46 resultados para Kairós


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El texto pretende esbozar un modo de disposición y exposición del archivo visual basado en la noción de montaje. El método se esbozará a partir de algunos de los elementos del proceder metodológico de Aby Warburg y Walter Benjamin. Las correspondencias que se han trazado entre las prácticas históricas de ambos autores, se aprovecharán para dar cuenta de un método que comparten en cuanto al modo especial de entender las relaciones entre los elementos del archivo y las temporalidades que es posible establecer a partir de estas relaciones. Desde allí, se sugiere la posibilidad de construir un montaje de imágenes, producidas en diferentes contextos de circulación con el motivo iconográfico de la lengua violentada, a través del cual se alude a las relaciones entre memoria, violencia y silencio, y con el que se muestra que este procedimiento hace posible establecer correspondencias entre diferentes épocas de la violencia en Colombia.

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El interés de esta monografía es evaluar la influencia del conflicto armado nepalí sobre las relaciones de Nepal con India y China. Se analiza y se explica como un conflicto armado interno puede influir desde sus causas, desarrollo y desenlace en las relaciones regionales y bilaterales de un país con sus vecinos. El presente texto pretende probar que la guerra civil de Nepal influyo positivamente en sus relaciones con India y China, planteando al país nepalí como un escenario en disputa entre estas dos potencias emergentes. Mediante el Realismo Estructural de Keneth Watlz se evaluaran las lógicas y los patrones de cambio que puedan modificar el sistema conformado por Nepal, China e India, para posteriormente examinar los cambios reales o parciales que sufrieron las relaciones de estos países al termino del conflicto armado.

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O presente estudo parte de interrogações sobre o intervalo existente entre o projeto e o trajeto em arte. A idéia que persigo diz respeito à percepção do tempo vivido durante o acontecimento da criação. Tais como pontos de passagem, este tempo refere-se ao "tempo em suspenso", o tempo desterritorializado, que não pode ser medido ou espacializado. Por trabalhar com gravura em metal, tanto na prática de atelier, como na orientação de trabalhos no curso de Artes Visuais da Universidade Federal de Pelotas (UFPEL), interesso-me pela possibilidade de desvendar a proximidade ou distância que possa haver entre o que idealizamos e o que realizamos, ou entre a intenção poética e a criação da obra. As idéias aqui contidas foram influenciadas por Henri Bergson, Gilles Deleuse, André Compte-Sponville, Cecília Salles, Sandra Rey, Nilza Haertel, Edith Derdyk, Ernesto Bonato, Jean Lancri, Jorge Larrosa, Tomaz Tadeu e Marly Meira, entre outros. São abordados aspectos das imagens de tempo que foram sendo construídas, conforme autores dos campos da física, da filosofia e da arte; depois, questões relacionadas à gravura em metal e à "criação em processo". E, no final, estabeleço a interseção destas duas primeiras, na tentativa de encontrar pontos de contato possíveis entre a experiência que temos do tempo nos percursos que se prolongam por substâncias incorporais. Há uma conecção entre os três tempos kronos, aiôn e kairós durante os desacertos a que nos submetemos ao aventurar-nos na experiência da criação, o que nos impõe eternos recomeços.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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This research was aimed to survey depressive episodes, functional and cognitive decline of an elderly population residing nursing homes (NH) located at Marília, São Paulo, Brazil, and, from statistical analysis, verify the potential correlations between depressive episodes, functional and cognitive decline, amongst themselves and with the variables: age, gender and education. There were subject to the research 57 elders living in the NH, aged between 59 and 98 and both sexes. The following tools were used to collect data: Mini Mental State Exam (MMSE) to evaluate cognitive faculty, Barthel Index (BI) to evaluate cognitive faculty and Beck Depression Inventory (BDI).

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Even with several technologies, politics, laws and to knowledge that looks to secure the worthiest conditions of aging, the asylum of olds still marks presence in the contemporaneousness, like a sign of the aging badly succeeded. The present work is the result of practices carried out in institutions of long permanence and, among the effects of the institutionalization of the old age, the most attention was given here to the mechanism of the regression, analyzed through the light of the psychoanalysis.

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The active presence of the old ones in the society brings up discussions about the political and social participation in the advanced ages of the life. The senior citizen, like an actor of great relevance in the present time, shows their potential as scriptwriter and protagonist of their own history. However, many spaces constituted vertically, turned for this aim become artificial, abolishing, many times, the spontaneity and potential of these actors. Anyway, the important thing is to open spaces for the different expressions of social participation and that they find their legitimacy and place in the set of the protagonism that attaches life and sense to the world.

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The elders began to be highlighted in the social scene, not only by their numerical growth, but mainly for their redeployment into new social spaces and accelerating its pace of life. This article aims to analyze the specializations and the time built around the aging and trace its repercussions in the subjectivity production of the oldest. Therefore, it was taken as the object of analysis the differentiation of old age in the aging process.

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The purpose of this article is to analyze the relationship of man with death and its deployment in subjectivity and in aging. We did a brief history about the vision of death over time and we did an analysis on the process of aging and dying according to the logic of biopolitical management. With the death and old age increasingly distant from the horizons of life, subjectivity has been weakened. Thus, incorporating these aspects as there is part of one of the challenges both to the thought as to build itself.

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The purpose of this article is to analyze the relationship of man with death and its deployment in subjectivity and in aging. With this intent, we first present a brief history of the vision of death over time and after an analysis of the process of aging and dying according to the logic of biopolitical management. With death and old age increasingly distant from the horizons of life, subjectivity has been weakened. Thus, incorporating these aspects as part of existence constitutes one of the challenges to the thought as well as to the building of the self.

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This article aims to portray a survey in order to see whether the established in the Practical Guide Caregiver program (Ministry of Health, established in 2008 to improve the care for the elderly), are also affecting the nursing homes of smaller towns, with reference to a city in São Paulo State, with approximately 100,000 inhabitants located in western Sao Paulo State.

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This article aims to portray a survey in order to see whether the established in the Practical Guide Caregiver program (Ministry of Health, established in 2008 to improve the care for the elderly), are also affecting the nursing homes of smaller towns, with reference to a city in São Paulo State, with approximately 100,000 inhabitants located in western Sao Paulo State.

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This article analyzes and discusses the experience of time in old age through the relations of the elderly with photography. We did photography workshops with a group of elders exploring with them the sense of the photographic act death, as an act of freezing and stopping time and also the sense of exploring the future to create, through the photographic act, an image that can symbolize moving on in life.

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This article intends to inventory the medias that also cover Third Age in Brazil, in view of that all the demographic pointers reveal the accented process of aging of the worldwide population, and therefore of our country. A time that the journalists cannot ignore the changes that occur in the interior of the society, in which it is the main area of performance of the journalism, we want to understand why the Brazilian media still dedicates so little space to this phenomenon of the elderly, in contrast of what occurs in other countries. We ask ourselves, then, if the change in the way of looking at the elderly one would not have to be born inside of the University, through the young who prepare for the exercise of the profession, with citizenship and social concern. In the Course of Journalism of the UNESP/Bauru a group of future journalists is searching this subject, for this they sign this article.