The sculpture of the West; a lecture delivered at the Metropolitan Museum of Art, New York, December 3, 1921,

Mode of access: Internet.

Christian Rome,

Mode of access: Internet.

Sacred and legendary art /

Authorities referred to": p.[xxii]-xxvi.

Legends of the monastic orders, as represented in the fine arts : forming the second series of sacred and legendary art /

Mode of access: Internet.

The art of Florence, an interpretation,

Originally published under title "Mornings with masters of art".

Dictionnaire iconographique des monuments de l'antiquité chrétienne et du moyen âge: depuis le Bas-empire jusqu'à la fin du seizième siècle : indiquant l'état de l'art et de la civilisation à ces diverses époques /

Cover has imprint: Paris, Porquet.

Mornings with masters of art,

Mode of access: Internet.

Religion & art; a study in the evolution of sculpture, painting and architecture,

Translation of: Religione e arte figurata.

Structuration and branding of a religious tourism product: Catalonia sacra

This article aims to provide an overview of the products Catalonia has to offer in terms of religious tourism. The growing interest in this kind of tourism worldwide, and in Catalonia itself, along with the region's wealth of religious heritage (particularly connected to the Christian Church) contrast with the lack of religion-based tourism products available, which results in its absence from the region's image as a tourism destination. In view of this, the Faculty of Tourism (University of Girona), the Vic Bishopric's Albergueria-Centre for Cultural Dissemination and the Tarraconense Episcopal Conference's Interdiocese Secretariat for the Custody and Promotion of Holy Art (SICPAS) decided to address the situation with the help of funding from the Autonomous Government of Catalonia. In order to re-position Christian religious heritage in the image of Catalonia as a tourist destination, the aforementioned parties embarked upon a project to set up a series of routes throughout the region, branded under the name Catalonia Sacra

La Trinidad Heterodoxa en América Latina (Dossier: Historia del Arte)

El artículo explora los orígenes de la representación de la Trinidad y su declive en Europa, durante el siglo XVI, luego de la Contrarreforma. Prohibida en Europa por considerársele herética y confusa para los fines pedagógicos de la iconográfía católica, el tema trinitario floreció en América durante la segunda mitad del siglo XVII en variadas formas y adaptaciones. La prohibición se derivaba del hecho de que esta iconografía podía generar significados idolátricos al relacionar la representación del Espíritu Santo con manifestaciones religiosas animistas. El análisis se basa en un amplio corpus de imágenes recopiladas en varios contextos latinoamericanos y, finalmente, identifica la persistencia de esta representación en el arte moderno mexicano.

A pintura ilusionista no meio norte de Minas Gerais - Diamantina e Serro - e em São Paulo - Mogi das Cruzes (Brasil)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Our Lady of Guadalupe : contemporary explorations of personal and cultural identity

Since it first appeared, the image of Our Lady of Guadalupe has remained relatively unchanged. In the last thirty-five years, however, this has been changing. Artists are creating new variations of the icon to represent and express their reinterpretations. In some of these more contemporary images, the figure of Guadalupe has changed dramatically, but still retains enough traditional elements to be easily recognizable. Some of these images have been received with mixed results and have even sparked major controversy. These new, and sometimes controversial depictions of Guadalupe, specifically those created by Ester Hernández, Yolanda M. López and Alma López, will be explored here. Although each artist has her own individual motivations and intentions, all of the images presented here explore personal and cultural identity, as well as seek in some way to honor ordinary, human women through the sacred iconography of Our Lady of Guadalupe.

Fifty cottage prints, from sacred subjects /

"July, 1851"--Preface.