[Collection Jules Beau. Photographie sportive] : T. 23. Année 1903 / Jules Beau

Donateur : Touring-Club de France

L'art de propagande en Espagne, de la Seconde République au premier franquisme : affiches et portraits officiels

This thesis questions the major esthetic differences between the artistic productions of the Second Spanish Republic (1931-1939) and the nationalist artistic productions of the Civil War years and the first decade of the francoist dictatorship. These differences are analysed using the artistic productions of Josep Renau (1907 Valence – 1982 Berlin East) and of Ignacio Zuloaga (Elibar 1870 – Madrid 1945). Renau was an important artistic figure during the Spanich Republic. In this thesis, we analyse Renau’s different propaganda productions between 1931 and 1939. Zuloaga was an international artist when the nationalist uprising occurred in 1936. He was recognized by the European elites for his portraits of Andalousian and Castillian sceneries. Zuloaga supported the nationalist putsch and the francoist ideology. In 1939, the Caudillo ordered the painting of the portrait that we will be analysing. The theories of François Hartog, Reinhart Koselleck, Paul Ricoeur and Hannah Arendt are used to analyse the historical conceptual confrontation in Spain, portrayed by the artworks that we studied. During the Republic, it was the modern historical regime that was in force. The historical references used are close in time and the history is constructed in the future and attached to the idea of progress. With the nationalists, the historical conception is connected to the Historia magistra where the past is used as an example. In the first francoism, a return to Spain’s glorious past (the Middle Ages, the Golden Century and the Counter Reform) is clearly claimed in order to rescue the country from the ills of modernity. It is with these different historical conceptions in mind that we compare the esthetics specificities of the artworks, the identity and historical references and the mediums used to legitimize the power and the political actions of each front.

Burguesia liberal i educació popular : l'extensió universitària de Maó (1903-1908). 'Burguesía liberal y educación popular : la extensión universitaria de Mahón (1903-1908)'.

Resumen tomado de la revista

Transformación de la ocupación del suelo en el marco de relaciones de clientelismo político. Estudio de caso: barrio Pablo Escobar, 1982-1995

El interés de este estudio de caso es evidenciar la relación que existe entre el clientelismo y las transformaciones de uso del suelo en el barrio Pablo Escobar en Medellín, entre 1982 y 1995. Se analiza como la marginación de la población del barrio Moravia conduce a la creación de capital social y el fortalecimiento de las redes sociales existentes dentro del mismo. Se muestra además cómo estas redes son aprovechadas por Pablo Escobar en su carrera política para aumentar su capital político. Por último, se muestra cómo su programa de Medellín sin Tugurios cambia el comportamiento y el uso de suelo de la población de los tugurios de Moravia, ahora reubicada en el barrio Pablo Escobar.

Un siglo de Universidades Populares en Espa??a (1903-2000)

Resumen tomado de la publicaci??n. Monogr??fico con el t??tulo: La Educaci??n Popular en los siglos XIX y XX

The United States to the rescue: financial assistance to Mexico in 1982 and 1995

Includes bibliography

Los Estados Unidos al rescate: la asistencia financiera a México en 1982 y 1995

Incluye Bibliografía

Resgates e abandonos do passado na prática musical litúrgica católica no Brasil entre os pontificados de Pio X e Bento XVI (1903-2013)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Portraits of Whistler : a critical study and an iconography /

"Two hundred and fifty copies printed during November, 1918, by D.B. Updike, the Merrymount Press, Boston, USA. The first twenty-five copies printed have been numbered and signed by the author ..."--Colophon.

Auguste Ravier, peintre, MDCCXIV-MDCCXCV : portraits de l'artiste et très nombreuses reproductions de ses dessins et de ses croquis /

Mode of access: Internet.

Le sculpteur-médailleur H. Ponscarme, 1827-1903 /

Mode of access: Internet.