A history of the mathematical theories of attraction and the figure of the earth from the time of Newton to that of Laplace.

Available on demand as hard copy or computer file from Cornell University Library.

Three hundred and eighty-four laparotomies for various diseases, with tables showing the results of the operations and the subsequent history of the patients. A resumé of the writer's experience in abdominal surgery during the last fifteen years.

Includes tables.

The figure of the earth, : determined from observations made by order of the French King, at the Polar circle: /

Head- and tail-pieces, initials.

Letters of the late John Thorp, of Manchester : a minister of the Gospel in the Society of Friends ; to which is prefixed a memoir of the life of the writer.

Mode of access: Internet.

An essay on the credibility of Swedenborg; in which his claims as the announcer of the dispensation mentioned in prophecy under the figure of the New Jerusalem, are briefly considered and defended.

Mode of access: Internet.

An account of experiments to determine the figure of the earth : by means of the pendulum vibrating seconds in different latitudes, as well as on various other subjects of philosophical inquiry /

"Printed at the expense of the Board of Longitude."

Mathematical tracts on the lunar and planetary theories, the figure of the earth, precession and nutation, the calculus of variations, and the undulatory theory of optics. Designed for the use of students in the university.

Mode of access: Internet.

Select passages from the diary and letters of the late John Blackader... Written chiefly during the most interesting scenes and engagements of the war in Flanders and Germany, conducted by John, Duke of Malborough... To which is prefixed, an account of the life and parentage of the writer.

Mode of access: Internet.

To the saints in Sion, a song of praise. Written at Carlisle in Cumberland, about fifty years ago, and now published by consent of the writer,

Mode of access: Internet.

The law of the offerings in Leviticus I-VII, considered as the appointed figure of the various aspects of the offering of the body of Jesus Christ.

Mode of access: Internet.

A history of the determination of the figure of the earth from arc measurements.

Bibliography: p. 162-168.

The "Art" of Criticism: Rubén Darío and his Unknown Chronicles of the 1895 Salon for "La Prensa"

With the impetus that has led recent studies on Latin American Modernism to a reevaluation of the sense of cultural fluxes from the modernity capitals to its peripheries –discarding categories such as “influence”, “exotism” and “ivory tower”, stereotypes that have clouded critical understanding of this aesthetics for decades- the present study intends to investigate a persistent practice of the main writers of the movement. This practice is modernist pictorial criticism, a genre that will be approached through the analysis of an unknown corpus: the seven chronicles Rubén Darío published in the journal La Prensa on occasion of the third art exposition of the Ateneo de Buenos Aires. Our hypothesis is that the rare creators of images portrayed by Darío by the end of 1895 work as a visual counterpoint of the eccentric writers’ biographical sketches that a year later will be part of the fundamental volume Los raros (1896). In this early “salon”, which we reproduce in its entirety, accompanied by explanatory notes, the leader of Modernism rehearses and consolidates his transcultural work with the universal tradition –now applied to the Salons (1845-1860) by Charles Baudelaire and to the monumental project by John Ruskin in Modern painters (1843-1860)- to legitimate, from another subgenre of Modernist criticism, a new figure of the critic, in dissent with the Enlightenment model of the writer.

The representation of the northeastern migrant: interstices and culture in the figure of Francisco da Silva in "Liberdade", by Ruth Laus

It serves as the object of analysis of this article the representation of the northeastern migrant in the figure of the male character Francisco da Silva, protagonist of the short story "Liberdade", by Ruth Laus, as a fictional character who lives "in an interrogatory, interstitial space between the act of representation [...] and the presence of community itself" (Bhabha, 1998, p. 22) where he comes to enter and to settle. Chico, as he is known, embarks on a crowded truck, and his fate, like that of many other migrants, is the Southeast region of Brazil, where, between São Paulo and Rio de Janeiro, he chooses the sea. To the same extent, beyond the concept(s) of culture(s), and the need to (re)think the concept of [cultural] human community - here adding the cultural term to the proposal of Bhabha (1998), as a way of thinking about the role of the individual - are taken and analyzed, also, the cultural identity concepts based on the difference itself. It is thought in what way, then, and through what imposing character, the wealth and the values ​​of the Northeast, although managed to be spread on national home soil, yet not are conspicuous by their guarantee of permanence of its inhabitants in their homeland.