Histoire d'un pays situe dans le nouveau monde, Nomme Amerique

Este é o tomo III da Coleção Voyages, relations et mémoires originaux pour servir a l'histoire de la découverte de l'Amerique, da editora Ternaux-Compans. Embora o prefácio do editor francês afirme ser esta a primeira versão francesa do famoso livro de Staden so o Brasil, J.C. Rodrigues fala de uma edição francesa em Amsterdã, de 1714, se, contudo, fornecer detalhes. Mesmo sendo esta a segunda tradução francesa, é também rara. Narra a odisséia vivida pelo autor durante nove meses como prisioneiro dos Tupinambás, fonte de consulta importante sobre o período inicial de nossa história. Staden descreve, além das experiências de seu cativeiro, suas viagens ao Brasil, desde os portos de origem. Preocupa-se em citar os nomes das pessoas, com quem lidou em diversas circunstâncias. é a primeira publicação sobre os índios brasileiros e, ainda hoje, na opinião de Borba de Moraes "constitui uma das mais valiosas fontes da etnologia em geral e da tupinologia especialmente".

Voyage au Bresil : ou l'on trouve la description du pays, de ses productions, de ses habitants, et de la ville et des provinces de san-salvatore et porto-seguro, avec une table correcte des latitudes et longitudes des ports de la cote du bresil, ainsi qu'un tableau du change, etc

Voyage au Brésil narra a experiência de observar a vida e os costumes dos habitantes do Brasil e oferece um registro cheio de interesse sociológico e até científico. Segundo Rubens Borba de Moraes, " é obra valiosíssima sobre a Bahia colonial", sendo esta edição mais preciosa que a inglesa de 1805. A obra foi traduzida também para o alemão. Afonso de Taunay resume e comenta o livro de Lindley em Aventuras de Thomas Lindley.

If the tide is rising, who pays for the ark?

Two common goals of this meeting are to arrest the effects of sea level rise and other phenomena caused by Greenhouse Gases from anthropogenic sources ("GHG",) and to mitigate the effects. The fundamental questions are: (1) how to get there and (2) who should shoulder the cost? Given Washington gridlock, states, NGO's and citizens such as the Inupiat of the Village of Kivalina have turned to the courts for solutions. Current actions for public nuisance seek (1) to reduce and eventually eliminate GHG emissions, (2) damages for health effects and property damage—plus hundreds of millions in dollars spent to prepare for the foregoing. The U.S. Court of Appeals just upheld the action against the generators of some 10% of the CO2 emissions from human activities in the U.S., clearing the way for a trial featuring the state of the art scientific linkage between GHG production and the effects of global warming. Climate change impacts on coastal regions manifest most prominently through sea level rise and its impacts: beach erosion, loss of private and public structures, relocation costs, loss of use and accompanying revenues (e.g. tourism), beach replenishment and armoring costs, impacts of flooding during high water events, and loss of tax base. Other effects may include enhanced storm frequency and intensity, increased insurance risks and costs, impacts to water supplies, fires and biological changes through invasions or local extinctions (IPCC AR4, 2007; Okmyung, et al., 2007). There is an increasing urgency for federal and state governments to focus on the local and regional levels and consistently provide the information, tools, and methods necessary for adaptation. Calls for action at all levels acknowledge that a viable response must engage federal, state and local expertise, perspectives, and resources in a coordinated and collaborative effort. A workshop held in December 2000 on coastal inundation and sea level rise proposes a shared framework that can help guide where investments should be made to enable states and local governments to assess impacts and initiate adaptation strategies over the next decade. (PDF contains 5 pages)

Who pays and who plays? Mapping the discourse of publicly funded instrumental music education in Ireland

Instrumental music education is provided as an extra-curricular activity on a fee-paying basis by a small number of Education and Training Boards, formerly Vocational Education Committees (ETB/VECs) through specialist instrumental Music Services. Although all citizens’ taxes fund the public music provision, participation in instrumental music during school-going years is predominantly accessed by middle class families. A series of semistructured interviews sought to access the perceptions and beliefs of instrumental music education practitioners (N=14) in seven publicly-funded music services in Ireland. Canonical dispositions were interrogated and emergent themes were coded and analysed in a process of Grounded theory. The study draws on Foucault’s conception of discourse as a lens with which to map professional practices, and utilises Bourdieu’s analysis of the reproduction of social advantage to examine cultural assumptions, which may serve to privilege middle-class cultural choice to the exclusion of other social groups. Study findings show that within the Music Services, aesthetic and pedagogic discourses of the 19th century Conservatory system exert a hegemonic influence over policy and practice. An enduring ‘examination culture’ located within the Western art music tradition determines pedagogy, musical genre, and assessment procedures. Ideologies of musical taste and value reinforce the more tangible boundaries of fee-payment and restricted availability as barriers to access. Practitioners are aware of a status duality whereby instrumental teachers working as visiting specialists in primary schools experience a conflict between specialist and generalist educational aims. Nevertheless, study participants consistently advocated siting the point of access to instrumental music education in the primary schools as the most equitable means of access to instrumental music education. This study addresses a ‘knowledge gap’ in the sociology of music education in Ireland. It provides a framework for rethinking instrumental music education as equitable in-school musical participation. The conclusions of the study suggest starting-points for further educational research and may provide key ‘prompts’ for curriculum planning.