The arts in the Middle Ages and the Renaissance,

Mode of access: Internet.

Grundriss der germanischen Philologie /

Vol. 3, 1900; v. 1-2, 1901-09.

Nella terra di Bari : ricordi di arte medioevale /

Bibliography: p. [69]-70.

Documents paléographiques relatifs à l'histoire des beaux-arts et des belles-lettres pendant le moyen âge, tirés des Archives départementales de France et des bibliothèques publiques,

At head of title: Archives départementales de France.

Les arts au moyen âge et à l'époque de la renaissance /

Some plates accompanied by leaves with descriptive letter-press.

Melanges d'archéologie, d'histoire et de littérature /

Volumes 2-4 have in title: Sur des étoffes byzantines, arabes, etc.

Mittelalterliche elfenbeinarbeiten

"Literatur": p. 15

Kunstwerke und geräthschaften des mittelalters und der renaissance.

Later published as part of "Trachten, kunstwerke und geräthschaften vom frühen mittelalter bis ende des achtzehnten jahrhunderts ... von dr. J. H. von Hefner-Alteneck."

Peintres primitifs; collection de tableaux rapportée d'Italie et publiée par M. le chevalier Artaud de Montor,

Prefixed, the author's Considérations sur l'état de la peinture en Italie dans les quatre siècles qui ont précédé celui de Raphael.

The arts in the middle ages, and at the period of the Renaissance /

Mode of access: Internet.

Das Braunschweiger Skizzenbuch eines mittelalterlichen Malers. Im Auftrage des Vereines für Geschichte der Deutschen in Böhmen hrsg.

Drawings by an unknown 14th cent. artitst, probably Bohemian. The originals in the Brunswick Herzogliches Museum, are known as the "Böhmische Trachtenbuch um 1400."

Extraits des comptes et mémoriaux du roi René : pour servir à l'histoire des arts au XVe siècle /

Mode of access: Internet.

Elfenbeinsättel des ausgehenden Mittelalters.

Extracted from Jahrbuch der kunsthistorischen Sammlungen der Allerhöchsten Kaiserhauses, Bd. 15, 1893.

Bijdrage tot de geschiedenis van het natuurgevoel in de middeleeuwsche nederlanden /

Includes bibliographical references (p. 146-153).

The Capital Sculpture of Wells Cathedral, c. 1184-1210

The understudied capital sculpture of Wells Cathedral in Somerset, England (c. 1184-1210) provides ample opportunity of expanding the current scholarship and understanding of interior ecclesiastical sculpture in a West Country cathedral. While the Gothic style of architecture is typically understood as, according to Paul Binski (2014), rational in execution and reception, the capital sculpture at Wells Cathedral has been considered illogical in terms of both its iconography and location within the nave, transepts, and north porch. Utilizing Michael Camille’s post/anti-iconographical approach, this project examines the Wells figural capitals in five case studies: labour, Old and New Testament Scenes, animals and beast fables, busts, and monsters and hybrids. Each group of capitals will be approached with an understanding that this type of art was viewed by people of different classes and professions, with each viewer bringing their own personal experiences and abilities into how they could have read and understood these types of images. Therefore, the capitals at Wells must be read through layers of meaning and interpretation while also considering their locations within the cathedral and how they react and respond to surrounding figural capitals.