La heráldica, el retrato y el fin de la Edad Media : un acercamiento antropológico a la iconografía

Resumen: Durante la Edad Media hizo su aparición la heráldica como forma de identificar ciertos aspectos de las personas, ya sea por su condición social o por su actividad específica. El uso de blasones y escudos de armas desde el siglo XI generó una importante cantidad de signos, colores y símbolos que edificaron todo un “patrón de lectura” del “rostro social” de la persona que portaba tal insignia, sin importar o no la veracidad de su rostro al confeccionarse un retrato pintado o esculpido. Paralelo a esto, la retratística que hubo durante todo el período medieval de personas reales, sagradas o ideales avanzó hacia un progresivo naturalismo que finalizó en el siglo XV con la reproducción del retratado tal cual era su fisonomía y abandonando el canon estereotipado que durante los siglos precedentes habían proliferado. Finalmente, con el creciente Humanismo, la aparición de la perspectiva y el progresivo abandono de la identificación de determinado personaje con sólo su escudo de armas, sirvió para que el retratado mirase a los ojos del observador y “dialogase”, develando aspectos espirituales antes ocultos. El objetivo de este trabajo es acercarse con una visión antropológica a la cuestión del retrato tardomedieval y renacentista en conjunción con los cambios operados en la heráldica y la iconografía, comprobando que la mirada tiene marcada intencionalidad, los rostros se frontalizan progresivamente y la heráldica pierde el espesor que tuvo en siglos precedentes

English Trade Mark Law in the Eighteenth Century: Blanchard v Hill Revisited - Another 'Case of Monopolies'?

The decision of Lord Hardwicke LC in Blanchard v Hill in 1742 is the earliest reported case on the equitable jurisdiction to grant injunctive relief against trade mark piracy. The ambiguous manner in which the case was reported led to the decision being interpreted as either the basis of equitable jurisdiction or a denial of jurisdiction. This article seeks to establish the background to the case, what actually happened, and the immediate impact of the decision. The scene is set, however, in a parallel symbolic universe – heraldry – because in 1740, the officers of arms were confronted with a trade mark case.

A heráldica do exército português

A Heráldica do Exército Português tem reconhecidamente uma qualidade excepcional e os organismos que deste ramo das Forças Armadas dependem vêm recebendo armas bem ordenadas, com simbologia adequada à história e missão do organismo e de belo efeito plástico. Neste artigo são analisadas as armas e alguma emblemática, ordenadas nos últimos anos e que se reputam de exemplares. ABSTRACT - The Portuguese Army Heraldry has exceptional quality and its organisms have been receiving correct coats of arms with appropriate symbology to the history and mission of the organism and with good aesthetics. In this article are analyzed and some iconic coats of arms produced, in recent years, by the Army heraldry office, considered good examples.

A arte e a heráldica autárquica em Portugal

RESUMO: Aborda-se a heráldica autárquica portuguesa não sob o aspecto da correcção da ordenação dos brasões de armas, mas privilegiando-se a abordagem em termos artísticos, ou seja a experimentação estética das armas e sua experimentação em termos de inovação e criatividade.

A formação da heráldica do exército no Estado Novo

RESUMO: É analisada nesta pesquisa a evolução da Heráldica do Exército Português ao longo do Estado Novo, sendo referida a importante reforma da década de 60 que lhe veio a conferir uma qualidade excepcional.

O gabinete de heráldica do exército e as armas da Junta de Freguesia de Verderena

O processo de ordenação de armas para a Junta de Freguesia da Verderena, a participação do Gabinete de Heráldica do Exército e a intervenção da Associação dos Arqueólogos Portugueses.

Brotherly love and filial obedience: the commemorative programme of the Avis princes at Santa Maria da Vitória, Batalha

This dissertation focuses on a rare 15th century commemorative programme that has thus far received little scholarly attention: the collective monument erected in the Founder’s Chapel, at the Monastery of Santa Maria da Vitória, Batalha, to house the remains of four Avis princes, members of what would become known as ‘the Illustrious Generation’. A patron is proposed for the commission of this erudite monument - the princes’ eldest brother, king Duarte I - arguing its integration into a broader propaganda programme to glorify the memory of the Avis dynasty founder, king João I. The dissertation then proceeds to discuss various highly innovative features of the monument, such as its pseudo-architectural character, its use of sophisticated heraldry and personal badges, the apparent absence of religious iconography on the tombs and, importantly, the collective nature of the programme, key to its interpretation. Using a semiotic approach, a discussion is also offered on the way the various formal, iconographic and conceptual novelties of the princes’ monument impacted on the 15th century monumental landscape in Portugal. Finally, the monument and the chapel housing it are looked at through the prism of the various readings that successive generations of viewers have projected onto it, from the time of its creation to the turn of the 20th century, in order to offer a more comprehensive understanding of the object as it stands today.

A GEOGRAPHICAL REPRESENTATION IN Coats of arms of LATIN AMERICA

This article seeks to reflect on geographic representation in the coats of arms of countries in Latin America, showing how the physical, aspects of the landscape, the elements of the economy and the republican symbols were used by local elites to compose an imaginary nation in the nineteenth century. This process of "naturalization of territory" was used as an important feature in the national discourse, because this time, in most cases, the Latin American nations were composed of multi-ethnic states, with strong differences of class and a large illiterate population plus a very tenuous territory from the point of view of national integration. Thus, the elements related to geographic image through the use of coats of arms, conveyed strong messages to citizens, showing how these heraldic symbols can become an important source of research to unravel the process of building the imaginary nation.

Burke's genealogical and heraldic history of peerage, baronetage and knightage.

Accompanied by "War gazette and corrigenda" and "Burke's approved list of recommended schools, " 1940-

Iroha biki monchô. Illustrated index of Japanese coats of arms.

In case.

Seals and other devices in use in the Government Printing Office.

Mode of access: Internet.

Ancient Westcountry families and their armorial bearings : a story of the old nobility and gentry of Devon and Cornwall; with notes on their lives, their manor-houses and their charities. v.1. /

Mode of access: Internet.

Origines juridiciales, or Historical memorials of the English laws, courts of justice, forms of tryal, punishment in cases criminal, law-writers, law-books, grants and settlements of estates, degree of serjeant, Innes of court and chancery.

Head-pieces: a few manuscript marginal notes; the "Chronica series" covers the period 1067-1671, and is extended in manuscript through 1727 (with omission of last four columns, magist. rotulorum & c., for 1722-1727.

Wappensammler.

Allgemeines Organ zum Austausch für Wappensammler, Genalogen, Heraldiker, sowie für Heraldische Vereine.

Armorial du Comté de Montbéliard et des seigneuries en dépendant /

Includes index.