Breton folk-songs : set to music (for soprano, contralto, tenor and bass) /

English words also printed as text.

Sixty Russian folk-songs for one voice.

Mode of access: Internet.

Negro folk-songs.

Forewords by Natalie Curtis Burlin.

Bulgarian Folk Songs in a Digital Library

The paper presents the main results of an ongoing project aimed at the development of technologies for digitization of Bulgarian folk music and building a heterogeneous digital library with Bulgarian folk songs presented with their music, notes and text. An initial digitization and preservation of the Bulgarian cultural heritage starts by means of digitization and insertion into the library of over 1000 songs that were recorded and written down during the 60s and 70s of XX century. Also we present a full text search engine in a collection of lyrics (text of songs) and coded notes (symbolic melody). Some perspectives for future projects are also discussed.

Futilitates: Beiträge zur volkskundlichen Erotik.

Bd. 1. Schamperlieder, deutsche Volkslieder des 16.-19. Jahrhunderts, gesammelt und hrsg. von E.K. Blümml. -- Bd. 2. Schwänke und Bauernerzählungen aus Nieder-Österreich, gesammelt und erläutert von Josef Polsterer. -- Bd. 3. us den Lieder handschriften des Studenten Clodius, 1669- und des Fräuleins von Crailsheim, 1747-49, hrsg. von E.K. Blümml. -- Bd. 4. Militaria; eine Sammlung der typischen handschriftlichen Literatur des deutschösterreichischen Soldatenstandes, hrsg. von Josef Polsterer.

White and Negro spirituals, their life span and kinship, tracing 200 years of untrammeled song making and singing among our country folk, with 116 songs as sung by both races.

"The tune comparative list. One hundred and sixteen melodies of white people paired with same number of Negro-sung variants": p. [145]-227.

White spirituals in the southern uplands; the story of the fasola folk, their songs, singings, and "buckwheat notes,"

Includes music.

Challenging Folk Icons - Rewriting Woody and Santeri

Woody Guthrie’s song, “The 1913 Massacre,” written around 1940-41, has become something of a folk anthem for progressives, leftists, and labor supporters. It depicts the Italian Hall Disaster of December 24, 1913, in a plainspoken and colorful way, but has been (rightfully) described as “deeply flawed historically.” Much like Guthrie’s English-language folk songs, Finnish immigrant Santeri Mäkelä had a major impact on capturing the working-world around him. Mäkelä’s lyrics for the “Kaivantomiehen Laulu (The Miners’ Song)” were first published in Hancock, 1909, in “Uusi Työväen Laulukirja (The New Workers’ Songbook),” and was probably sung widely by Finnish strikers during the 1913-14 Michigan Copper Strike. Leading up to, and during this Strike Centennial year, there have been renewed performances of the song, both in Finland and the United States—but only in the original Finnish language. This presentation will delve into the accuracy, history, and lyrics of these two important, but historically problematic labor songs.

Taking the Shilling: Songs of and about World War 1

A performance lecture exploring a) contemporary music hall songs as a means of propaganda, recruitment and later criticism, b) the folk songs originating from among the soldiers, based on music hall, hymn and children's song tunes, and c) songs written about World War 1 by songwriters of the sixties and seventies in the critical vein inspired amongst others by the Vietnam War.

Ballads and songs of Indiana,

Some of the songs have unaccompanied melodies.

Sixty Irish songs : for high voice /

For high voice and piano.

Nye og gamle Viser af og for danske Folk.

Mode of access: Internet.

Three Armenian folk-tunes,

Mode of access: Internet.

The songs of Scotland prior to Burns with tunes.

Mode of access: Internet.

The ballad literature and popular music of the olden time : a history of the ancient songs, ballads, and of the dance tunes of England, with numerous anecdotes and entire ballads; also, a short account of the minstrels /

An expansion of his Collection of national English airs, pub. in 1838-40. Recast by H. E. Wooldridge and pub. in 1893 as Old English popular music.