Essays, letters from abroad, translations and fragments,

v. 1. A defence of poetry. Essay on the literature, arts, and manners of the Athenians. Preface to the Banquet of Plato. The banquet--translated from Plato. On love. The coliseum. The assassins. On the punishment of death. On life. On a future state. Speculations on metaphysics. Speculations on morals. Ion; or, Of the Iliad--translated from Plato. Menexenus,--or, The funeral oration. Fragments from the Republic of Plato. On a passage in Crito.--v. 2. Journal of a six weeks' tour. Letters from Geneva. Journal at Geneva: ghost stories. Journal: return to England. Letters from Italy.

Black Medicine

Thesis (Master's)--University of Washington, 2016-06

A strand of vermicelli:Dr Darwin's part in the creation of Frankenstein's monster

Although much has been written about Mary Shelley's Frankenstein, the part played by Erasmus Darwin (1731-1802) has been almost entirely neglected. This is odd as, apart from some ghost stories, Dr Darwin is the one influence mentioned in both the 1816 and 1831 prefaces to the book. The present contribution aims to redress that omission. It aims to show that Darwin's ideas about spontaneous generation, his anti-establishment ideas, and his literary genius played a significant role in forming the 'dark and shapeless substance' surging in Mary Shelley's mind during the summer of 1816 and from which her tale of Gothic horror emerged. It is, however, ultimately ironic that Frankenstein, which warns against a too enthusiastic use of scientific knowledge, should have been partly inspired by one of the most optimistically forward-looking of all late eighteenth-century thinkers. © 2007 Institute of Materials, Minerals and Mining.

A chosen few; short stories,

A tale of negative gravity.--Asaph.--His wife's deceased sister.--The lady,or the tiger?--The remarkable wreck of the Thomas Hyke.--Old Pipes and the dryad.--The transferred ghost.--The philosophy of relative existences.--A piece of red calico.

Young Lucretia, and other stories,

Young Lucretia.--How Fidelia went to the store.--Ann Mary; her two thanksgivings.--Ann Lizy's patchwork.--The little Persian princess.--Where the Christmas-tree grew.--Where Sarah Jane's doll went.--Seventoes' ghost.--Little Mirandy.--A parsnip stew.--The dickey boy.--A sweet-grass basket.--Mehitable Lamb.

Stories by American authors.

v. 6. The village convict, by C. H. White. The Denver express, by A. A. Hayes. The misfortunes of Bro' Thomas Wheatley, by Lina R. Fairfax. The heartbreak cameo, by L. W. Champney. Miss Eunice's glove, by A. Webster. Brother Sebastian's friendship, by H. Frederic.--v. 7. The bishop's vagabond, by Octave Thanet. Lost, by E. Bellamy. Kirby's coals of fire, by Louise Stockton. Passages from the journal of a social wreck, by Margaret Floyd. Stella Grayland, by J. T. McKay. The image of San Donato, by Virginia W. Johnson.--v. 8. The brigade commander, by J. W. De Forest. Split zephyr, by H. A. Beers. Zerviah Hope, by Elizabeth S. Phelps. The life-magnet, by A. A. Adee. Osgood's predicament, by Elizabeth D. B. Stoddard.--v. 9. Marse Chan, by T. N. Page. Mr. Bixby's Christmas visitor, by C. S. Gage. Eli, by C. H. White. Young Strong of "The Clarion," by Milicent W. Shinn. How old Wiggins wore ship, by Captain R. T. Coffin. "--mas has come," by L. Kip.--v. 10. Pancha, by T. A. Janvier. The ablest man in the world, by E. P. Mitchell. Young Moll's peevy, by C. A. Stephens. Manmat'ha, by C. De Kay. A daring fiction, by H. H. Boyesen. The story of two lives, by Julia Schayer.

Stockton's stories ...

Contains publisher's advertisements.

The novels and stories.

v. 1. The late Mrs. Null.--v. 2. The Squirrel Inn. The Merry Chanter.--v. 3. Rudder Grange.--v. 4. The hundredth man.--v. 5. Ardis Claverden.--v. 6. The great war syndicate. The stories of the three burglars. The knife that killed Po Hancy. Dusky philosophy.--v. 7. The house of Martha.--v. 8. Pomona's travels. Euphemia among the pelican's. The Rudder Grangers in England. Pomona's daughter.--v. 9. The adventures of Captain Horn.--v. 10. Mrs. Cliff's yacht.--v. 11. The great stone of Sardis. The water-devil.--v. 12. The girl at Cobhurst.--v. 13. The casting away of Mrs. Lecks and Mrs. Aleshine. The vizier of the two-horned Alexander.--v. 14. The associate hermits.--v. 15. Stories. [v.]1: The lady or the tiger? The discourager of hesitancy. The transferred ghost. The spectral mortgage. Every man his own letter-writer. Thar same old coon. Our story. Derelict. On the training of parents. A borrowed month. The baker of Barnbury. The watchmaker's wife.--v. 16. Stories. [v.]2: A tale of negative gravity. Asaph. The remarkable page. The Cloverfield's carriage. A story of assisted fate. My bull-calf. As one woman to another. Our fire-screen. My terminal moraine. Plain fishing.--v. 17. Stories. [v.]3: The griffin and the minor canon. Old Pipes and the dryad. The bee-man of Orn. The queen's museum. The clocks of Rondaine. Christmas before last; or, the fruit of the fragile palm. Prince Hassak's march. The battle of the third cousins. The banished king. The philopena. Amos Kilbright: his adscititious experiences. The Christmas shadrach. The bishop's ghost and the printer's baby. The philosophy of relative existences.--v. 18. Stories. [v.]4: The magic egg. "His wife's deceased sister." The widow's cruise. Captain Eli's best ear. Love before breakfast. The staying power of Sir Rohan. A piece of red calico. The Christmas wreck. My well and what came out of it. Mr. Tolman. My unwilling neighbor. Our archery club.--v. 19. Afield and afloat: The Buller-Podington compact. The romance of a mule-car. The governor-general. Old Applejoy's ghost. Struck by a boomerang. The skipper and El Capitan. "Come in, new year." A sailor's knot. The great staircase at Landover Hall. The ghosts in my toewer. The landsman's tale.--v. 20. Kate Bonnet: the romance of a pirate's daughter.--v. 21. John Gayther's garden.--v. 22. The captain's toll-gate.--v. 23. A bicycle of Cathay. With a memorial sketch of Mr. Stockton and a bibliography of his works.

Karma and other stories & essays,

"Editor's note" signed: Albert Mordell.

Selected stories;

v. 1. Ball-of-Suet ; A family affair ; The artist's model ; The letters ; Cemetery sirens ; The dying peasant ; A madman's journal ; Checkmate! ; The shepherd's leap ; A husband's confession ; Madame Parisse ; The wedding night ; Father and son ; The false jewels ; The umbrella! ; The clock ; The dowry ; The lancer's wife ; Prisoners of war ; Woman's love ; The devil's visit ; Was it a dream? ; Simon's papa ; The diamond necklace ; Duchoux ; Timbuctoo ; Denis -- v. 2. The horla ; Monsieur Parent ; Miss Harriet ; Mad! ; Mademoiselle Pearl ; The farmer's wife ; A coward ; Mount Olivet ; The flight of years ; The old maid ; The Tellier house ; The parricide ; The fortune of war ; Humble happiness ; The mysterious groom ; The open door ; Wife and mistress ; The fathers ; The mountain inn ; Madame Husson's rosier ; An unfortunate resemblance -- v. 3. The Sunday outings of a bourgeois ; Little Louise Rocque ; A voice from the deep ; The father ; Magnetism ; The wrong house ; Moiron ; Monsieur Bombard's little game ; Madame Baptiste ; The Parisian accent ; A fashionable woman ; Mademoiselle Cocotte ; Who knows? ; Boitelle ; Uncle Jules ; The hand ; A lock of hair ; On the river ; My Uncle Sosthenes ; An artist ; Father Toine ; The viaticum ; True forgiveness ; A twelfth-night supper ; Father Matthew's saints ; A bit of string ; The minuet ; The relics ; A farm girl's story -- v. 4. The legacy ; Two little soldiers ; A state affair ; Old Amable ; Mademoiselle Fifi ; The ghost ; Useless beauty ; The fishing-hole ; The Rondoli family ; Châli ; The odalisque ; The wicked Mohammed ; Marroca ; Allouma ; A strange meeting ; Feminine wiles ; A strange night in Paris ; All over!

Holiday stories,

Paddy from Cork.--The sealskin sacque.--Summer boarders.--An American ghost.--The unfortunate heiress.--Love on instalments.--Ten to two.--A happy escape.--Over the ferry.

TV stories : from representation to productivity

This chapter revisits the concept of the ‘bardic function’ (Fiske & Hartley 1978), using historical analysis of the oral bardic institutions to re-theorise it for the era of interactive media and digital storytelling. It shows how ‘representative’ storytelling has transformed into self-representation, and proposes that the ‘bardic function’ can be divided into three types: representative (the ‘Taliesin function’); pedagogic (the ‘Gandalf function’); and self-organised (the ‘eisteddfod function’).

Chi viaggia ha delle storie da raccontare : those who travel have stories to tell

This review article uses the work of Italian scholar Milly Buonanno to review the state and future of television scholarship, given that the ‘age of television’ has been overtaken by the age of computer-based media. In particular, it discusses the role of open-ended narrative through which we collectively explore the human condition.

Traps for the unwary : reform stories of private sector managers entering public service

The purpose of this research is to capture and interpret the stories of “outsider” managers who make the transition to the public sector. These experiences are considered in the context of efforts to shift public management culture in a direction consistent with meeting contemporary demands placed on public sector organisations. It is often noted that an important strategy for changing culture is the infusion of outsiders. Outsiders are thought to bring new perspectives that, through a dialectical process (Van de Ven 1995), create the potential for change. While there have been cross-sector comparisons (Broussine 1990; Silfvast 1994; Redman 1997), little attention has been given to the experience of those who make the transition in the context of efforts to reform public sector management culture. Not only is the infusion of private sector managers into the public sector a potential culture change strategy, it is also a personal experience for those who make the transition. Boundary crossing is typically an anxiety provoking experience (Van Maanen & Schein 1979) and the quality of this experience influences decisions to commit, engage, disengage or exit. The quality of the experience is likely to be affected by how the public organisation responds to people making this transition, that is, their investment in people processing (Saks 2007). The cost of recruitment and selection processes at middle and senior management levels warrants a greater research focus on this transition. In this paper we argue that the experiences of those who make the transition from private to public sectors has much to tell us about the traps that transition managers experience in making this change, the implications for injecting outsider managers as a strategy for achieving public management culture change, and how reform-oriented public organisations can manage the transitions of outsider managers into the public sector in order that best value might be achieved for both the individual and organisational change goals.