815 resultados para Love stories.
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One of one thousand and fifty numbered copies.
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First ed. PMM
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Sequel: The Marquis of Lossie.
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Frontispiece and double plates inserted between p. 36-37, 58-59, 116-117, 172-173, 228-229 and 268-269.
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Maria McCann paints a dark picture of masculinity and its effects in her novel As Meat Loves Salt (2001). The violent Jacob Cullen struggles with his masculinity as he faces the intricacies of religion, sexuality and politics in the midst of the English Civil War where he falls in love with fellow soldier Christopher Ferris. By using R.W. Connell and James Messerschmidt’s framework for the hierarchy of masculinities, I explore masculinities on local, regional and global levels and emphasized femininity in a close reading of McCann’s novel. My aim is not only to analyse the masculinities of the novel but also to use the framework to redefine toxic masculinity in order to make it a useable concept when analysing masculinities in literature. I redefine toxic masculinity because it lacks a clear definition anchored in an established framework used to study masculinity that does not see masculinity as inherently toxic. I believe that anchoring it to Connell and Messerschmidt’s framework will make it a useable concept. Due to the novel’s relationship to the Bible, I will use masculinity studies done on David and Jesus from the Bible to compare and reveal similarities with the masculinities in the novel, how they appear on the local, regional and global levels in the novel and its effects. I draw parallels between the love story in As Meat Loves Salt to the love story of David and Jonathan in the Bible by using queer readings of David and Jonathan in order to explore how masculinity affects the relationships and how the novel uses these two love stories as a study of toxic masculinity and how it relates it to hegemonic masculinity.
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Mode of access: Internet.
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Lake Sils and Lake Garda.--Wiseli finds her place.
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This paper explores the literary representation of Iceland and Norway in two short stories by contemporary German writer Judith Hermann. It analyses both the depiction of these countries as part of the globalised western world and the redemptive power they are tentatively ascribed by the author. Continuing a long German tradition of looking at Scandinavia from an almost colonial perspective, Hermann on the one hand presents these northern countries as a mere extension of central Europe, largely devoid of distinguishing national characteristics. At the same time she makes reference to the topos of the north as a vast and empty space and highlights both the specific arctic nature of the environment and the effect it has on her urban characters, who find themselves on a search for meaning and orientation in a postmodern fragmented world. Despite Hermann's overall sceptical attitude towards her characters' quest for happiness, these northern locations ultimately appear as potential places of self-realisation and enlightenment.
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This paper aims to encourage critical reflection on what are key and pressing social and political issues surrounding the Paralympics Games. The focus of the paper is personal narratives of six current elite Paralympic athletes who have participated in at least one Paralympic Games. In response to critical stimuli presented in the form of five ‘unfinished stories, the self-reflexive, personal, compelling narrative reflections of these individuals were (re)presented for each of the stories as a composite narrative. The stories expose questions over fear, despair, freedom, hope, love, oppression, hatred, hurt, terror, (in)equality, peace, performance and impairment. To really learn from London and reflect for Rio, we need academic work that can understand sport, sporting bodies and physical activity as important ‘sites’ through which social forces, discourses, institutions and processes congregate, congeal and are contested in a manner that contributes to the shaping of human relations, subjectivities, and experiences in particular, contextually contingent ways.
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Love in old cloathes.--A letter and a paragraph.--"As one having authority."--Crazy wife's ship.--French for a fortnight.--The red silk handkerchief.--Our aromatic uncle.--The Zadoc Pine labor union.--Natural selection.--Casperl.--A second-hand story.--Mrs. Tom's spree.--Squire Five-Fathom.
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The white hecatomb -- The vengeance of the Dogolwana -- Gquma, or, The white waif -- The tramp's tragedy -- The seed of the church -- Little Tobè -- The Imishologu -- The madness of Gweva -- The love charm -- Derelicts -- The return of Sobèdè -- The quick and the dead -- Aiala.
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v. 6. The village convict, by C. H. White. The Denver express, by A. A. Hayes. The misfortunes of Bro' Thomas Wheatley, by Lina R. Fairfax. The heartbreak cameo, by L. W. Champney. Miss Eunice's glove, by A. Webster. Brother Sebastian's friendship, by H. Frederic.--v. 7. The bishop's vagabond, by Octave Thanet. Lost, by E. Bellamy. Kirby's coals of fire, by Louise Stockton. Passages from the journal of a social wreck, by Margaret Floyd. Stella Grayland, by J. T. McKay. The image of San Donato, by Virginia W. Johnson.--v. 8. The brigade commander, by J. W. De Forest. Split zephyr, by H. A. Beers. Zerviah Hope, by Elizabeth S. Phelps. The life-magnet, by A. A. Adee. Osgood's predicament, by Elizabeth D. B. Stoddard.--v. 9. Marse Chan, by T. N. Page. Mr. Bixby's Christmas visitor, by C. S. Gage. Eli, by C. H. White. Young Strong of "The Clarion," by Milicent W. Shinn. How old Wiggins wore ship, by Captain R. T. Coffin. "--mas has come," by L. Kip.--v. 10. Pancha, by T. A. Janvier. The ablest man in the world, by E. P. Mitchell. Young Moll's peevy, by C. A. Stephens. Manmat'ha, by C. De Kay. A daring fiction, by H. H. Boyesen. The story of two lives, by Julia Schayer.
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v. 1. The late Mrs. Null.--v. 2. The Squirrel Inn. The Merry Chanter.--v. 3. Rudder Grange.--v. 4. The hundredth man.--v. 5. Ardis Claverden.--v. 6. The great war syndicate. The stories of the three burglars. The knife that killed Po Hancy. Dusky philosophy.--v. 7. The house of Martha.--v. 8. Pomona's travels. Euphemia among the pelican's. The Rudder Grangers in England. Pomona's daughter.--v. 9. The adventures of Captain Horn.--v. 10. Mrs. Cliff's yacht.--v. 11. The great stone of Sardis. The water-devil.--v. 12. The girl at Cobhurst.--v. 13. The casting away of Mrs. Lecks and Mrs. Aleshine. The vizier of the two-horned Alexander.--v. 14. The associate hermits.--v. 15. Stories. [v.]1: The lady or the tiger? The discourager of hesitancy. The transferred ghost. The spectral mortgage. Every man his own letter-writer. Thar same old coon. Our story. Derelict. On the training of parents. A borrowed month. The baker of Barnbury. The watchmaker's wife.--v. 16. Stories. [v.]2: A tale of negative gravity. Asaph. The remarkable page. The Cloverfield's carriage. A story of assisted fate. My bull-calf. As one woman to another. Our fire-screen. My terminal moraine. Plain fishing.--v. 17. Stories. [v.]3: The griffin and the minor canon. Old Pipes and the dryad. The bee-man of Orn. The queen's museum. The clocks of Rondaine. Christmas before last; or, the fruit of the fragile palm. Prince Hassak's march. The battle of the third cousins. The banished king. The philopena. Amos Kilbright: his adscititious experiences. The Christmas shadrach. The bishop's ghost and the printer's baby. The philosophy of relative existences.--v. 18. Stories. [v.]4: The magic egg. "His wife's deceased sister." The widow's cruise. Captain Eli's best ear. Love before breakfast. The staying power of Sir Rohan. A piece of red calico. The Christmas wreck. My well and what came out of it. Mr. Tolman. My unwilling neighbor. Our archery club.--v. 19. Afield and afloat: The Buller-Podington compact. The romance of a mule-car. The governor-general. Old Applejoy's ghost. Struck by a boomerang. The skipper and El Capitan. "Come in, new year." A sailor's knot. The great staircase at Landover Hall. The ghosts in my toewer. The landsman's tale.--v. 20. Kate Bonnet: the romance of a pirate's daughter.--v. 21. John Gayther's garden.--v. 22. The captain's toll-gate.--v. 23. A bicycle of Cathay. With a memorial sketch of Mr. Stockton and a bibliography of his works.
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v. 1. Ball-of-Suet ; A family affair ; The artist's model ; The letters ; Cemetery sirens ; The dying peasant ; A madman's journal ; Checkmate! ; The shepherd's leap ; A husband's confession ; Madame Parisse ; The wedding night ; Father and son ; The false jewels ; The umbrella! ; The clock ; The dowry ; The lancer's wife ; Prisoners of war ; Woman's love ; The devil's visit ; Was it a dream? ; Simon's papa ; The diamond necklace ; Duchoux ; Timbuctoo ; Denis -- v. 2. The horla ; Monsieur Parent ; Miss Harriet ; Mad! ; Mademoiselle Pearl ; The farmer's wife ; A coward ; Mount Olivet ; The flight of years ; The old maid ; The Tellier house ; The parricide ; The fortune of war ; Humble happiness ; The mysterious groom ; The open door ; Wife and mistress ; The fathers ; The mountain inn ; Madame Husson's rosier ; An unfortunate resemblance -- v. 3. The Sunday outings of a bourgeois ; Little Louise Rocque ; A voice from the deep ; The father ; Magnetism ; The wrong house ; Moiron ; Monsieur Bombard's little game ; Madame Baptiste ; The Parisian accent ; A fashionable woman ; Mademoiselle Cocotte ; Who knows? ; Boitelle ; Uncle Jules ; The hand ; A lock of hair ; On the river ; My Uncle Sosthenes ; An artist ; Father Toine ; The viaticum ; True forgiveness ; A twelfth-night supper ; Father Matthew's saints ; A bit of string ; The minuet ; The relics ; A farm girl's story -- v. 4. The legacy ; Two little soldiers ; A state affair ; Old Amable ; Mademoiselle Fifi ; The ghost ; Useless beauty ; The fishing-hole ; The Rondoli family ; Châli ; The odalisque ; The wicked Mohammed ; Marroca ; Allouma ; A strange meeting ; Feminine wiles ; A strange night in Paris ; All over!
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v. 1. Tubber Derg. Barney Brady's goose. Tom Gressley, the Irish senachie. The castel of Aughentain. The white horse of the peppers. Mickey M'Rorey, the Irish fiddler.--v. 2 The poor scholar. A peasant girl's love. Tablot and Gaynor, the Irish pipers. Frank Finnegan, the foster brother.