorek-Zeul, von Wogau and Zecchino, pursuant to Rule 47 of the Rules of Procedure on the foundation of a Euro-Arab University for postgraduate students at one of the traditional meeting places of Islamic and European culture on Spanish Soil, Working Documents 1982-1983, Document 1-515/82, 16 July 1982

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During the cruise the turbulence probe MSS050 was used for microstructure measurements. The profiler is produced by Sea and Sun Technology GmbH in co-operation with ISW Wassermesstechnik. The probe was equipped with 2 velocity microstructure shear sensors, a microstructure temperature sensor, standard CTD sensors for precision measurements, a vibration control sensor, a two component tilt sensor, a fluorescence sensor and surface detection sensor (SD) to indicate the water surface hit at rising measurements. The sampling rate for all sensors is 1024 samples per second, the resolution 16 bit. During the MSS measurements, the ship was moving with speed approx. 0.5-1.0 knots with respect to the water against the wind. In order to take into account the intermittent nature of marine turbulence, repeated MSS measurements were carried out in bursts of typically 10 profiles per station. The measurement interval was approximately 7 (10) min for a profile to 140 (200) dbar. During JC87 cruise 8 series of turbulence measurements were conducted. Fluorescence data was obtained on the 5 of them.

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High-resolution geophysical and sediment core data are used to investigate the pattern and dynamics of former ice flow in Kvitøya Trough, northwestern Barents Sea. A new swath-bathymetric dataset identifies three types of submarine landform in the study area (streamlined landforms, meltwater channels and cavities, iceberg scours). Subglacially produced streamlined landforms provide a record of ice flow through Kvitøya Trough during the last glaciation. Flow directions are inferred from the orientations of streamlined landforms (drumlins, crag-and-tail features). Ice flowed northward for at least 135 km from an ice divide at the southern end of Kvitøya Trough. A large channel-cavity system incised into bedrock in the southern trough indicates that subglacial meltwater was present at the former ice-sheet base. Modest landform elongation ratios and a lack of mega-scale glacial lineations suggest that, although ice in Kvitøya Trough was melting at the bed and flowed faster than the likely thin and cold-based ice on adjacent banks, a major ice stream probably did not occupy the trough. Retreat was relatively rapid after 14-13.5 14C kyr B.P. and probably progressed via ice sheet-bed decoupling in response to rising sea level. There is little evidence for still stands during ice retreat or of ice-proximal deglacial sediments. Relict iceberg scours in present-day water depths of more than 350 m in the northern trough indicate that calving was an important mass loss mechanism during retreat.