Smitten and slain : a 19th century romance of life in China /

Mode of access: Internet.

Spanish architecture of the sixteenth century : general view of the plateresque and Herrera styles /

Mode of access: Internet.

One hundred lectures on the ancient and modern dramatic poets,... down to the 19th century, commencing with Thespic, 6th century B.C.

Each v. contains nine lectures.

The Anabaptists of the 16th century, and the Baptists of the 19th century; a chronological account of the origin, principles, and practice of the latter.

Mode of access: Internet.

British foreign policy in Europe to the end of the 19th century;

Mode of access: Internet.

History of the Mongols, from the 9th to the 19th century ...

"Sources from which the history of the Mongols ... has been collected": pt. 1, p. xvi-xxvii.

History of the Mongols, from the 9th to the 19th century ...

Reprint. Originally published by London, Longmans, Green, and Co., 1876-1927.

History of physical astronomy, from the earliest ages to the middle of the 19th century.

Mode of access: Internet.

A history of the French novel (to the close of the 19th century) /

Includes "bibliographical notes" (vol. 1, p. 479-482) and index.

French dramatists of the 19th century;

First published in New York, 1881.

Geology and geologists; or, Visions of philosophers in the 19th century.

Mode of access: Internet.

Focus on Form : J. J. Tikkanen, Giotto and Art Research in the 19th Century

My doctoral dissertation is on Johan Jakob Tikkanen (1857 1930), the first professor of art history in Finland, and his significance and methods in the context of late 19th and early 20th-century European art history. Tikkanen was one of the pioneering scholars in the field of medieval art research, and, along with Anton Springer, Heinrich Wölfflin, Aloïs Riegl, Adolfo Venturi, Franz Wickhoff, Julius von Schlosser, Aby Warburg, Emile Mâle and others, one of the scholars who defined art history as an independent academic discipline. Tikkanen s scholarly interests and his methods resemble those of many formalistically oriented German and Austrian art historians of his time. He became well known throughout Europe, mainly for his studies on illustrated medieval manuscripts. Tikkanen s dissertation, Der Malerische Styl Giotto s Versuch zu einer Characteristik Desselben, from 1884 was regarded in its day as the best form-analytical study on the painter. It has a central position in the present thesis, as it already included nearly all the methods that Tikkanen used and elaborated upon throughout his career. Giotto also gives a good perspective for comparing Tikkanen s ideas with a long art-historical tradition. Tikkanen was profoundly interested in artistic creativity. In his own words, he wanted to study das künstlerische Können , artistic ability, instead of das künstlerische Wollen or artistic will, which was an important theoretical issue in art history in the late 19th century. This starting point led him to the history of style and iconographical research. Along with the Danish art historian, Julius Lange, he was one of the first scholars who began to study the meaning of gestures and postures in art. In my dissertation I have emphasized the importance of Tikkanen s personal art education. I regard it as having influenced both his scholarly argumentation and his working methods. I have also written a short overview of the situation of art history in Finland and in Northern Countries before Tikkanen s time in order to give an idea of his scientific background. My thesis is a critical and historiographical study on J. J. Tikkanen s role in the development of art history and its methodology.