Mit Erlaubnus hoher Obrigkeit Dieser Kayserl. Freyen Reichs-Stadt Aachen : ES wird hiemit allen Herren und Damen, auch anderen Curieusen Liebhabern bekannt gemacht, daß allhier ist angekommen eine frembde Manns-Persohn, welche mitgebracht hat eine sehr ungemeine Kuh ...

Eingebunden in: Senckenberg, Johann Christian: Ärztliches Tagebuch: März 1743 - Februar 1744

A poem delivered at Harvard College, September 29th, 1789

Eight-page untitled handwritten poem attributed to Harvard student Benjamin Whitwell (Harvard AB 1790). The poem begins “The brow of age is soften’d into smiles” and contains classical and militaristic allusions. An annotation indicates that a set of stanzas beginning, “On thee, our common parent! Guardian! Friend! His mildest warmth, his brightest beams descend….” refers to Harvard President Joseph Willard. The text includes edits and annotations.

Beschreibung der königlichen Haupt und Residenzstadt Prag, sammt allen darinn befindlichen sehenswürdigen Merkwürdigkeiten.

Mode of access: Internet.

Allgemeine Historie der Reisen zu Wasser und Lande, oder, Sammlung aller Reisebeschreibungen, welche bis itzo in verschiedenen Sprachen von allen Völkern herausgegeben worden : und einen vollständigen Begriff von der neuern Erdbeschreibung und Geschichte machen ... /

Includes indexes.

Um exercício de desconstrução do conceito e da prática de segmentação de mercado inspirado em Woody Allen

O conceito de segmentação de mercado constitui-se em uma forte ferramenta freqüentemente utilizada na tomada de decisão nas organizações. Neste artigo, busca-se analisar elementos nem sempre privilegiados quando se trata a segmentação de mercado como discurso hegemônico. A crítica aqui apresentada inspira-se no filme Desconstruindo Harry, de Woody Allen, o que permitirá compreender o exercício de desconstrução do conceito e da prática da segmentação de mercado com base no gênero e na etnia. Essa proposta ampara-se sobre o postulado de Derrida (1999) de que qualquer conceito, palavra ou significado léxico é passível de desconstrução e na hipótese de que o conceito de segmentação de mercado e sua prática encerram significados não revelados, guardando em si um conjunto de atores e vozes marginalizados.

Os (in)sofismáveis caminhos do storytelling : Woody Allen e o documentário ficcionado

ABSTRACT: Between pure documentary and pure fiction there are, more and more, a reasonable number of cinematic alternatives that convey a dimension of non-reality. Between the pointedly factual discourse and the irrational belief in an entirely narrative world, there intervenes an informed conviction in a truthful but nonexistent universe, in which the formal enunciation sells an image of objectivity. In a path that leads us from the forms and contents of reflexive and performative documentaries, according to Bill Nichols, and ends up in fake documentary itself, we will have the opportunity to stress the filmic construction and its inherent narrative purpose, be it a fictional story or the creator himself as character (others would say subject) of the cinematic construct. In a boomerang kind of logic, the more the objects direct us to a referent, the more they restore us a creative/authorial reference and, along with it, the narrative idea that instills it. In Woody Allen’s case, this storytelling manifests itself in the fake documentary genre, which works as if it is the reality, only to better manifest the sole reality that interests the director: that of the metacinema, or the cinema as self-referencial reality. The practical examples will be derived from the following films: Take the Money and Run (1969) e Husbands and Wives (1992).

The Characeae of America / by Timothy Field Allen.

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The Characeae of America / by Timothy Field Allen.

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Histoire des progrès des sciences naturelles : depuis 1789 jusqu'à ce jour / par M. Le Baron G. Cuvier.

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