A teoria de Pierre Bourdie : Habitus, campo social e capital cultural

Através dos conceitos de habitus, campo social de capital cultural este trabalho busca demonstrar a teoria de Pierre Bourdieu e sua importância na pesquisa sociológica. Sua construçao teórica entrelaça conceitos chave que se completam e se fundem num conjunto interdependente que faz com que a teoria da açao seja sempre viva e aplicável a realidades distintas. Uma teoria que pode ser utilizada pontualmente na análise de uma sociedade, na sua formaçao e constituiçao, no entendimento de seus agentes, seus valores e costumes. Partindo de suas experiências pessoais, guiado por sua intuiçao e dono de uma percepçao ímpar Bourdieu conseguiu instituir uma teoria sólida e racional que possibilita investigar, teorizar e entender as peculiaridades das sociedades, modos de vida e sistemas de pensamento. As diferenças entre os povos e as manifestaçoes culturais presentes no convívio humano foram construídas coletivamente e se perpetuam no tempo. Enquanto muitos falam da constante evoluçao e mutaçao do ser humano, Bourdieu coloca a construçao da personalidade individual vinculada aos preceitos e a ordenaçao arraigada dos modos de vida de cada sociedade e dos campos sociais nela existentes, bem como torna nítida a influência da escolarizaçao na formaçao do indivíduo social

A teoria de Pierre Bourdie : Habitus, campo social e capital cultural

Através dos conceitos de habitus, campo social de capital cultural este trabalho busca demonstrar a teoria de Pierre Bourdieu e sua importância na pesquisa sociológica. Sua construçao teórica entrelaça conceitos chave que se completam e se fundem num conjunto interdependente que faz com que a teoria da açao seja sempre viva e aplicável a realidades distintas. Uma teoria que pode ser utilizada pontualmente na análise de uma sociedade, na sua formaçao e constituiçao, no entendimento de seus agentes, seus valores e costumes. Partindo de suas experiências pessoais, guiado por sua intuiçao e dono de uma percepçao ímpar Bourdieu conseguiu instituir uma teoria sólida e racional que possibilita investigar, teorizar e entender as peculiaridades das sociedades, modos de vida e sistemas de pensamento. As diferenças entre os povos e as manifestaçoes culturais presentes no convívio humano foram construídas coletivamente e se perpetuam no tempo. Enquanto muitos falam da constante evoluçao e mutaçao do ser humano, Bourdieu coloca a construçao da personalidade individual vinculada aos preceitos e a ordenaçao arraigada dos modos de vida de cada sociedade e dos campos sociais nela existentes, bem como torna nítida a influência da escolarizaçao na formaçao do indivíduo social

Capital cultural de alumnos ingresantes (2009 y 2010) a la carrera de Licenciatura en Psicología en la UNSL

Pierre Bourdieu nos ofrece una vasta teoría, con numerosas investigaciones específicamente dedicadas al tema de la educación, para interrogar los supuestos y prácticas de la educación superior. Afirma que "la institución escolar contribuye... a reproducir la distribución del capital cultural, y con ello, a la reproducción de la estructura del espacio social". Fundamentalmente, las dos instituciones que manejan el capital cultural son la familia y la escuela. Y la familia se vuelve sinónimo de origen social, ya que encierra, como institución, un conjunto de estrategias de reproducción de su ser social (estrategias matrimoniales, de sucesión, económicas, educativas). Todo aquello que comprende el concepto de origen social, adquisiciones prescriptas y adquiridas, puede ser "convertido" en capital cultural heredado. Y Bourdieu explica la lógica de esta conversión, que fundamentalmente va a cobrar brillo, en el volumen total de su capital, en un ámbito educativo. Partiendo de dicha hipótesis, y con datos sobre la escolarización de los padres de alumnos ingresantes (2009 y 2010) a la carrera de Licenciatura en Psicología en la UNSL, el presente trabajo busca aportar al análisis de la relación entre la distribución del capital cultural y la estructura del espacio social, en la educación superior argentina

Identidades coletivas de estudiosos da linguagem no currículo lattes: docência, pertença social e capital cultural-acadêmico

The discussion involving the identity of social actors has taken place for some years, however, it has become significant for the discourse studies over the last years due to the fragmentation of postmodern actors. Understanding the identity as a symbolic concept that can aid in the detection of certain realities - a kind of mechanism / a magnifying glass (MERLUCCI, 1985) - you can check the linguistic materiality of the introductory text of the lattes resume as a adequate place for the formation of collective identities . The aim of this dissertation is to reflect, in a time of postmodernity, through the lattes introductory curriculum texts, the collective identities of the language researchers are portrayed in discursive and social practices based on the accumulation of cultural and academic capital. For analysis, surrounding the indisciplinary posture in Applied Linguistics (MOITA-LOPES, 2006), the descriptive / interpretive methodology was used (MAGALHÃES, 2001). Whereas the study method and the social theory, as state reasons of the research makes use of the Sociological Approach and Communicational Discourse, chain linked to the assumptions of Critical Discourse Analysis (PEDROSA, 2012a). The corpus is constituted of twenty-seven introductory texts from the lattes curriculum of language researchers, connected to three institutions of higher learning in Sergipe. After the collection, on the lattes platform, and the numbering of the curriculum in order to achieve the research objective, we performed the analysis based on three identity themes: teaching, social belonging (BAJOIT, 2006; DESCHAMPS; MOLINER, 2009) and the accumulation of academic-cultural capital (BOURDIEU, 2004; HEY, 2008). The data show that the texts of the lattes curriculum are based on hegemonic and ideological principals, referring to the accumulation of academic assets, the valuation of actors and the hierarchical positions, recognized and ratified by couples who socialize among themselves Right now, the research allows us to infer that, in postmodernity, some collective identity assumptions, contribute to the understanding of the academic reality, around the the lattes curriculum.

Social Procurement: Promoting the sustainability of NPOs through the transformation of economic, social and cultural capital

Social procurement provides a key source of income for the Third Sector, and is vital for the sustainability of many nonprofit organisations. Social procurement involves the exchange of economic capital from one organisation, typically government (although for-profit and non-profit organisations can also purchase), with a nonprofit organisations in order to deliver other forms of. It is this transformation of economic capital into other forms of capital (cultural, human, social) in the social procurement process, which is the focus of this paper. Four case studies, which are representative of the four main types of social procurement, will be examined in order to trace how economic capital is transformed into other types of capital in each of these cases. In so doing, the paper will advance our understanding of social procurement theoretically, and lead to a wider discussion about the role of social procurement in ensuring the sustainability of nonprofit organisations, and the civil societies in which they operate.

Students' cultural capital : a study of assessment for learning as a field of exchange

This study was conducted within the context of a flexible education institution where conventional educational assessment practices and tests fail to recognise and assess the creativity and cultural capital of a cohort of marginalised young people. A new assessment model which included an electronic-portfolio-social-networking system (EPS) was developed and trialled to identify and exhibit evidence of students' learning. The study aimed to discern unique forms of cultural capital (Bourdieu, 1986) possessed by students who attend the Edmund Rice Education Australia Flexible Learning Centre Network (EREAFLCN). The EPS was trialled at the case study schools in an intervention and developed a space where students could make evident culturally specific forms of capital and funds of knowledge (Gonzalez, Moll, & Amanti, 2005). These resources were evaluated, modified and developed through dialogic processes utilising assessment for learning approaches (Qualifications and Curriculum Development Agency, 2009) in online and classroom settings. Students, peers and staff engaged in the recognition, judgement, revision and evaluation of students' cultural capital in a subfield of exchange (Bourdieu, 1990). The study developed the theory of assessment for learning as a field of exchange incorporating an online system as a teaching and assessment model. The term efield has been coined to describe this particular capital exchange model. A quasi-ethnographic approach was used to develop a collective case study (Stake, 1995). This case study involved an in-depth exploration of five students' forms of cultural capital and the ways in which this capital could be assessed and exchanged using the efield model. A comparative analysis of the five cases was conducted to identify the emergent issues of students' recognisable cultural capital resources and the processes of exchange that can be facilitated to acquire legitimate credentials for these students in the Australian field of education. The participants in the study were young people at two EREAFLC schools aged between 12 and 18 years. Data was collected through interviews, observations and examination of documents made available by the EREAFLCN. The data was coded and analysed using a theoretical framework based on Bourdieu's analytical tools and a sociocultural psychology theoretical perspective. Findings suggest that processes based on dialogic relationships can identify and recognise students' forms of cultural capital that are frequently misrecognised in mainstream school environments. The theory of assessment for learning as a field of exchange was developed into praxis and integrated in an intervention. The efield model was found to be an effective sociocultural tool in converting and exchanging students' capital resources for legitimated cultural and symbolic capital in the field of education.

Museums and youth: between misunderstanding and disappointment. Youth perceptions and arguments about the cultural consumption of museums in Chile

Young people are less explored in museum audience research; this is a paradoxical situation when considering its strategic location in the cultural reproduction and if considering the high performing cultural consumption compared with other sectors. The phenomenon of museums consumption by young Chileans who are self recognized as public and non-public museums is explored from a qualitative approach. It was conducted with focus groups in the three largest cities in Chile (Santiago, Valparaíso and Concepción). They identify the museum as a cultural institution in full force. However, in questioning museums activity youth reveal the specificity of their cultural matrix. This is referred to a social temporality based on the fragment, the discourse of familiarity, proximity and instead of breaking and critical. They claim a museum aesthetic / historical experience based on pleasure and enjoyment. An overview is proposed to further clarify the youth cultural consumption to characterize more precisely the place of the museum in the set, to design more effective policies museums.

A cobertura jornalística da Capital Europeia da Cultura: Porto 2001

A apresentação pretende ilustrar a cobertura que a imprensa nacional realizou ao acontecimento Porto Capital Europeia da Cultura em 2001. A análise contempla os jornais Público, Diário de Notícias, Jornal de Notícias, Correio da Manhã e Expresso e a revista Visão no período anterior ao do evento (ano de 2000), durante e após, para se conseguir definir as etapas que marcaram os diferentes momentos do acontecimento, os padrões de atuação, o tipo de planeamento e as especificidades ao nível da programação. Na génese do projeto das Capitais Europeias da Cultura, da autoria da ministra da cultura grega e que aconteceu pela primeira vez em Atenas em 1985, estava a ideia de eleger, de ano para ano, uma cidade em que se apresentassem novos paradigmas culturais. Lisboa foi a primeira cidade portuguesa a acolher, em 1994, a iniciativa, seguiu-se o Porto em 2001 e em 2012 é a vez de Guimarães. Protagonista da descentralização cultural, é um modelo que tem permitido o financiamento de obras públicas (lembre-se a Casa da Música no Porto), o restauro de património e a promoção das cidades em termos turísticos. No entanto, espera-se ver questionado o seu papel enquanto lugares de inovação quer em termos de políticas culturais, quer em termos de produção e inovação artística. No artigo “Capitais europeias da cultura: que fazer com elas?”, publicado no suplemento Ípsilon do jornal Público de 1 de Abril de 2011, António Pinto Ribeiro refere a insustentabilidade das cidades após o ano de capital cultural, “as expectativas goradas da maioria dos seus cidadãos e a retração no apoio à produção que acontece sempre no período pós-capital”. Espera-se através desta análise conseguir demarcar os momentos que ganharam visibilidade e enformaram o acontecimento para, de forma crítica, se poder refletir sobre o papel da imprensa na divulgação e promoção de eventos de cariz cultural.