Elizas̕ bona-fide offer, a farce in one act, for female characters only ...

Mode of access: Internet.

A dog that will fetch will carry : a farce in two scenes ; for female characters only /

Mode of access: Internet.

Bachelor maids; a comedy in one act for female characters.

Mode of access: Internet.

A looking-glass for ladies, or, The formation and excellence of the female character : an address delivered at the eighth anniversary of the Mount Holyoke Female Seminary, South Hadley, Mass., July 31, 1845.

Mode of access: Internet.

The twin sisters. [music] : an operetta, adapted to the use of female colleges, schools, exhibitions, &c.

Originally copyrighted in 1860.

Report of a delegate to the Anti-Slavery Convention of American Women : held in Philadelphia, May, 1838; including an account of other meetings held in Pennsylvania Hall, and of the riot. Addressed to the Fall River Female Anti-Slavery Society, and published by its request.

Not cited in Lib. Company. Afro-Americana.

Strictures on the modern system of female education : with a view of the principles and conduct prevalent among women of rank and fortune /

Shaw & Shoemaker

The fireside friend, or Female student: being advice to young ladies on the important subject of education.

A revised ed. of the author's Lectures to young ladies, which was first published, Boston, 1833.

Common sense on chronic diseases, or, A rational treatise on the mechanical cause and cure of most chronic affections of the truncal organs of both male and female systems : embracing the author's views on physical education, and the present popular system of artificial life /

Included in the original collection of the Starling Medical College.

The female spy of the Union army : the thrilling adventures, experiences and escapes of a woman as nurse spy, and scout, in hospitals, camps, and battle-fields /

Mode of access: Internet.

The pleasures of human life; investigated cheerfully, elucidated satirically, promulgated explicitly, and discussed philosophically. In a dozen dissertations on male, female and neuter pleasures. Interspersed with various anecdotes, and expounded by numerous annotations.

Leather label on spine.

Part songs, for three and four female voices /

Includes index.

"On our way": identities and representations of African women seeking asylum in Ireland

This thesis provides the first explicit Postcolonial study of asylum in the Irish context that integrates Black Feminist analyses of intersectional identity with Postcolonial Feminist theories of representation. African women seeking asylum in the Republic of Ireland were key political instruments used by the state to re-draw racial lines. The study examines how, for a group of African women “On their Way” through asylum, identity and representation work hand in hand to force identities, subaltern spaces and bodies to occupy them. Rich biographical data is gathered through mixed art and drama methods over two intensive participatory research projects conducted in a small Irish city. Data analysis critically examines the poetics (practices that signify) and politics (the powers that govern these practices) and affective economies of global and local NGO visual representations, exposing how they consume, fragment, and appropriate African women’s identities and bodies. Though hypervisible, the women themselves “cannot speak”. The women in the study reported feeling “tired” and “used”. Asking “What work are they doing as they do asylum?” the study finds that black female identities and bodies are forced to perform political, cultural, emotional and material labour on their way through this context of Irish asylum. The author argues that Postcolonial Asylum is a performative encounter that re-scripts colonial race/class/gender discourse through a humanitarian alibi to naturalize European/white supremacy, reinscribe patriarchal power and justify racialised incarceration of bodies seeking asylum in the North. This study takes an interdisciplinary approach that centralizes Black and Postcolonial Feminist theory and innovates Participatory Art-Based Action methodology. Black and Postcolonial feminisms can recognize, theorize and replenish black female political and intellectual agency. Participatory Action research, if grounded in Black feminist epistemology and ethics, can allow participants to “speak back” to what is already said about them in spaces of convivial self-representation.