Chants and anthems used in the Church of the Messiah, New York [microform]

Without music.

The music of the church, in four parts; containing a general history of music; including an account of Hebrew music, an investigation into the fitness of instruments, harmony, fuguing anthems, chants, choirs, etc., in divine worship; and notices, biographical and critical, of the most popular hymnic authors.

Mode of access: Internet.

The chorus and choir : a superior collection of standard choruses, part-songs and anthems suitable for colleges, normals, choirs, choral societies, musical conventions, singing schools, etc., etc. /

Includes index.

The ideal : a collection of new music, consisting of duets, quartets, hymn-tunes, anthems, etc., together with a full and complete course of elementary instruction : designed for singing schools, musical institutes, conventions, etc. /

Mode of access: Internet.

The liber musicus : or, New York anthem book, and choirs' miscellany, comprising anthems, choruses, quartetts, trios, duets, songs, etc. /

Mode of access: Internet.

Carmina ecclesiæ : a collection of sacred music consisting of new, original, and select hymn tunes, anthems and chants, adapted particularly to the hymn-book of the General synod of the Evangelical Lutheran church, the Lutheran church service, and every occasion of public worship /

Mode of access: Internet.

The Boston Academy's Collection of church music : consisting of the most popular psalm and hymn tunes, anthems, sentences, chants, &c. old and new ... /

Includes index.

The National choir : being a collection of anthems, set pieces, duetts, trios and choruses, adapted to the purposes of public worship and the use of schools /

Mode of access: Internet.

Popular choir collection of anthems for general use.

For chorus (SATB) with piano.

The culture wars of climate change

Of late, there has been a growth in cultural expression about climate change – with the rise of climate fiction (‘cli-fi’); art and photography responding to changes in nature; musical anthems about climate change; plays and dramas about climate change; and environmental documentaries, and climate cinema. Drawing comparisons to past controversies over cultural funding, this paper considers the cultural wars over climate change. This article considers a number of cultural fields. Margaret Atwood made an important creative and critical contribution to the debate over climate change. The work examines Ian McEwan's novel, Solar, a tragi-comedy about authorship, invention, intellectual property, and climate science. After writing a history of Merchants of Doubt, Naomi Oreskes and Erik Conway have experimented with fiction – as well as history. This article focuses upon artistic works about climate change. It analyses James Balog’s work with the Extreme Ice Survey, which involved photography of glaciers under retreat in a warming world. The work was turned into a documentary called Chasing Ice. It also considers the artistic project of 350.org 'to transform the human rights and environmental issues connected to climate change into powerful art that gets people to stop, think and act.' The paper examines musical storytelling in respect of climate change. The paper explores dramatic works about climate change including Steve Waters' The Contingency Plan, Stephen Emmott's Ten Billion, and Andrew Bovell's When the Rain Stops Falling and Hannie Rayson’s Extinction. The paper also examines the role of documentary film-making. It also considers the cinematographic film, Beasts of the Southern Wild. Such a survey will enable a consideration of the larger question of whether creative art about climate change matters; and whether it is deserving of public funding.

Um século de tradição: a banda de música do Colégio Salesiano de Santa Rosa (1888-1988)

A música nos colégios salesianos sempre ocupou um lugar de destaque, pois na pedagogiade Dom Bosco é considerada importante fator educativo, devido a seu grande poder deinfluência no espírito dos jovens. Para Dom Bosco, uma escola sem música é um corposem alma , afirmação que explicita o valor pedagógico da música. Ainda segundo ele, aalegria é o elemento básico da educação, e a música expressa esse estado da alma. Estetrabalho visa valorizar a Banda de Música do Colégio Salesiano Santa Rosa, de Niterói,RJ, em sua trajetória de mais de 100 anos de atividade ininterrupta, e resgatar umamemória que tende a se perder. A banda sempre esteve à frente das festas cívicas,contagiando o público com marchas e hinos patrióticos, comandando desfiles escolares,impondo sua cadência e expressando através da música o sentimento de sua comunidade.Esta pesquisa surgiu da observação de que os trabalhos sobre bandas tinham como pontoprincipal a questão do ensino musical, mas não o valor pedagógico da música. Tambémnada havia sido escrito sobre a Banda de Música do Colégio Salesiano Santa Rosa. Assim,por meio da documentação histórica e da memória como suportes de reconstrução dahistória dessa banda secular, este trabalho lança um novo olhar sobre o tema.

Subsídios para a gênese da imprensa musical brasileira e para a história do Hino da Independência, de Dom Pedro I

Este artigo tem por objetivos rever, mediante análise bibliográfica e de fontes primárias, a história de um de nossos símbolos musicais pátrios, o Hino da Independência, de Dom Pedro I, bem como trazer novos subsídios para o estudo da gênese da imprensa musical brasileira. Tem, igualmente, por escopo divulgar peculiaridades de uma antiga e pouco conhecida partitura desse hino, já não mais presentes em modernas edições de tal composição.

Território, cultura e regionalismo: aspectos geográficos em símbolos estaduais brasileiros

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

“Beneath the Starry Flag”: the Flags and Songs of the 1913-14 Michigan Copper Strike as Image-making in the American Labor Movement

The 1913-14 Michigan copper strike is unlike many American labor actions of the period in that it did not include red flags or socialist anthems. Many of the most familiar photographs of the strike involve American flags, not red ones. Similarly, the songs mentioned in journalistic accounts of the strikers are American Civil War songs, not popular labor songs of the period. The few newly-written songs about the strike, published in the local newspapers, seem cautiously polite and espouse values such as patriotism, liberty and human rights. During a time when sections of the "friendly" press were concerned with labor presenting the correct image and avoiding unfavorable associations, the Copper Country strikers, and the W.F.M., seem to have been attempting to create a fresh narrative regarding what this strike was (and what it was not). This paper will consider elements of the Copper Country strike in the light of media coverage, prior to July 1913, of several American labor topics that might have influenced the way the strike was presented. Particular attention will be given to photographs, songs, and accounts from the 1912 Lawrence textile strike, as well as contemporaneous critiques of labor song lyrics. Most of this commentary will be drawn from the labor and socialist press, demonstrating that the 1913-14 Michigan copper strike occurred during a period in which the labor movement was struggling to craft and image that would display it as it wished to be seen. This paper has not yet been submitted.