Modern Methuselahs; or, Short biographical sketches of a few advanced nonagenarians or actual centenarians who were distinguished in art, science, literature, or philanthropy. Also, brief notices of some individuals remarkable chiefly for their longevity.

Introduction.--"Long-lasting."--St. Anthony the Great.-- Joannes Cantacuzenus, emperor of the East.--George Gemisthus Pletho.--Luigi Cornaro.--Titian.--Fontenelle.--Thomas Amory.--A group of far-advanced nonagenarians.--Eva Maria Garrick.--Caroline Lucretia Herschel.--Mary Somerville.--Sir Moses Montefiore.--Martin Joseph Routh.--Mr. Thoms' investigated case of centenarianism.--A group of unquestionable centenarians.--A few recent and probable cases of centenarianism.--Conclusion.

The best books: a reader's guide to the choice of the best available books (about 100,000) in every department of science, art, and literature, with the dates of the first and last editions, and the prize, size and publisher's name (both English and American) of each book; a contribution towards systematic bibliography,

None of the American edition published after part 4. Parts 5 and 6 have imprinted: London, G, Routledge and sond, limited, 1931-35.

The oral art and literature of the Kazakhs of Russian Central Asia.

Mode of access: Internet.

Chronos, a handbook of comparative chronology; chronological notes in history, art and literature from 8000 B.C. to 1700 A.D. for the use of travellers.

Bibliography: p. 282-284.

The London lancet. A journal of British and foreign medicine, physiology, surgery, chemistry, criticism, literature and news.

Subtitle varies slightly.

Illustrations of the Holy Scriptures : derived principally from the manners, customs, rites, traditions, forms of speech, antiquities, climate, and works of art and literature, of the eastern nations ; emodying all that is valuable in the works of Harmer, Burder, Paxton, and Roberts, and the most celebrated oriental travellers ; embracing also the subject of the fulfilment of prophecy, as exhibited by Keith and others ... /

Mode of access: Internet.

A course of lectures on dramatic art and literature,

Mode of access: Internet.

Illustrations of the Holy Scriptures : derived principally from the manners, customs, rites, traditions, forms of speech, antiquities, climate, and works of art and literature, of the eastern nations.

Mode of access: Internet.

Illustrations of the Holy Scriptures : derived principally from the manners, customs, rites, traditions, forms of speech, antiquities, climate, and works of art and literature of the eastern nations ; embodying all that is valuable in the works of Harmer, Burder, Paxton, and Roberts, and the most celebrated oriental travellers ; embracing also the subject of the fulfilment of prophecy, as exhibited by Keith and others ... /

Includes index.

The home book of the picturesque: or, American scenery, art, and literature.

Published in 1868, with some changes and additions, under title: A landscape book.

The past and present state of dramatic art and literature;

Mode of access: Internet.

Lorenzo Lotto; an essay in constructive art criticism,

Mode of access: Internet.

Dental record; a monthly journal of dental science art and literature.

Mode of access: Internet.

The Venture; an annual of art and literature.

No more published.

The "Art" of Criticism: Rubén Darío and his Unknown Chronicles of the 1895 Salon for "La Prensa"

With the impetus that has led recent studies on Latin American Modernism to a reevaluation of the sense of cultural fluxes from the modernity capitals to its peripheries –discarding categories such as “influence”, “exotism” and “ivory tower”, stereotypes that have clouded critical understanding of this aesthetics for decades- the present study intends to investigate a persistent practice of the main writers of the movement. This practice is modernist pictorial criticism, a genre that will be approached through the analysis of an unknown corpus: the seven chronicles Rubén Darío published in the journal La Prensa on occasion of the third art exposition of the Ateneo de Buenos Aires. Our hypothesis is that the rare creators of images portrayed by Darío by the end of 1895 work as a visual counterpoint of the eccentric writers’ biographical sketches that a year later will be part of the fundamental volume Los raros (1896). In this early “salon”, which we reproduce in its entirety, accompanied by explanatory notes, the leader of Modernism rehearses and consolidates his transcultural work with the universal tradition –now applied to the Salons (1845-1860) by Charles Baudelaire and to the monumental project by John Ruskin in Modern painters (1843-1860)- to legitimate, from another subgenre of Modernist criticism, a new figure of the critic, in dissent with the Enlightenment model of the writer.