960 resultados para Golf féminin


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Eguíluz, Federico; Merino, Raquel; Olsen, Vickie; Pajares, Eterio; Santamaría, José Miguel (eds.)

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Actions that involve making contact with surfaces often demand perceptual regulation of the impact — for example, of feet with ground when walking or of bat with ball when hitting. Here we investigate how this control of impact is achieved in golf putting, where control of the clubhead motion at ball impact is paramount in ensuring that the ball will travel the required distance. Our results from ten professional golfers indicate that the clubhead motion is spatially scaled and perceptually regulated by coupling it onto an intrinsic guide generated in the nervous system.

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The use of seaweed fertilisers in sports green maintenance has become a common practice across the globe due to its image as an “eco-friendly” alternative to chemical fertilisers. The aim of this study was to characterise the risk of human exposure to arsenic (As), via dermal absorption, from golfing activities on a private golf course in the UK, where As contaminated seaweed fertiliser (~ 100 mg/kg d.wt.) is applied. This was fulfilled by, 1) determining As concentrations in shallow soils with GIS geo-statistical analysis, 2) measuring As concentrations from an on-site borehole groundwater well, and (3) developing a risk assessment calculation for golfing activities based on field and questionnaire data. Total As concentrations in shallow soils were less than the UK threshold for domestic soils, however, frequent and sustained dermal contact between site-users and surface soil attributed to a maximum carcinogenic risk value of 2.75 × 10− 4, which is in the upper limit of the acceptable risk range. Arsenic concentrations in underlying groundwater exceeded the WHO's permissible drinking water standard, demonstrating the risk of groundwater contamination following the application of seaweed fertiliser to golf course soils. This is the first risk study on dermal As absorption via the application of a seaweed fertiliser.

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In an increasingly competitive global marketplace, the need for golf destinations to differentiate themselves from competitors has become more critical than ever. This paper raises questions about the promotional strategies employed by the golf sector in the Algarve, focusing on internet communication strategies, since this medium has become the biggest driving force towards the commoditisation of all aspects of the tourism experience. By offering a complementary perspective to the field of (critical) tourism studies, and drawing on a qualitative, multi-modal discourse analysis, this work-in-progress looks at the particular ways that representations and images presented on the Algarve golf websites constitute and frame identities (of people and places) and socio-spatial relationships. This paper analyses a corpus of 45 texts collected from official websites of the 40 Algarve golf courses and from five entities which promote the Algarve as a golf destination, along with the golf images that are displayed alongside them. Findings point to salient discursive and visual representations of a global setting enjoyed by the global elite. Whereas the courses‟ positioning in relation to their regional competitors draws on similar discursive strategies which reflect those used in tourism advertising discourses in general – e.g. reiteration of explicit comparisons, superlatives and hyperbolic statements -, representations of local emplacedness are not salient; in some cases local place seems to have been almost intentionally suppressed.

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Tese de dout., Turismo, Faculdade de Economia, Univ. do Algarve, 2013

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Ce mémoire porte sur la réception, par des lectrices de la génération X, de cinq oeuvres autofictionnelles écrites par les auteures québécoises Marie-Sissi Labrèche ( Borderline 2000 et La brèche 2003), Nelly Arcan (Putain 2001 et Folle 2004) et Mélikah Abdelmoumen (Le dégoût du bonheur 2001), lesquelles appartiennent à cette même génération. Leurs récits ont suscité un certain engouement public et obtenu un écho considérable dans la sphère médiatique et dans le milieu de la recherche universitaire. Les observateurs notent, de façon générale, que les narratrices autodiégétiques, alter ego des auteures, sont brutalement imparfaites, névrosées, mal dans leur peau, sexuellement soumises, assujetties aux désirs des hommes, et qu'elles ne parviennent pas à s'épanouir comme êtres humains, mais surtout, comme femmes. D'une part, les héroïnes rompent avec les représentations largement véhiculées dans les médias et dans la littérature québécoise contemporaine. D'autre part, leur profil correspond aux discours populaires sur la génération X, fréquemment qualifiée de génération sacrifiée, désabusée. Ma recherche, exploratoire, se fonde sur quatre approches théoriques : théorie des genres littéraires, théories de la réception, études féministes et gender studies, sociologie des générations. J'ai tenu cinq entretiens collectifs auprès de seize Québécoises de la génération X. J'ai réuni ces lectrices, qui s'étaient d'elles-mêmes intéressées aux récits, en petits groupe [i.e. groupes] de trois ou quatre participantes. Le compte-rendu et l'analyse de leurs discussions m'ont permis d'observer la portée sociale des récits éminemment personnels de Labrèche, d'Arcan et d'Abdelmoumen. Une interrogation m'a habitée du début à la fin de ma démarche : pourquoi et comment ces récits"parlent-ils", intellectuellement et émotionnellement, aux lectrices de la génération X? Je dégage de mon analyse quelques hypothèses interprétatives. D'abord, les lectrices ont du mal à distinguer les auteures et les narratrices. Elles tendent à appréhender les récits autofictionnels comme des autobiographies et elles procèdent à une lecture littérale des oeuvres. Ensuite, plus de la moitié des lectrices s'identifient, à différents degrés, aux narratrices. Comme ces dernières, les participantes à ma recherche affirment qu'elles ressentent une certaine pression sociale liée aux normes de beauté et de féminité et à l'hypersexualisation de l'espace public. En cela, leurs positions se rapprochent de celles du courant féministe radical. Cependant, les lectrices refusent d'être cantonnées dans un rôle de victime. Elles reprochent aux narratrices de s'autodétruire. Les femmes doivent, selon les participantes, se responsabiliser et se montrer critiques envers les modèles qui leur sont offerts. Enfin, les lectrices reconnaissent dans les héroïnes certains traits associés à la génération X. Elles attribuent en partie la souffrance des narratrices au contexte social dans lequel ces dernières évoluent. Mais elles estiment que cette souffrance est surtout tributaire de carences familiales. Les discussions des lectrices reflètent en quelque sorte leur propre appartenance à la génération X. Ainsi, l'importance qu'elles accordent à la sphère privée, par rapport à la sphère publique, constitue une des particularités des X qui ressort clairement des entretiens. Par ailleurs, leurs observations sont teintées d'un certain individualisme. Bref, à la lumière de mes résultats, je conclus que les récits autofictionnels de Marie-Sissi Labrèche, de Nelly Arcan et de Mélikah Abdelmoumen ont une certaine portée sociale, mais que leur écho résonne davantage sur le plan individuel, chez les lectrices qui s'identifient personnellement aux narratrices. Cela dit, les participantes semblent toutes avoir été portées à se questionner et à réfléchir, pendant et après leur lecture, sur l'identité féminine dans la société actuelle.

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The purpose of this research is to develop and validate a measurement scale to assess golf destinations’ brand personality and therefore to perceive the destination personality of the Algarve as a golf destination. Based on literature review on human personality, brand personality, destination brand image and marketing scales validation procedures, an initial 36 unrepeated items were the base for a survey instrument. Those items were generated from the literature, from the results of individual interviews with experts in tourism and golf in the Algarve and from promotional texts in golf- related websites. After content validation, the items were allocated into categories of attributes by a panel of expert judges. A survey was then applied to a convenient sample of 600 golf players in the Algarve, and 545 (valid) questionnaires were analysed to refine the scale. Golf players assessed the components of the relational brand personality (functional, symbolic and experiential) as well as the Algarve as a golf destination. A taxonomy of brand personality was developed and tested in the Algarve as it is recognized as one of the world best golf destination. The developed taxonomy of brand personality was assessed in two ways: 1) through the overall perception of the Algarve as a golf destination and 2) through the perception of specific attributes of the destination grouped into three main categories (functional, symbolic and experiential). Therefore, two multi-dimensional brand personality models were estimated by using structural equation modelling. Findings of this study indicate that golf players ascribe personality characteristics to destinations. The brand personality of the Algarve is translated into three main dimensions enjoyableness, distinctiveness and friendliness when tourists/golf players reveal their overall perception of the destination. The brand personality of golf destination Algarve is reflected in the dimensions reliability, hospitality, uniqueness and attractiveness when tourists assess the components of the relational brand personality. Refined scales consisting of 10 and 12 items were finally derived meeting both reliability and validity requirements. This study does not replicate Aaker’s (1997) personality dimensions and very little parallelism can be drawn with Aaker’s (1997) brand personality scale since only three items from her scale were validated in both models: friendly and cheerful, (sincerity), reliable (competence). The same is verified concerning the ‘Big-five’. The human personality traits (HPT) validated to describe golf destinations personality are only four helpful, pleasant (agreeableness), relaxed (emotional stability), and innovative (intellect or openness). As far as destination image descriptors (DID) are concerned, the items appealing, relaxed and safe were validated, while traits suggested by the interviews and website promotional texts such as calm, natural, spectacular, unique, welcoming, and the best (destination-specific traits) appear to be appropriate to describe the personality of a golf destination. The results suggest that the overall perception of the Algarve´s brand personality is described by the dimensions enjoyableness, distinctiveness and friendliness. Moreover, the relational perspective revealed that the functional attributes of the destination are described by the dimension reliablility, while the symbolic attributes are described by the dimensions hospitablility and uniqueness and finally its experiential attributes are described by the dimension attractiveness. These results show that a golf destination´s brand personality should not just be based on good golf practices. Theoretical and practical implications are discussed in the context of destination brand personality.

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This paper investigates relationships between modernity and monumentality in the architecture of Ludwig Mies van der Rohe. In his Modern Architecture, the critic and historian Kenneth Frampton separated Mies’ work into two historical periods, 1921-1933 and 1933-1967; the first he entitled ‘Mies van der Rohe and the significance of fact,’ the second ‘Mies van der Rohe and the monumentalisation of technique.’ The two historical periods correspond to two different geopolitical phases of Mies’ career, the first in Weimar Germany the second in the United States. By looking at a number of designs and texts made by Mies in the 1930’s and 1940’s, this essay questions the validity of separating Mies’ architecture into such clear-cut categories, where each one can enjoy a seeming independence from the other. The fulcrum for the discussion is Mies’ design of 1930 for a country golf clubhouse for the industrial town of Krefeld in north-western Germany. Our attention to the golf clubhouse design was prompted by the recent installation (2013), in which a 1-1 model of the design, made primarily from plywood, was erected in a field close the the site of Mies' original proposal.

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics

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Référence bibliographique : Rol, 58575

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Référence bibliographique : Rol, 58887