(Re)presenting Masculinity: A theatre director's critical observations of, and theatrical experimentation with, (re)presentations of masculinity in selected works of contemporary Australian theatre

Health professionals, academics, social commentators and the media are increasingly sending the same message – Australian men are in crisis. This message has been supported by documented rises in alcoholism, violence, depression, suicide and crime amongst men in Australia. A major cause of this crisis, it can be argued, is an over-reliance on the out-dated and limited model of hegemonic masculinity that all men are encouraged to imitate in their own behaviour. This paper, as part of a larger study, explores representations of masculinity in selected works of contemporary Australian theatre in order to investigate the concept of hegemonic masculinity and any influence it may have on the perceived ‘crisis of masculinity’. Theatre is but one of the artistic modes that can be used to investigate masculinity and issues associated with identity. The Australia Council for the Arts recognises theatre, along with literature, dance, film, television, inter-arts, music and visual arts, as critical to the understanding and expression of Australian culture and identity. Theatre has been chosen in this instance because of the opportunities available to this study for direct access to specific theatre performances and creators and, also, because of the researcher’s experience, as a theatre director, with the dramatic arts. Through interviews with writers, directors and actors, combined with the analysis of scripts, academic writings, reviews, articles, programmes, play rehearsals and workshops, this research utilises theatre as a medium to explore masculinity in Australia.

Memoria historica da Estrada de Ferro Central do Brazil / organizada por Manuel Fernandes Figueira ; e publicada por ordem da Directoria e autorisação do Ministério da Industria, Viação e Obras Publicas por occasião de celebrar-se aos 29 de março de 1908 o 50º anniversavio da inauguração do trafego do primeiro trecho, sob as vistas dos Srs. Drs. João José de S. Paulo ..., Carlos Euler, ..., e José Ascanio Burlamaqui, ..., sendo o director da estrada Dr. Aarão Reis

Referência: Fundação Biblioteca Nacional.

Cooperative properties of lipid bilayers : collective director fluctuations and the effects of hydrophobic mismatch in protein/lipid membrane systems

Cooperative director fluctuations in lipid bilayers have been postulated for many years. ^2H-NMR T_1^(-1), T_(1P)^(-1) , and T_2^(-1); measurements have been used identify these motions and to determine the origin of increased slow bilayer motion upon addition of unlike lipids or proteins to a pure lipid bilayer.

The contribution of cooperative director fluctuations to NMR relaxation in lipid bilayers has been expressed mathematically using the approach of Doane et al.^1 and Pace and Chan.^2 The T_2^(-1)’s of pure dimyristoyllecithin (DML) bilayers deuterated at the 2, 9 and 10, and all positions on both lipid hydrocarbon chains have been measured. Several characteristics of these measurements indicate the presence of cooperative director fluctuations. First of all, T_2^(-1) exhibits a linear dependence on S2/CD. Secondly, T_2^(-1) varies across the ^2H-NMR powder pattern as sin^2 (2, β), where , β is the angle between the average bilayer director and the external magnetic field. Furthermore, these fluctuations are restricted near the lecithin head group suggesting that the head group does not participate in these motions but, rather, anchors the hydrocarbon chains in the bilayer.

T_2^(-1)has been measured for selectively deuterated liquid crystalline DML hilayers to which a host of other lipids and proteins have been added. The T_2^(-1) of the DML bilayer is found to increase drastically when chlorophyll a (chl a) and Gramicidin A' (GA') are added to the bilayer. Both these molecules interfere with the lecithin head group spacing in the bilayer. Molecules such as myristic acid, distearoyllecithin (DSL), phytol, and cholesterol, whose hydrocarbon regions are quite different from DML but which have small,neutral polar head groups, leave cooperative fluctuations in the DML bilayer unchanged.

The effect of chl a on cooperative fluctuations in the DML bilayer has been examined in detail using ^2H-NMR T_1^(-1), T_(1P)^(-1) , and T_2^(-1); measurements. Cooperative fluctuations have been modelled using the continuum theory of the nematic state of liquid crystals. Chl a is found to decrease both the correlation length and the elastic constants in the DML bilayer.

A mismatch between the hydrophobic length of a lipid bilayer and that of an added protein has also been found to change the cooperative properties of the lecithin bilayer. Hydrophobic mismatch has been studied in a series GA' / lecithin bilayers. The dependence of 2H-NMR order parameters and relaxation rates on GA' concentration has been measured in selectively deuterated DML, dipalmitoyllecithin (DPL), and DSL systems. Order parameters, cooperative lengths, and elastic constants of the DML bilayer are most disrupted by GA', while the DSL bilayer is the least perturbed by GA'. Thus, it is concluded that the hydrophobic length of GA' best matches that of the DSL bilayer. Preliminary Raman spectroscopy and Differential Scanning Calorimetry experiments of GA' /lecithin systems support this conclusion. Accommodation of hydrophobic mismatch is used to rationalize the absence of H_(II) phase formation in GA' /DML systems and the observation of H_(II) phase in GA' /DPL and GA' /DSL systems.

1. J. W. Doane and D. L. Johnson, Chem. Phy3. Lett., 6, 291-295 (1970). 2. R. J. Pace and S. I. Chan, J. Chem. Phy3., 16, 4217-4227 (1982).

The Freshwater Biological Association at Wray Castle: Recollections of its first director

In 1937 the Development Commission provided an annual grant to the Freshwater Biological Association to pay for a director and secretary. The author moved to the Lake District in the same year, and at that time T.T. Macan was working on invertebrates; K.R. Allen on fish; C.H. Mortimer on chemistry and physics of the aquatic environment, and Marie Rosenberg on phytoplankton. They were backed by George Thompson as laboratory assistant and Rosa Bullen as secretary. The work of the Association continued and expanded throughout the Second World War with some far-reached discoveries made. For example, the recovery of lake sediment cores and the examination of diatom remains, so starting the discipline of archaeo-limnology. Also, a hydrological survey of the Windermere catchment area found significant traces of sulphuric acid in rain gauges. This was more than 30 years before "acid rain" became fashionable.

Entre o exotismo e o progresso: a construção do Brasil pela fotografia de Marc Ferrez

Marc Ferrez (1843-1923), filho de franceses nascido no Brasil, exerceu por mais de cinqüenta anos a atividade de fotógrafo e comerciante de materiais afins. Para o presente estudo foi selecionada da imensa produção de Ferrez uma série de fotografias que pudesse abranger a diversidade de temas, regiões e períodos nos quais o fotógrafo atuou. A partir desta seleção foi estudada a contribuição da fotografia para a formação de uma identidade nacional brasileira, levando-se em conta os meios de circulação e recepção das fotografias e suas diversas formas de reprodução. Neste circuito visual travou-se um combate de imagens: de um lado o público que encomendava trabalhos de documentação fotográfica procurava apresentar uma nação n a marcha do progresso, de outro lado a comercialização de fotografias ou reproduções delas com grande aceitação em um mercado de imagens trazia especialmente temas como a natureza ou os tipos humanos exóticos. Na fotografia de Ferrez podemos apreender imagens de um país cujas elites sonhavam em mostrar civilizado, mas onde, a o mesmo tempo, predominava o elemento natural exuberante e os tipos exóticos. Elementos e temas essenciais para se discutir pertencimento, imaginário, identidade, enfim, para avaliar as construções da nação brasileira.

Fotografia e interação no Jardim Botânico: uma abordagem do design de participação em contexto museológico

Em meio à rápida propagação de tecnologias de mídia que tornam possível produzir, arquivar, se apropriar e recircular conteúdo informacional, uma cultura participativa vem emergindo nos dias atuais. Uma lógica de colaboração se faz presente, viabilizada por ferramentas técnicas que estruturam o conhecimento em rede. Nesse contexto, o museu, enquanto agência de representação sociocultural, se esforça no sentido de atualizar-se. Nesta dissertação, sugere-se que a interação participativa de caráter social é um caminho para renovar e ampliar as narrativas culturais elaboradas pelos museus, em sua relação comunicacional com o público. Foi elaborado, então, o sistema Revelar: um modelo preliminar que se propõe a investigar o design de participação em contexto museológico. O sistema, que tem como palco de ações o complexo do Jardim Botânico do Rio de Janeiro, pressupõe a participação de estudantes de Ensino Médio em uma atividade programada pela equipe do Museu do Meio Ambiente. A matéria de contribuição dos alunos participantes é a fotografia produzida a partir do uso de dispositivos móveis

John Nathan Cobb (1868–1930): Founding Director of the College of Fisheries, University of Washington, Seattle

John Nathan Cobb (1868–1930) became the founding Director of the College of Fisheries, University of Washington, Seattle, in 1919 without the benefit of a college education. An inquisitive and ambitious man, he began his career in the newspaper business and was introduced to commercial fisheries when he joined the U.S. Fish Commission (USFC) in 1895 as a clerk, and he was soon promoted to a “Field Agent” in the Division of Statistics, Washington, D.C. During the next 17 years, Cobb surveyed commercial fisheries from Maine to Florida, Hawaii, the Pacific Northwest, and Alaska for the USFC and its successor, the U.S. Bureau of Fisheries. In 1913, he became editor of the prominent west coast trade magazine, Pacific Fisherman, of Seattle, Wash., where he became known as a leading expert on the fisheries of the Pacific Northwest. He soon joined the campaign, led by his employer, to establish the nation’s first fisheries school at the University of Washington. After a brief interlude (1917–1918) with the Alaska Packers Association in San Francisco, Calif., he was chosen as the School’s founding director in 1919. Reflecting his experience and mindset, as well as the University’s apparent initial desire, Cobb established the College of Fisheries primarily as a training ground for those interested in applied aspects of the commercial fishing industry. Cobb attracted sufficient students, was a vigorous spokesman for the College, and had ambitions plans for expansion of the school’s faculty and facilities. He became aware that the College was not held in high esteem by his faculty colleagues or by the University administration because of the school’s failure to emphasize scholastic achievement, and he attempted to correct this deficiency. Cobb became ill with heart problems in 1929 and died on 13 January 1930. The University soon thereafter dissolved the College and dismissed all but one of its faculty. A Department of Fisheries, in the College of Science, was then established in 1930 and was led by William Francis Thompson (1888–1965), who emphasized basic science and fishery biology. The latter format continues to the present in the Department’s successor, The School of Aquatic Fisheries and Science.

O que nos une, o que nos separa: do encontro e da distância na fotografia

A pesquisa desenvolvida parte de um diálogo entre a minha produção artística e uma reflexão teórica sobre fotografia. Reflexão que não se esgota neste trabalho, mas, ao contrário, abre novas brechas para imagens e palavras que virão. O fio condutor da minha produção fotográfica reflete uma forma específica de pensar a fotografia para além da imagem, que eleva a ideia de instante a uma potência de momento fotográfico. A expectação é pensada aqui como uma interação onde surge uma nova relação entre fotógrafo-fotografado. O interesse pelos olhares que atravessam a câmera, além daqueles que, mais tarde, pousarão na superfície da imagem, aproxima esta pesquisa da filosofia de Georges Didi-Huberman, que propõe um diálogo incessante entre o visível e o invisível na imagem e descortina o jogo entre o perto e o distante no olhar. Como a fotografia percorre as distâncias fazendo desse caminho também um encontro? A fotografia é tomada como um elo e também como objeto. Diferentes materialidades da imagem definem diferentes temporalidades. O tempo que ronda o ato fotográfico se alarga e se estreita em função de seus meios de produção. Mauricio Lissovsky aponta a expectação como fator determinante das imagens fotográficas. Suely Rolnik, em suas direções cartográficas sentimentais, guia essa trama fluida, que também se compõe pelo afeto. Miwon Kwon, ao pensar a sensação de instabilidade e não pertencimento, sugere novas formas de relação com o lugar estrangeiro. Hal Foster considera a inserção da arte na vida social uma dimensão intrínseca à prática artística contemporânea. Nesse contexto, localizo a minha pesquisa. Alguns trabalhos de Nan Goldin, Sophie Calle, Rosângela Rennó e Alexandre Sequeira, entre outros artistas e pesquisadores, são trazidos à cena, para compor e perpetuar o delicado jogo de olhares, distâncias, imagens e encontros