The Alcestis of Euripides /

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The Alcestis of Euripides /

Photocopy.

Euripidou Tragōdiai oktōkaideka. Hekabē, Orestēs, Phoinissai, Mēdeia, Hippolytos, Alkēstis, Andromakē, Hiketides, Iphigeneia en Aulidi, Iphigeneia en Taurois, Rhēsos, Trōades, Bakchai, Kyklōps, Hērakleidai, Helenē, Iōn, Heraklēs mainomenos. Evripidis Tragoediae octodecim. Hecuba, Orestes, Phoenissae, Medea, Hippolytus, Alcestis, Andromache, Supplices, Iphigenia in Aulide, Iphigenia in Tauris, Rhesus, Troades, Bacchae, Cyclops, Heraclidae, Helena, Ion, Hercules furens.

First published 1537. This reprint contains the Electra, ed.by Petrus Victorius, in addition to the 18 tragedies.

A suctorean parasite of Penaeus monodon larvae

A pathogenic suctorean, identified as Ephelota gemmipara was observed in P. monodon larvae spawned and reared in tanks. Commonly found to inhabit hydroid colonies, E. gemmipara has a stalked body with two types of tentacles, the sucking and piercing types, and was observed to reproduce by multiple exogenous budding.

Effect of furanace on the development of larval stages of Penaeus monodon Fabricius

Zoea 2(Z SUB-2 ) Mysis 1 (M SUB-1 ) and Postlarva 1 (P SUB-1 ) of P. monodon artificially spawned in closed-system concrete hatchery tanks were bioassayed for their tolerance to the antibiotic furanace. The setup consisted of four 20-liter capacity plastic basins previously conditioned for 15 days with freshwater in full sunlight. During the experiment, each basin was filled with 5 liters of seawater to which was added filtered Chaetoceros and Brachionus to give densities of 5 . 0-7 . 5 x 10 SUP-4 cells/ml and 10-20 individuals/ml, respectively. The following are the properties of the water used throughout the experiments: salinity, 26-32%; pH, 7 . 3-8 . 4; temperature, 25-30 degree C; dissolved oxygen, 4 . 5-8 . 4 ppm; nitrite, 0 . 36-0 . 99 ppm; and ammonia, 0 . 10-0 . 30 ppm. To each basin were added 50 healthy larvae of specific stages of P. monodon. After an initial acclimation of one hour in the medium, preweighed amounts of the antibiotic were added and thoroughly dissolved. The concentrations tested were 1 . 0, 2 . 0 and 3 . 0 ppm. One basin always served as control. After 24 hours of exposure, the surviving population in each basin was counted. The survivors were then examined thoroughly under the microscope for unusual behavior and morphological defects brought about by the exposure. To minimize wide variations in the medium as a result of feeding and other manipulations, the systems were all prepared at 9:00 a.m. each time, and the feeds on two instances, one at 5:00 p.m. and another at 5:00 a.m. Fifteen trials conducted with Z SUB-2 showed survival ranges of 68% to 98% with a mean of 77 . 6% in the controls; 32% to 94% with a mean of 65 . 7% at 1 ppm, and 0% to 56% with a mean of 36 . 5% at 2 ppm. There were no survivors at 3 ppm. Interpolation from the survival-dose curve gave a 24-hr LC SUB-50 of approximately 1 . 6 ppm.

Bacteria from seawater used in Penaeus monodon larval cultures

Bacteria in the seawater used in P. monodon hatchery operations were isolated on Bachmann's agar. The total plate counts in 25 isolations ranged from 1.0 - 5.0 x 10² to 5.1 -10.0 x 10⁵ cells per ml. Out of 124 isolates, 98 (79 percent) were Gram-positive and 26 (21 percent) were Gram-negative. Micrococcus and Staphylococcus were dominant in the former group, while Acinetobacter, Moraxella, Flavobacterium and Alcaligenes were most numerous in the latter. Twenty-nine of the Gram-positive isolates closely resembled Peptostreptococcus, Planococcus, and Pediococcus.

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

RECONHECENDO-SE SEM-RELIGIÃO NAS PERIFERIAS DA CIDADE: LIBERDADE COMPARTILHADA COMO RESISTÊNCIA

Reconhecendo, a partir da constatação empírica, a multiplicidade de escolhas de crenças no Mundo e em particular na periferia urbana paulistana, reconhecemos, também, a emergência criativa de novas possibilidades de crer e não crer. Tal amplitude não apenas aponta para o crer (segundo as ofertas de um sem número de religiões) e o não crer (ateu e agnóstico), mas para uma escolha que poderia vir a ser silenciada e esquecida, neste binômio arcaico e obsoleto, quando alguém se dá à liberdade crer sem ter religião. Reconhecer interessadamente os sem-religião nas periferias urbanas paulistanas é dar-se conta das violências a que estes indivíduos estão submetidos: violência econômica, violência da cidadania (vulnerabilidade) e proveniente da armas (grupos x Estado). Tanto quanto a violência do esquecimento e silenciamento. A concomitância espaço-temporal dos sem-religião nas periferias, levou-nos buscar referências em teorias de secularização e de laicidade, e, a partir destas, traçar uma história do poder violento, cuja pretensão é a inelutabilidade, enquanto suas fissuras são abertas em espaços de resistências. A história da legitimação do poder que se quer único, soberano, de caráter universal, enquanto fragmenta a sociedade em indivíduos atomizados, fragilizando vínculos horizontais, e a dos surgimentos de resistências não violentas questionadoras da totalidade trágica, ao reconhecer a liberdade de ser com autonomia, enquanto se volta para a produção de partilha de bens comuns. Propomos reconhecer a igual liberdade de ser (expressa na crença da filiação divina) e de partilhar o bem comum em reconhecimentos mútuos (expressa pela ação social), uma expressão de resistência não violenta ao poder que requer a igual abdicação da liberdade pela via da fragmentação individualizante e submissão inquestionável à ordem totalizante. Os sem-religião nas periferias urbanas, nossos contemporâneos, partilhariam uma tal resistência, ao longo da história, com as melissas gregas, os profetas messiânicos hebreus, os hereges cristãos e os ateus modernos, cuja pretensão não é o poder, mas a partilha igual da liberdade e dos bens comuns. Estes laicos, de fato, seriam agentes de resistências de reconhecimento mútuos, em espaços de multiplicidade crescente, ao poder violento real na história.

Representações de suicidas míticos na cerâmica grega: séculos VII-IV A.C.

Com a presente dissertação temos por objectivo problematizar, através da iconografia, as representações de suicidas míticos na cerâmica grega (séculos VII-IV a.C.). O corpus da pesquisa é constituído por 40 vasos com imagens de onze figuras mitológicas: Ájax, Alceste, Antígona, Ariadne, Cassandra, Fedra, Ifigénia, Macária, Medeia, Orestes e Políxena. Das 40 imagens analisadas, três são do séc. VII a.C., cinco do séc. VI a.C., onze do séc. V a.C. e 21 do séc. IV a.C. A dissertação é dividida em onze capítulos, um para cada figura mitológica, nos quais debateremos as fontes, a evolução do mito e a iconografia associada.

Book of illustrations. Ancient tragedy.

Cover-title.

Euripidis Tragoediae.

t. 1. Hecuba ; Orestes ; Phoenissae ; Medea -- t. 2. Hippolytus ; Alcestis ; Andromache ; Supplices ; Iphigenia Aulidensis -- t. 3. Iphigenia Tavrica ; Rhesus ; Troades ; Bacchae ; Cyclops -- t. 4. Heraclidae ; Helena ; Ion ; Hercules furens ; Electra.

Evripidis Fabvlae:

t. I. Cyclops. Alcestis. Medea. Heraclidae. Hippolytvs. Andromacha. Hecvba--t. II. Svpplices. Hercvles. Ion. Troiades. Electra. Iphigenia Tavrica--t. III. Helena. Phoenissae. Orestes. Bacchae. Iphigenia Avlidensis. Rhesvs.

Euripides.

--I. Biographical sketch of Euripides. The Bacchae. Ion. Alcestis. Medea. Hippolytus. The Phoenician virgins.--II. The Supplicants. Hercules. The Heraclidae. Iphigenia in Aulis. Rhesus. The Trojan dames.--III. Hecuba. Helena. Electra Orestes. Iphigenia in Tauris. Andromache.