Juvenilia; or, a collection of poems.

Fourth edition. Brewer, p. 12.

The feast of the poets, with notes, and other pieces in verse,

Shaw & Shoemaker 31773.

The Seer; or, Common-places refreshed.

Essays collected from the author's periodical writings. Most of them from the London journal. cf. Pref.

The masque of anarchy. A poem.

Mode of access: Internet.

Godfrey of Bulloigne; or, The recovery of Jerusalem:

Mode of access: Internet.

The sonnet in England, & other essays,

Mode of access: Internet.

Imagination and fancy;

Mode of access: Internet.

Stories from the Italian poets: being a summary in prose of the poems of Dante, Pulci, Boiardo, Ariosto and Tasso; with comments throughout, occasional passages versified, and critical notices of the lives and genius of the authors.

Paged continuously.

Men, women, and books; a selection of sketches, essays, and critical memoirs,

Mode of access: Internet.

Sir Ralph Esher:

Mode of access: Internet.

Political and occasional essays.

Bibliographical references included in "Notes" (p. [413]-445)

Monthly critical gazette.

Vol. 1, no. 7, includes: Medwin's Conversations of Lord Byron (p. 579-589) and Translations, imitations, & c. [by] J. and H.L. Hunt (p. 657-666).

From Dante to the Romantics : The Reception History of Leigh Hunt's "The Story of Rimini"

1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages of The Examiner. [...]

Introducing "Critical Essays": Leigh Hunt and theatrical criticism in the early nineteenth century

The years 1801 to 1808 saw the emergence of Leigh Hunt as a public figure on the London literary scene, first with the publication of his collection of poetry, "Juvenilia", and then with his work as theater critic for "The News" between 1805 and 1807. [...]

Representing Leigh Hunt’s Autobiography

That study attempted to elaborate the problematic of [Leigh Hunt's] position within the London literary and political scene between the years 1805 and1828, the contributions he made to British literature and journalism, and his public standing at the end of the romantic period. Since Hunt's life is obviously too complex to be rendered fully in any single study, the idea was not to attempt an exhaustive history, but rather to present a starting point for further inquiry into Hunt's career as a writer and public figure under the reign of Queen Victoria. [...]