Gathering for God : George Brown in Oceania

Combining 'the gathering of artefacts with the gathering of souls', George Brown was a key figure in the Christian, and especially the Wesleyan Methodist, history of nineteenth-century Oceania. Using his life as a case study, Helen Bethea Gardner examines the role of Christian missionaries in the Pacific Islands. Brown's career (1860-1908) spanned one of the most tumultuous political periods in the South Pacific, as one by one islands were colonised by imperial nations. He was one of the most politically engaged of all missionaries, encouraging colonial rule in the Pacific by America, Britain, Germany and, eventually, Australia and New Zealand. Originally from the north of England, he worked as a missionary in Samoa from 1860, moving to the Bismarck Archipelago (now Papua New Guinea) in 1875. From the 1880s until his retirement in 1907, he worked in Sydney as the general secretary of the Australasian Methodist Overseas Mission. Gathering for God examines Brown's missionary letters, journals and journalism, exploring how he attracted Pacific Islanders to Christian teachings, analysing his leadership during an armed attack on New Britain villages accused of cannibalism, and looking at his work in the new discipline of anthropology. He was a major collector of artefacts (his collection is now in the Osaka Museum) and photographer of Pacific peoples (his collection is in the Australian Museum).

Cheilodactylus (Goniistius) francisi, a new species of morwong (Perciformes: Cirrhitoidea) from the Southwest Pacific

A new morwong, Cheilodactytus (Goniistius) francisi, is recognized from southwest Pacific Islands (Lord Howe Island, Middleton Reef, Kermadecs, and probably Elizabeth Reef, Norfolk Island, and New Caledonia). Distinguishing features from C. (G.) vittatus (Hawaiian Islands) comprise gill-raker counts, caudal-fin coloration, and notable molecular divergence.

Are the earliest field monuments of the pacific landscape serial sites?

Explanations of the origin and genesis of Pacific field monuments commonly assume they reflect local social change in islands or island groups which were increasingly isolated following colonization. A recent review of early West Polynesian archaeology suggests that the penecontemporaneous appearance of various kinds of field monuments from eastern Melanesia to Polynesia may be better explained as evidence of interaction and the movement of people and/or ideas, possibly associated with the colonization of East Polynesia.

Photography and christian mission: George Brown`s images of the New Britain mission 1875-80

In 1875, Methodist George Brown arrived in the Bismarck Archipelago to establish the New Britain Mission. Based in the Duke of York Islands, Brown's territory covered New Ireland and the Gazelle Peninsula of New Britain. The mission was one of the first to be photographed from its inception. The Australian Museum holds 96 plates from the first five years of the mission. Brown's photographs are a visual record of conditions and peoples of the time. Analysed in relation to Brown's writings they are indicative of the relationships and bonds established through photography both in the mission field and across wider scientific and church audiences. The methodology employed here also challenges the kinds of interpretations of photographs that can arise from visual analyses relying solely on the caption and the posing of the subject.

Alternative water strategies in public domains : innovative strategies in progress along North Terrace, Adelaide

Water sensitive design on our urban threshold is increasingly becoming topical. In Adelaide it is being driven by stormwater management strategies and economic efficiencies in a city that is beginning to embrace its Mediterranean environment, low water sustainability, and whether our showpiece public domains in Adelaide can afford large expanses of manicured lawns.

This paper reviews four projects in progress along the North Terrace in Adelaide. The first involves a major redesign of First Creek as it traverses Adelaide Botanic Garden to address stormwater management issues. The redesign includes strategies to control flash flooding, to cleanse stream water from pollutants, and to carefully incorporate a wetland system as an integral botanical and horticultural feature of a botanic garden. Further down North Terrace, the University of Adelaide is evaluating a scenario that will totally redesign Goodman Crescent, its picture-postcard promenade lawn. The scenario is to host an integrated water retention and water purification and cleansing system that will service independently of mains water an irrigation system and a waterfall. The proposal draws upon a similar strategy recently adopted by the South Australian Museum to capture and cleanse surface and roof water but place the installation and process on display as part of its overall biodiversity museum display that will unfold over the next five years under director Tim Flannery. The fourth example, in process at present, is to devise an integrated water system that may enable the Government House grounds to remove itself from dependence upon costly mains water to totally sustain its extensive gardens and lawns.

Importantly each project has similar threads: creative water maximization and purification use, and a desire to place these ‘installations’ on display as public statements of their commitment to water sustainability in Adelaide. But radically, here are four prominent cultural institutions readily willing to redefine the notion and traditional visual imagery of a ‘wetland’ on what is the main cultural boulevard of a capital city.

Carving into country: the work of Badger Bates

Badger Bates (William Brian Bates) was born on the Darling River at Wilcannia in 1947. His grandmother, Granny Moysey, a revered Paakantyi woman who spoke several Aboriginal languages, raised him, teaching him stories and traditional songs. This was the beginning of Badger’s journey into a complex and sophisticated knowledge system. As a child Badger experienced the knowledge and practice imparted by his grandmother which informs his artwork today. Badger learnt carving from her and other Paakantyi elders, and by 1986 he was selling his carvings of wood and emu eggs to the Australian Museum in Sydney.

The millipedes of Barrow Island, Western Australia (Diplopoda)

Six species of millipedes are recorded from Barrow Island, including three species of pin-cushion millipedes of the order Polyxenida, Lophoturus madecassus (Marquet and Condé, 1950) (Lophoproctidae), Unixenus mjoebergi (Verhoeff, 1924) (Polyxenidae) and Phryssonotus novaehollandiae (Silvestri, 1923) (Synxenidae), a single species of the order Spirobolida, Speleostrophus nesiotes Hoffman, 1994 (Trigoniulidae), and two species of the order Polydesmida, Boreohesperus dubitalis Car and Harvey, 2013 (Paradoxosomatidae) and one species of the family Haplodesmidae (genus and species indet.). Lophoturus madecassus is circum-tropical in distribution, Unixenus mjoebergi and Phryssonotus novaehollandiae are found also on mainland Australia, but the other three species are endemic to the island. Speleostrophus nesiotes is a highly modified troglobiotic species, currently listed as threatened by the Western Australian government. It is unclear at present whether the haplodesmid specimen is a troglobite.