1.° Aimoini, Monachi Floriacensis, historia Francorum, libris quatuor, à Pharamundo ad annum 825. sive ipse Aimoinus, sive alius ad id temporis hanc historiam produxerit. — 2.° Vita Caroli Magni : authore Eginardo. — 3.° Vita Caroli Magni : authore Turpino. — 4.° Gesta Ludovici Pii, Imperatoris : accedit appendix eorum quae sub imperio filiorum ejus et Regum successorum gesta sunt usque ad mortem Philippi I. — 5.° Vita Ludovici VI. cognomento Grossi : authore Sugerio, Abbate. — 6.° Gesta Ludovici VII. Regis Francorum. — 7.° Gesta Philippi Augusti : authore Rigordo, Chronographo ejus. — 8.° Gesta Ludovici VIII. Regis Francorum. — 9.° Gesta Ludovici IX. Regis Francorum : authore Fratre Guillelmo de Nangiaco. — 10.° Gesta Philippi III. eodem authore. — 11.° Provinciale Ecclesiae Romanae.

Colbertinus

Intervention divine et violence sacrée dans les Gesta Dei per Francos de Guibert de Nogent et la Vita Ludovici Grossi regis de Suger

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

I concerti per due violini di Vivaldi (con edizione di RV 513, 521, 528, 764 e ricostruzione di RV 520, 526)

In the whole of Europe the most important composer of concertos for two violins is indubitably Vivaldi (1678-1741), who produced almost thirty works of this type during almost the full length of his creative career. The dissertation examines this particular side of Vivaldi’s activity, starting with an examination of the concerto in Rome, Bologna, and Venice at the turn of the seventeenth and eighteenth centuries. The aspects investigated include the ‘conceptual’ origins of the double concerto for two violins in Vivaldi, the nature, distribution and interrelationship of their sources (particular attention being given to compositional revisions in the autograph manuscripts) and an analysis of the works themselves that takes in form, tonal structure, technical-instrumental character and performance practice. The concertos that have come down in particularly problematic non-autograph sources are discussed in detail and presented in critical editions. A reconstruction is offered of the two works (RV 520 and 526) that have survived only in incomplete form, lacking the part of the first soloist. The concertos for two violins composed in Germany by Telemann and J. S. Bach, the contemporaries of Vivaldi who paid greatest attention to the double concerto genre, are then described and analysed. The thesis ends with a complete list of modern editions of Vivaldi’s concertos for two violins and a select discography.

Carlotta Grossi, Kniestück

Signatur des Originals: S 36/F00610

Carlotta Grossi, Brustbild

Signatur des Originals: S 36/F00611

Carlotta Grossi, Kniestück

Signatur des Originals: S 36/F00612

Carlotta Grossi, Brustbild

Signatur des Originals: S 36/F00613

Carlotta Grossi, Brustbild

Signatur des Originals: S 36/F00614

Carlotta Grossi, Brustbild

Signatur des Originals: S 36/F00615

Charlotte Grossi, Brustbild

Signatur des Originals: S 36/G03100

Charlotte Grossi, Brustbild

Signatur des Originals: S 36/G03101

María Inés Saravia de Grossi. Sófocles. Una interpretación de sus tragedias, EDULP (Editorial de la Universidad de La Plata), La Plata, 2007, 406 pp.

Fil: Nelli, María Florencia. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

María Inés Saravia de Grossi. Sófocles. Una interpretación de sus tragedias, EDULP (Editorial de la Universidad de La Plata), La Plata, 2007, 406 pp.

Fil: Nelli, María Florencia. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Piano concerti. [music] : [no. 1-28] /

Cover title.