277 resultados para Devir câmera
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Estão disponíveis as versões JPEG e Corel Draw (.cdr) da ilustração.
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O material trata-se da elaboração de videoaulas. Nele, o professor Adail R. L. Gonçalves continua a trabalhar elementos audiovisuais para gravação relacionados ao enquadramento de câmera.
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This work proposes a method to localize a simple humanoid robot, without embedded sensors, using images taken from an extern camera and image processing techniques. Once the robot is localized relative to the camera, supposing we know the position of the camera relative to the world, we can compute the position of the robot relative to the world. To make the camera move in the work space, we will use another mobile robot with wheels, which has a precise locating system, and will place the camera on it. Once the humanoid is localized in the work space, we can take the necessary actions to move it. Simultaneously, we will move the camera robot, so it will take good images of the humanoid. The mainly contributions of this work are: the idea of using another mobile robot to aid the navigation of a humanoid robot without and advanced embedded electronics; chosing of the intrinsic and extrinsic calibration methods appropriated to the task, especially in the real time part; and the collaborative algorithm of simultaneous navigation of the robots
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La escritura de Clarice Lispector fue consagrada por la academia a través de sus libros direccionados al público adulto . Este trabajo pretende entre sus objetivos compartir sus obras infantiles con el medio académico y desvincular, desde la escritura clariciana, el ámbito de una menoridad literaria de la literatura infantil. Repensar la infancia y problematizar sus lugares de escrita. De ese modo, el corpus teórico de las obras de Deleuze y Guattari nos conducirá en la desconstrucción de tales territorios hacia un desterritorializar y al reterritorializar de la literatura infantil a través de un reinvento narrativo clariciano, lo cual llamamos de Fábula de la Modernidad
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Pós-graduação em Artes - IA
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Pós-graduação em Comunicação - FAAC
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Da pena em punho ao olho da câmera: a dialogia na (re)construção da identidade nacional em O Guarani
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Pós-graduação em Letras - FCLAS
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Pós-graduação em Geografia - FCT
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Este estudo procura problematizar as compreensões e explicações à cerca da “(re)construção da identidade cultural”. Questionamos se o termo crise é apropriado para refletir sobre identidades já que elas jamais foram fixas e, assim, não podem entrar em crise. As diferentes crises que afetam o sujeito contemporâneo – econômicas, políticas, sociais, ambientais e culturais – insere em nós feixes de mal-estares, nos inquietando. E, diante de um processo de criação cultural, em permanente construção e transformação, em seu exercício direto e indireto na produção dos sujeitos e na valoração e interpretação dos significados das culturas populares, somos forçados a procurar novos caminhos e identificações da própria existência na constituição do sujeito. Neste caos existencial contemporâneo é possível observar a dificuldade de sustentar “identidades culturais”, justamente pelas características das transformações culturais dinâmicas, presente na sociedade globalizada. Tais mudanças provocam confusões no sujeito, principalmente quando este se questiona sobre sua “identidade cultural”. São muitos abalos internos e socioculturais, as denominadas “crises de identidade”. O fluxo rápido de informações e a facilidade de troca de experiências disponíveis nos dias de hoje trazem à tona a falta de referência, que desestabiliza e fragmenta a idéia de identidade do próprio indivíduo. As crenças que envolvem questões de sentido cultural estão sofrendo abalos pela velocidade das transformações que sofre o homem contemporâneo. Desta forma, as expressões livres, diversas e criativas, estão a caminho da homogeneização, sendo assim, aparenta ser impossível para alguma “identidade” resistir intacta ao massacre da cultura de massa globalizada, tida pelas políticas de subjetivação e pelas forças da indústria cultural. Neste exercício... (Resumo completo, clicar acesso eletrônico abaixo)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Pós-graduação em Educação Matemática - IGCE
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Pós-graduação em Educação Matemática - IGCE
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PIBID's subproject from the Letras course at a public university from the interior of Sao Paulo has, as a vision, the teaching of languages in a different way, where the culture is something to be known, not only mentioned, and, because of that, students feel close to the language learning process, for the language is not something to be learned just as grammar, it is, in fact, to be learned as something more complex than that, making the connection between student and language and its values. The students have, as an objective the knowledge and formation in teaching, by participation in public schools where they could put the theory learned during the Letras course in the university in practice with students that could benefit from learning new languages. The public school, mentioned in this research, offered the opportunity for the PIBID students to participate in a project that already existed in this school, where the students were supposed to produce a script based in a tale, and with the script, they were supposed to produce a short movie and a trailer. In 2014, in the first year of the participation of PIBID in the project, PIBID students were asked to choose a tale in the languages that are currently part of the subproject, for the students could use as a base to the production of the short movie. This project is called Luz, Câmera… Action! and the main objective of this research was to verify the participation of PIBID in the project. For such, it was used a semi-structured open questionnaire, which sought to investigate how students and supervisors from the school understood and analyzed PIBID's participation in the project
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PIBID's subproject from the Letras course at a public university from the interior of Sao Paulo has, as a vision, the teaching of languages in a different way, where the culture is something to be known, not only mentioned, and, because of that, students feel close to the language learning process, for the language is not something to be learned just as grammar, it is, in fact, to be learned as something more complex than that, making the connection between student and language and its values. The students have, as an objective the knowledge and formation in teaching, by participation in public schools where they could put the theory learned during the Letras course in the university in practice with students that could benefit from learning new languages. The public school, mentioned in this research, offered the opportunity for the PIBID students to participate in a project that already existed in this school, where the students were supposed to produce a script based in a tale, and with the script, they were supposed to produce a short movie and a trailer. In 2014, in the first year of the participation of PIBID in the project, PIBID students were asked to choose a tale in the languages that are currently part of the subproject, for the students could use as a base to the production of the short movie. This project is called Luz, Câmera… Action! and the main objective of this research was to verify the participation of PIBID in the project. For such, it was used a semi-structured open questionnaire, which sought to investigate how students and supervisors from the school understood and analyzed PIBID's participation in the project