Transcripción de la conversación por teletipo mantenida por el Presidente de Euzkadi y los militares republicanos Belarmino Tomás y Francisco Ciutat sobre diversos aspectos de la campaña del Norte

Sin fecha (1937)/ Unidad de ínstalación: Carpeta Rectorado - B-2 / Nº de hojas: 2. Mecanografiado

Certificado de fallecimiento en actos de campaña de los hermanos Koldobika e Iñaki de Larrañaga y Barrutieta firmado por Ramón de Azkue como responsable del Euzko Gudarostea del PNV

Fecha: 18 de agosto de 1937 / Unidad de ínstalación: Carpeta Rectorado - C-2 / Nº de pág.: 1, mecanografiado. Con membrete y sellos del Euzko Gudarostea del PNV. Firma manuscrita de Ramón de Azkue

Two new species of Zospeum Bourguignat, 1856 from the Basque-Cantabrian Mountains, Northern Spain (Eupulmonata, Ellobioidea, Carychiidae)

Two new species of the genus Zospeum Bourguignat, 1856 are described from caves in the Sierra de Aitzgorri (Gipuzkoa) and the Sierra Salvada (Burgos) in Northern Spain. The taxa Z. vasconicum sp. n. and Z. zaldivarae sp. n. have recently, without a formal name, been included in a molecular study of worldwide members of the Carychiidae. In the present paper, the shell morphology and variation of these species is described and illustrated.

Ocorrência do pulgão-do-milho Rhopalosiphum maidis (Fitch, 1856): identificação, biologia e danos.

2006

THE PIANO MUSIC OF ROBERT SCHUMANN (1810-1856) AND JOHANNES BRAHMS (1833- 1897): A SURVEY OF CONCERTI, VARIATIONS, AND CHARACTER PIECES

Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

Campaña de marcación de anchoveta. Abril - mayo 1979

Describe las actividades de marcación de anchoveta realizada desde el 23 de abril al 5 de mayo de 1979, a lo largo del litoral frente a Pimentel y Salaverry.

Atlas" vodânogo soobŝenìâ meždu gorodom" Tamerforsom" i Kirhšpilem" Virdojs" = Kartasto osoittava vesimatkat Tampereen kaupungin ja Wirtain pitäjän välillä, toimitettu vuosina 1856, 57 ja 58 sotalaivaston perämiesosaston upsierien Näsijärven vesillä tekemäin mittausten mukaan

Kansinimeke: Näsijärven Walta-Kartta