[ハ]城明倫館学頭次第

Mode of access: Internet.

Die griechischen personennamen nach ihrer bildung erklärt und systematisch geordnet.

Mode of access: Internet.

Mosby's war reminiscences: and Stuart's cavalry campaigns /

Mode of access: Internet.

History of Greenfield, shire town of Franklin county, Massachusetts,

Vol. 3: History of Greenfield, 1900-1929, by Lucy Cutler Kellogg ... Published by the town of Greenfield, committee: Francis Nims Thompson and Frank Gerrett. Vol. 4: History of Greenfield, 1930-1953, by C. S. Severance.

Mémoire sur la sculpture aux Pays-Bas, pendant les XVIIe et XVIIIe siècles, précédé d'un résumé historique.

Includes bibliographical references.

The seventh book of Vergil's Aeneid /

Two of the plates printed on both sides.

Sammlung der griechischen Dialekt-Inschriften

Issued in parts ("Hefte" with cover and half-titles); the 4th volume has t.-p. for each "Heft", but no general t.-p.

Society in London /

Attributed to T.H.S. Escott or G.W. Smalley; the former disclaims the authorship.

Address of representative Daniel McDonald of Plymouth : delivered in the House of Representatives, Indianapolis, Friday, February 3, 1905 on The bill to erect a monument to the Pottawattomie [sic] Indians at Twin Lakes, Marshall County.

"Published by direction of the House of Representatives."

Report of the viticultural work.

A paper on red-wine grapes, by L. Paparelli, forms "pt. 1" (i. e. pt. 2) of the Report of the viticultural work for the seasons 1887-89. This paper is continued by F. T. Bioletti in the Report for the seasons 1887-93, pt. 1, which contains also papers on white-wine, raisin and table grapes by the same author.

Thucydidis Historia belli Peloponnesiaci

Mode of access: Internet.

Inventaire sommaire des Archives départementales antérieures à 1790, Var archives civiles, série E.

Vol. 2 prepared by F. Mireur.

Boston Theatre. ... Farewell benefit of Miss Agnes Robertson ... This, Friday evening March 27, 1857, will be performed the beautiful comedy, in 2 acts, by A. Harris, entitled The little treasure! ... After which, 1st time at this theatre, a new Protean burletta, written expressly for Miss Agnes Robertson, by Dion Boucicault, called The chameleon ...

Playbill for the production of A little treasure by A. Harris and The chameleon by Dion Boucicault, at Boston Theatre, March 27th, 1857.

The new Gradatim; a revision, with many additions and omissions, of "Gradatim", an easy Latin translation book for beginners,

Mode of access: Internet.

SELECTED CHARACTER PIECES OF FRÉDÉRIC CHOPIN (1810-1849), FRANZ LISZT (1811-1886) AND JOHANNES BRAHMS (1833-1897)

During the 19th century, Frédéric Chopin (1810-1849), Franz Liszt (1811- 1886), and Johannes Brahms (1833-1897) were among the most recognized composers of character pieces. Their compositions have been considered a significant milestone in piano literature. Frédéric Chopin (1810-1849) did not give descriptive titles to his character pieces. He grouped them into several genres such as Mazurkas, Polonaises. His Mazurkas and Polonaises are influenced by Polish dance music and inspired by the polish national idiom. Franz Liszt (1811-1886) was influenced in many ways by Chopin, and adopted Chopin’s lyricism, melodic style, and tempo rubato. However, Liszt frequently drew on non-musical subjects (e.g., art, literature) for inspiration. “Harmonies poétiques et religieuses” and “Années de pèlerinage” are especially representative of character pieces in which poetic and pictorial imagination are reflected. Johannes Brahms (1833-1897) was a conservative traditionalist, synthesizing Romantic expression and Classical tradition remarkably well. Like Chopin, Brahms avoided using programmatic titles for his works. The titles of Brahms’ short character pieces are often taken from traditional lyrical or dramatic genres such as ballade, rhapsody and scherzo. Because of his conservatism, Brahms was considered the main rival of Liszt in the Romantic Period. Brahms character pieces in his third period (e.g., Scherzo Op.4, Ballades of Op.10, and Rhapsodies of Op.79) are concise and focused. The form of Brahms’ character pieces is mostly simple ternary (ABA), and his style is introspective and lyrical. Through this recording project, I was able to get a better understanding of the styles of Chopin, Brahms and Liszt through their character pieces. This recording dissertation consists of two CDs recorded in the Dekelboum Concert Hall at the University of Maryland, College Park. These recordings are documented on compact disc recordings that are housed within the University of Maryland Library System.