Foucault e a arte do cuidado de si: uma nova possibilidade de Discussão para a formação continuada de professores de língua inglesa

This thesis proposes a new thinking on the English teacher and their continuing education, leaving the picture emerging of a new professional, who is producing and being produced. From this perspective, I present an analysis of self writing of thirteen student-teachers, teachers on how they position themselves to be discursively constituted as subjects in the context of continuing education. As part of Applied Linguistics, the theory and method that supports the analysis of data are articulate key elements of Foucault notions, namely:The care of the self, seeking their connection with one another and care of and the self writing. In the theoretical notions of these elements are implied notions of others, such as speech, ethics, technology of the self, subject and truth. (Foucault, 1984, 1995, 2004c, 2006), and questioning the ethics of the subject. I propose to examine selected excerpts from the self writings of student teachers with a specialization in Teaching and Learning the English Language, seeking linguistic processes in the material production of subjectivities.In order to analyze the process of subjectivation, I examine the discursive statements of selected cuts, aiming to learn more specifically, the points of identification and fragments of the uniqueness of the teachers, showing how they care for themselves and reflect upon them in building their subjectivity from the technologies of the self, to occupy the position of English Language teachers. The results show that, in the exercise of self writing, the subject falls, and a practice of asceticism, discursively construct her/his subjectivity

Clarissimo speculo bonitatis Dei : o mundo de Tomás de Celano e a sua leitura de mundus

The aim of this study is to understand the version of St. Francis of Assisi created by Friar Thomas of Celano in his hagiographic works. That study also it examines how the Order of Friars Minor and the Papacy have understood the relationship between Christians and the world and turned thisunderstanding in a version of the Saint. Factors such as the replacement of Neoplatonism byAristotelianism as philosophical paradigm and economic and social changes have contributed to change the interpretation of the biblical mandate to not love the world , no longer interpreted as materiality, but as an order for Christians to flee sin. The rejection of the world was replaced by a greater appreciation of nature and society. Moreover, increasingly, the body went from enemy to friend, becoming the brotherbody. Such analysis is important to review the idea, so common in the historiography of what MaxWeber called Worldly Asceticism, the Christian life lived in society, only emerged in Protestantism in opposition to monasticism. The mendicant orders, especially the minority tried during the thirteenth century, the period of analysis of this work, experience the loving nature of Christianity and acting,through preaching and charity in the cities.To make this work, were analyzed the hagiographic discourse (on San Francisco) made by Thomas of Celano, Vita beati Francisci (called Vita Prima) and Memorial in desideiro anime (named Vita Secunda) and, from this, understand the Celano´s interpretation on how it should be the Christian's relationship with the world. The world ceased to be adistorted reflection of a perfect reality, becoming the perfect reflection of God's goodness.

São Bernardo: apologia e arte arquitetural

Este artigo busca expor as críticas de Bernardo de Claraval às superfluidades humanas no texto da Apologia, especialmente aquelas referentes à arte arquitetural. em segundo lugar, procura analisar as implicações estéticas do ascetismo cisterciense e bernardiano. As críticas de Bernardo exercem uma influência decisiva na ornamentação e fazem nascer uma nova arquitetura.

A dialética do esclarecimento capitalista além do princípio de prazer: reflexões sobre sujeito contemporâneo e capitalismo à luz do conceito de pulsão da morte

Pós-graduação em Educação - IBRC

O corpo chinês e as artes marciais: da ascese marcial, ao Wushu moderno

Pós-graduação em Desenvolvimento Humano e Tecnologias - IBRC

Aikido: via para ascese marcial

Aikido is a Japanese martial art developed in the 20th century by Morihei Ueshiba. This self defense art, as it is known, is trained around the world as a noncompetitive practice. This work aimed to investigate and circumscribe the history of this martial art presenting features of its singularity. Akido´s Cultural History was used as a theoretical approach to build the historical background. The work was divided in five chapters as respectively named and described: Japan´s historical contextualization - it seeks to show the changing processes that happened in Japan which were arising from the insertion of other cultures, and how that insertion led the country to modernize itself and turn into a great world power. The ancient art: Aiki Jujutsu Daitoryu - talks about this samurai martial art which ensured the Aikido to obtain as the source technique the aiki, and the Xintoist practice. The history of a master: Morihei Ueshiba - presents some defining facts and moments from the master Ueshiba´s history, which points both to the changes occurred in the country, and to the ones that led the master to justify and broadcast the martial art. Aikido: The Budo art - portraits the Aikido´s meaning and the way that it was built to present the Aikido as a Budo art. And to finalize, Martial asceticism - seeks to make the dialogue between the cultures, from the meaning of this chapter title words (martial asceticism), as well as to point facts from the contemporaneity which provoke reflections upon the present practice

La formación del arquitecto de Madrid: una generación de posguerra 1942-1957

A través de las claves que dejaron en su obra, en sus escritos y en sus viajes los arquitectos Francisco de Asís Cabrero, Miguel Fisac y Alejandro de la Sota, se pretende demostrar que su generación estaba en igualdad de condiciones para equiparse -o superar- la arquitectura que realizaban sus coetáneos extranjeros. Para llevarlo a cabo, se estudiará su formación en la escuela de Madrid en una época de crisis tanto política como cultural. Para iniciar la vuelta al camino de la modernidad, estos arquitectos fomentaron el autodidactismo y centraron su atención en el debate arquitectónico internacional. PALABRAS CLAVE: Educación, Mecanización, Modernidad, Diseño, Ascetismo, Tradición. Through the tracks that the architects Francisco de Asís Cabrero, Miguel Fisac and Alejandro de la Sota left in their work, their writings and their travels, it is intended to prove that the architecture performed by this Spanish generation was at the same -or even better- level than the one performed by their foreign peers. To accomplish this task, it will be studied their background at the school of Madrid in a time of political and cultural crisis. To start again the path to modernity, these architects fostered self-directed learning as well as focused their attention on the international architectural debate. KEYWORDS: Education, Mechanization, Modernity, Design, Asceticism, Tradition.

The mystics, ascetics, and saints of India : a study of Sadhuism, with an account of the Yogis, Sanyasis, Bairagis, and other strange Hindu sectarians /

Decorated initials.

Morales sur Job /

Vol. 1 has also been published in a 2nd ed., 1975, and a 3rd ed., 1989.

Discours ascétique /

Includes bibliographical references (p. [7]-9) and indexes.

Lettres ascétiques et morales /

Includes bibliographical references and index.

Conférences /

Includes bibliographical references.

La vie contemplative, ascétique et monastique chez les indous et chez les peuples bouddhistes /

Includes bibliographical references.

S. Ambrosii De officiis clericorum /

Mode of access: Internet.

Sämmtliche Werke des gottseligen Thomas von Kempis ...

Mode of access: Internet.