Kai Tai Chan

Analyses the work of choreographer and director Kai Tai Chan whose different pathway through dance and theatre opens up discourses about the nature of non-ballet concert dance in Australia. Orthodox paradigms of training and performance making are interrogated and a greater understanding of the relative nature of those practices is established by analysing the competing ideologies, philosophical frameworks and aesthetic understandings of these practitioners.

Der "Stuhl des Moses" im jüdischen Tempel von Kai-feng-fu [Illustration] : Aus Sigm. Feist: Stammeskunde der Juden

Scan von Monochrom-Mikroform

Musai Klaiusai Pros Ton Taphon Tu Periphanestatu Hama Kai Eusebestatu Kyriu, Kyriu Iōannu Albertu, Tu Tēs Megalopoleōs archontos ...

Iōannēs Postēlios epoiēse

Sonia Korty, Kai Molvig, Szenenfoto, in: Franz Willms: Die Stunde der Fische, Stadttheater Essen, 1941

Signatur des Originals: S 36/F05003

D. Hieronymi epistolarum secundus tomus : complectens elegktika kai apologetika, nimirum ea, quae pertinent ad refellendas diuersas haereseis, & maledicoru[m] calumnias : vnà cum argumentis & scholijs / Des. Erasmi Roterodami.

Imp. tomados del colofón del t. 9

Ekthesis tōn kata to etos 1895-96 pepragmenōn pros to epi tōn ekklesiastikōn kai tēs dēmosias ekpaideuseōs hypourgeion,

At head of title: Ethnikē Vivliothekē tēs Hellados.

The embroilment over Quemoy: Mao, Chiang and Dulles.

Cover title.