984 resultados para Levinas, Emmanuel


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Fil: Casale, Rolando Héctor. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

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Fil: Casale, Rolando Héctor. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

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Fil: Casale, Rolando Héctor. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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This thesis focuses on a connection between temporality and ethics in the philosophy of Emmanuel Levinas. I argue that Levinas understanding of temporality is rooted in the function of pra-impression which in its turn does not belong to the intentional consciousness but reveals a subject as being open to the Other. In the face-to-face situation with the Other the pra-impression is an essential and constitutive force: it fractures the moment of the present, questions subjectivity and generates a new meaning of temporality. As a result a responsible subject is revealed; responsibility for the Other marks a latent birth of the subject which is prior to any origin of subjectivity, it discloses a meaning of time that does not belong to the subject but is found in the Other. In this study I suggest that pra-impression finds its productive force in language, the function of the feminine, and what Levinas calls the other in the same .

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Ce mémoire analysera une des thèses majeures de l’œuvre d’Emmanuel Levinas, à savoir le primat de l’éthique sur l’ontologie. L’argumentation se penchera surtout sur la description phénoménologique de l’approche de l’altérité, incarnée dans la concrétude du visage du prochain et dans laquelle se retrouve l’idée de l’infini, inspirée dans sa formulation de Descartes. Cette idée, n’étant pas qu’un simple concept mais plutôt une réalité phénoménale transcendante, amène Levinas à questionner le rôle de la conscience thématisante dans l’expérience morale, caractérisée par son immédiateté et par la présence d’un Autre. Est-ce que l’essentiel de la conscience se comprend comme liberté et savoir ? Y aurait-il un autre aspect, oublié par la rationalité que Levinas qualifie de grecque, qui serait plus propre à décrire la conscience ? L’ontologie ne repose-t-elle pas sur une conception de l’homme comme un sujet autonome et en contrôle ? Par ses fines analyses plutôt ontologiques dans Totalité et infini, et par sa prose plus déconstructrice d’Autrement qu’être, ou au-delà de l’essence, Levinas ébranle les fondations du sujet moderne tout en ramenant au centre des préoccupations philosophiques une idée que la tradition occidentale a eu tendance à évacuer, c’est-à-dire l’altérité. Et cette altérité, irréductible aux concepts immanents de la conscience d’un sujet, est ce qui justifie le primat de l’éthique, posant devant le je un tu qui appelle et demande une responsabilité absolue. Plusieurs auteurs et commentateurs seront mis à contribution, dont surtout Husserl et Heidegger, ainsi que S. Critchley, B. Bergo, J.-M. Salanskis et Jacques Roland.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Este artigo tem por objetivo discutir o conceito de subjetividade em sua relação com a alteridade em educação, com base no pensamento filosófico de Emanuel Levinas. Inicialmente, apresenta a discussão da subjetividade na filosofia moderna e sua forma de concebê-la como ideal de sujeito livre e soberano. Em seguida, desenvolve uma análise crítica que problematiza a pretensa soberania do sujeito e reconstrói uma nova subjetividade ética, situada na condição de refém, capaz de acolher a irredutível alteridade do Outro enquanto ideia do infinito. No contexto de reconstrução da subjetividade, o estudo estabelece aproximações com o campo da educação, destacando a experiência educativa como um acontecimento ético por excelência.

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Despite the influence of Emmanuel Levinas’s ethics on the rethinking of community in post-identitarian terms (most prominently in the work of Maurice Blanchot, Alphonso Lingis, and, to a lesser extent, Jean-Luc Nancy), the question of community remains a problematic spot in Levinas’s own philosophy. I would argue that, instead of grounding a new thinking of community, the dyadic relation of Same and Other poses a structural problem when trying to open the ethical relation to the wider realm of others while keeping radical difference in place. As external observer and guarantor of justice, for instance, is the Third excluded a priori from the ethical relation? Is community always only another term for the political? Or, as Levinas himself puts it in Otherwise Than Being: “What meaning can community take on in difference without reducing difference?” Identifying in the notion of impersonality a way to access Levinas’s thought on community, this paper aims at rethinking the scene of address and the ethical relation in terms of displacement, dislocation and interruption.

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Emmanuel Levinas’ thought seems to be strictly neither rational, phenomenological nor ontological, and it thus intentionally exposes itself to the asking of the question ‘why call it philosophy at all’? While we may have trouble containing Levinas’ thought within our traditional philosophical boundaries, I argue that this gives us no reason to exclude him from philosophy proper as a mere poser, but rather provides the occasion for reflection on just what it means, in an ethical manner, to call something ‘philosophical’. Instead of asking whether or not philosophy can ‘contain’ Levinas’ thought, I contend that it would be more ethical to instead re-phrase the question in terms of ‘sociality’. When we do this, I argue, we can indeed justifiably call Levinas’ thought philosophy.

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Levinas’s reflections arose as a critique of traditional philosophy which, since it was based on presence and identity, leads to the exclusion of the other. Instead of an onto-logical thought the Lithuanian proposes that the ipseity of the human being be constituted by alterity, and that it be so ethically, because the subject is sub-ject, that is, that which upholds, responsibility. In an attempt to take the obligatory attention to the otherness of the other even further, Derrida would develop a radical critique of the Levinasian posture. Deconstruction of every trace of ipseity and sovereignty in the relationship with the other, the reading that we have done of the work of Derrida opts for a no definable understanding of the human. That is why every de-limitation of an ethical field as a properly human implies a brutal violence that the levinasian humanism of the other tried to exceed.

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Jean-Luc Marion’s phenomenology of giveness constitutes one of the most outstanding attempts to set up a universal theory of the phenomenologically given as a whole within the framework of contemporary philosophical thought. The aim of the present study is to apply the main categories of this phenomenological theory concerning gift to the singular type of phenomenon represented by the pure indeterminate and anonymous being to which Emmanuel Levinas refers by the name of il y a (“there is”) in his early writings (and also subsequently). Therefore, this concerns examining the multiple specific modes of giveness proper to the impersonal “there is” and also its paradoxical relationship both with the donor and with the receiver of such gift in order to show the possibility of a “third way” of phenomenological investigation. This is a way equally distant from the western traditional concept of Being as “stable presence” and from Levinas’ proposal geared to substitute ontology for ethics as “first philosophy”.

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This practice-led research was initiated in response to a series of violent encounters that occurred between my fragile installations and viewers. The central focus of this study was to recuperate my installation practice in the wake of such events. This led to the development of a ‘responsive practice’ methodology, which reframed the installation process through an ethical lens developed from Emmanuel Levinas’ ethical phenomenology. The central propositions of this research are the reconceptualisation of ‘violent encounters’ in terms of difference whereby I accept viewers responses, even those which are violent, destructive or damaging, and secondly that the process operates as a generative excess for practice through which recuperative strategies can be found and implemented. By re-examining this process as it unfolded in the three phases of the practical component, I developed strategies whereby violated, destroyed or damaged works could be recuperated through the processes of reconfiguration, reparation and regeneration. Therefore my installations embody and articulate vulnerability but also demonstrate resilience and renewal.