Reality Shows in Chile, origin and road map. Historical-Communication Dialogues

Reality shows are TV programs which represent a format used in television nowadays; however, the observation practices of individual and/or group intimacy dates from thousands years ago. Sometimes this was driven by voyeurism or morbid fascination, some others, by the purpose of guarding, supervising and maintaining status quo. This work offers an alternative answer to the explanation of this type of TV program emergence and relates this appearance to a government procedure bound up with modern State terrorism which began at the end of the eighteenth century and has been recalled by different regimes until present days.

Rethinking the identity artist-researcher, from the project “Dialogues with women art teachers”

The questioning of identity and the various roles that artists have begun to explore, from the last century, are fundamental aspects in this article. Today it is difficult to speak of the artist as individual isolated innate talent working in his studio, but the various social, political and cultural effects, have moved the artists to become part of the social world and to generate artistic practices that visualize and manifest critically these concerns. To explain these transits deeper, we will share part of the personal artistic practice and reflections, and how it has begun to intertwine with the doctoral research, through the art project “Dialogues with women art teachers”. From the experience as an artist and researcher in training, we will share what this project of artistic inquiry is about and reflect their points with the notion of `artistic practice as research´ developed by Graeme Sullivan (2010, 2011). On the other hand, we will seek to reflect how the identities of `artist´ and `academic´ are in constant dialogue. This art project seeks to show that these identities are not in a fixed position, but rather reflect, from the place of an artist, how through the various shifts in different disciplines, can conceive an identity ‘in-between’. The latter refers to the ability to understand the processes of being a woman, artist and researcher who travels and forms its identity among both disciplines.

Dialogues de s. Grégoire.

Acquis le 6 avril 1820 de MM. de Bure, libraires du roi, suite à la vente du 22 mars 1820 de M.***, pour le prix de 15 francs; cf. B.n.F., département des Manuscrits, Archives Modernes 492bis, registre des acquisitions du département des Manuscrits 1806-1821, f. 272v et 277, et Archives Modernes 492ter, registre des acquisitions du département des Manuscrits 1821-1830, f. 173 "Dialogorum Gregorii libri IV, ms. sur velin du XIVe s., in fol."

Dialogues de S. Grégoire.

Essai de plume f. 1 : « karissimo domino... »

« Recueil des paroles de musique de Mr Perrin,... contenant plusieurs airs, chansons, recits, dialogues, pieces de concert, paroles à boire, serenades, paroles de musique pour des mascarades et des ballets, comedies en musique, paroles françoises pour la devotion, cantiques et chansons latines, dedié à monseigneur Colbert ».

Commençant par : « Monseigneur, je vous presente en ce recueil un parterre... » et finissant par : « Gaudia coelo, etc. » .

Dialogues en chinois et en mandchou.

Jian han Zi yin zhi yao