Determinação da crítica razão esforço-pausa em Uchi-Komi no judô, com a utilização de deltas de variação de lactato sanguíneo e da escala subjetiva de esforço de Borg

In the competitive judo, the form as a trainer organizes the process of his/her athlete's training is a very important task for a good acting and a better use of the technical procedures. There is great importance in determining the exercise intensity for the judocas training due to the interest for the high income in several competitions, and few studies returned for this research area, involving those athletes' different physiologic conditions. Therefore, it is necessary to improve protocols of physical evaluation for this modality, increasing his/her applicability. The present study aimed at to verify the validity of a protocol of specific aerobic test of the judo (technique ipon-seoi-nague), no exhausting, adapted of the method of CHASSAIN (1986), using deltas of variations of the lactacidemia and of the Scale of Perception of Effort of Borg, in athletes well. The test adapted to the judo constituted of four exercise series with two efforts similar (double) of 180 seconds with one interval of 90 seconds among them. The series of exercises were accomplished in consecutive days. The intensities of the double tests were of 85%, 95%, 105% and 115% of the minimum lactato for each participant. This work used the technique ipon-seoi-nague, obeying the reasons effort-pause individualized for each athlete, that you/they correspond to the intensities of exercises proposed by the protocol of CHASSAIN (1986). In that way, the athletes applied a blow (maximum speed) and they rested some seconds, depending on the regime effort-pause of the session. At the end of each collection collection of blood (25NL) of each participant's earlobe was accomplished, seeking to measure the concentration of sanguine lactato. The collections were accomplished at the end of the first and of the second efforts, in each one of the series. For the analysis of the Perception of the athletes' Effort, the Scale of Perception... (Complete abstract click electronic access below)

Determinação da crítica razão esforço pausa (e:pcrit) em uchi-komi no judô, utilizando deltas de variação de freqüência cardíaca e escala de percepção de esforço de Borg

O presente estudo objetivou verificar a validade de um protocolo de teste aeróbio específico do judô (técnica ipon-seoi-nague), não exaustivo, adaptado do método de CHASSAIN (1986), utilizando deltas de variações da escala de percepção de Borg e da freqüência cardíaca em atletas bem treinados. O teste adaptado ao judô constituiu de quatro séries de exercício com dois esforços iguais (duplos) de 180 segundos com um intervalo de 90 segundos entre eles. As séries de exercícios foram realizadas em dias consecutivos. As intensidades dos testes duplos foram de 85%, 95%,105% e 115% do lactato mínimo para cada participante. Este trabalho utilizou a técnica ipon-seoi-nague, sendo que as razões esforço-pausa foram específicas para cada atleta, e correspondem às intensidades de exercício propostas pelo protocolo de Chassain (1986). A escala de percepção de esforço de Borg foi mostrada ao final do primeiro e do segundo esforços, em cada uma das séries, para que o atleta determinasse o nível de cansaço. Para análise da freqüência cardíaca foi utilizado um freqüencímetro, Polar Vantage NV, obtendo freqüência cardíaca concomitantemente a escala de Borg, ao final de bloco de esforço. Dessa maneira, foram obtidos dois deltas de variações entre o primeiro e o segundo esforços, para escala de percepção de Borg (ΔBORG) e FC (ΔFC). Uma vez que foram utilizadas quatro intensidades, foi possível determinar quatro ΔBORG e quatro ΔFC. Assim, a partir de duas regressões lineares (uma para o Borg e outra para a FC), foi possível determinar as razões esforço:pausas críticas do exercício na técnica específica do Judô, a partir da determinação das intensidades nas quais a variação de Borg e da FC foi igual a zero (ΔBORG=0 e ΔFC=0). Para validar esses procedimentos adaptados de Chassain (1986) ao Judô, foi realizado o teste de Lactato Mínimo Adaptado, conforme sugerido por Azevedo (2002).

[Hermaphroditos in Greek mythology--DSD in moderne medicine]

We report a case of 34 year old woman how has been hospitalized at the age of 6 month with persistent vomitus. The vomitus was found to be caused by adrenal insufficiency with lack of all hormones of steroidobiosynthesis. The phenotypical femal child was diagnosed to have congenital lipoid adrenal hyperplasia with 46,XY DSD. 24 years later a homozygote mutation in the StAR-gene (L260P), which was first described in Switzerland, has been identified.

Germanic Mythology in Music: Cultural Memory and Conflict within the Framework of Modern Globalization

The multi-layered enactment of a national past in music has been strongly intertwined with the usage of mythological elements. Having often been compiled as a coherent narrative during the emergence of the European nation-states (like the Finnish Kalevala), the mythological material has often been perceived as a form of historical truth and national justification. This focal role is also apparent in various music genres ranging from folk revival to metal in post-1989 Europe. Within the globalized context, however, local-national interpretations can collide with earlier nationalist appropriations. This complex and sometimes politically conflicting situation becomes particularly evident with groups falling back on symbols and narrations that had previously been employed by Nazi-Germany. While Nazi-Germany had, among others, tried replace the Christmas tradition with elements and songs from Germanic (and other) mythological sources, modern Neo-Nazi music groups often employ central mythological names (like Odin or Tyr) and iconic elements (like Vikings and warriors) in song lyrics and CD cover designs. However, while many covers and lyrics are legally forbidden in Germany, Scandinavian and Baltic groups (like the Faroese Viking metal group Tyr and the Latvian pagan metal band Skyforger) employ similar elements of Norse mythology, which are often combined with traditional material. Discussing selected case studies, this paper highlights central discursive points of colliding historical-national associations and individual interpretations of the mythological elements in musical contexts. How far can the material be disassociated from the earlier historical political usage and instrumentalization? Is this necessary ? And how can the specific global-local conflict points be approached by a theoretical framework ?

Oif di ḥurbones fun milḥomes un mehumes : pinkes fun gegnṭ-komiṭeṭ "jekopo" ; barichṭn, arṭiklen, foršungen, materialn un dokumenṭn

unṭer der redaktzie fun Mōše Šālîṭ

Di šṭoltze Vašṭi : ein komiš šoišpil in reimn in einm oiftzuge

fun G.-R.

Der krizis in der Poale-Tzijon bewegung : memorandum fun dem tzenṭral-komiṭeṭ fun der idišer sotzial-demokraṭišer arbeiṭer-organizatzie Poale-Tzijon in Daiṭšland tzu die Poale-Tzijon parṭeien in ale lender

Digitalisat der Ausg. Berlin, 1920

Ktavim fun a komi-wojazšer : (aizenbahn-gešichṭen)

Digitalisat der Ausg. Warša, 1911