"You can see some eagles. And hear the trumpets": the literary and political hinterland of T.S. Eliot's 'Coriolan'

There has been an increased amount of scholarly interest lately in T.S. Eliot's unfinished sequence, Coriolan (1932)—interest drawn from its Shakespearian allusiveness, and from analysis of this writing's particularly rebarbative, jarring poetic. Although, however, the two parts of the sequence published by Eliot are acknowledged as being his nearest approach to poetic commentary upon contemporary political ideas, little criticism exists establishing the hinterland of the political thought, with which Eliot was most familiar, as editor of the Criterion. Coriolan emerges at a time when the lure of fascism pulled hardest at Eliot's sensibility. This article reviews the full political context provided by Eliot's journal, as well as considering the connections between that political engagement and the readings of Shakespeare he was also promulgating through this forum, in order to provide a more complex sense than hitherto of the diverse pressures underlying the unsettled nature of the existing Coriolan poems.

Provincialism and the modern diaspora: T.S. Eliot and David Jones

This article considers how T. S. Eliot's promotion of the work of the Anglo-Welsh poet David Jones after the Second World War further involved him in a process of considering the resonances of the local and familiar as operative within the displacements of modernity. This promotion therefore retrospectively prioritized an aspect of Eliot's poetics which had been present, but occluded, all along. Conversely, the article considers how similar resonances in Jones's own work were enhanced by his encounter with Eliot's translation of the Francophone Caribbean poet St-John Perse's Anabase, an encounter which enabled Jones to establish an idiom responsive to the divergent cultural affinities inherent in ‘our situation’.

The Poems of T. S. Eliot [Book design by Paul Luna]

Book design, consisting of typographic design and composition formatting, and commissioning of custom scripting and custom typeface design to implement the book's typography.

T.S. Eliot`s idea of the clerisy, and its discussion by Karl Mannheim and Michael Polanyi in the context of J.H. Oldham`s moot

In 1938, Joseph Oldham, a leading British Christian ecumenist, formed a discussion group that came to be known as the Moot. The Moot met in a retreat setting for several long weekends each year until early 1947, its discussions carefully organized and convened by Oldham. More than anything else, the discussions of the Moot revolved around the topic of order and, more particularly, around the problem of how order might be restored in British society and culture in the context of a ‘world turned upside down’. Oldham and most members of the group sought a central place for Christian ideas and ideals in British social life.

A striking feature of the Moot was the intellectual stature and the diversity of interests of its members. Among its 16 or so regular members were Oldham (1874-1969), his close friend T.S. Eliot (1888-1963) and Karl Mannheim (1893-1947). Among the later ‘visitors’ to Moot meetings was Michael Polanyi (1891-1976), who first came to the 20th Moot meeting in June of 1944.1

This article presents several papers that were produced for the Moot discussion of 15-18 December 1944 by Eliot, Mannheim and Polanyi. These papers have intrinsic and historical interest, and are published together for the first time here. The initial paper, written by Eliot, treats the role in society of ‘the clerisy’2 - a term borrowed from Samuel Taylor Coleridge that points to an intellectual elite or vanguard. Eliot requested that Oldham solicit responses to his paper from Mannheim and Polanyi. Mannheim’s response was a set of detailed answers to four questions that Eliot posed at the end of his essay. Polanyi’s response was a short, coherent essay, which he identified as ‘my own position with respect’ to Eliot’s discussion; his essay outlines a brief account of the role of the clerisy in science.3 Eliot wrote short comments on the responses of both Mannheim and Polanyi. These five pieces, which have a natural unity, should be of interest to anyone working in the history of social thought. We have abridged only Mannheim’s lengthy response and have eliminated a few lines of illustrative material from Eliot’s reply to Mannheim, but these excisions in no way detract from the clarity of the authors’ perspectives in this rich trilogue.

Poesia e transcendência no Quatro Quartetos, de T. S. Eliot

Considered by critics to be the highest point in T. S. Eliot’s poetic production, the Four Quartets carry out a poetical reflection on time under the direct influence of Henri Bergson’s philosophy. What we would like to show in this article is how Eliot’s poetical use of Bergson’s concept of durée makes it possible for the poet to articulate poetry and thought in a unique combination which is peculiar to Eliot’s poetry. The peculiarity of such combination poetry-thought in the Four Quartets, this is the second point we would like to show, fundamentally involves a religious-poetical-philosophical syncretism that can be seen already in Eliot’s first poems, but which gets full expression in the Four Quartets.

Dinámicas cognitivas de la complejidad poética y lingüística del concepto "TIEMPO". Modelización conceptual en el texto de T.S. Eliot."The Waste Land" (1992)

Programa de doctorado: Nuevas perspectivas cognitivas en los estudios de lengua, literatura, y traducción. Tesis doctoral europea

DALLA TERRA DESOLATA ALLA MAPPA DEL NUOVO MONDO: percorso mitografico - letterario sull'influsso di T.S. Eliot nell'ambito della poesia di D. Walcott

Questo progetto intende indagare il rapporto privilegiato che Derek Walcott intesse con gli scrittori che lo hanno preceduto, e in particolare con T.S.Eliot. Attraverso l ‘analisi di un percorso mitografico letterario emerge la rilevanza che per entrambi i poeti assumono sia il paesaggio che il mito. La ricerca svolta si focalizza prevalentemente su The Waste Land di T.S.Eliot e Mappa del Nuovo Mondo di Derek Walcott.