689 resultados para noisy image


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When preparing an article on image restoration in astronomy, it is obvious that some topics have to be dropped to keep the work at reasonable length. We have decided to concentrate on image and noise models and on the algorithms to find the restoration. Topics like parameter estimation and stopping rules are also commented on. We start by describing the Bayesian paradigm and then proceed to study the noise and blur models used by the astronomical community. Then the prior models used to restore astronomical images are examined. We describe the algorithms used to find the restoration for the most common combinations of degradation and image models. Then we comment on important issues such as acceleration of algorithms, stopping rules, and parameter estimation. We also comment on the huge amount of information available to, and made available by, the astronomical community.

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Usual image fusion methods inject features from a high spatial resolution panchromatic sensor into every low spatial resolution multispectral band trying to preserve spectral signatures and improve spatial resolution to that of the panchromatic sensor. The objective is to obtain the image that would be observed by a sensor with the same spectral response (i.e., spectral sensitivity and quantum efficiency) as the multispectral sensors and the spatial resolution of the panchromatic sensor. But in these methods, features from electromagnetic spectrum regions not covered by multispectral sensors are injected into them, and physical spectral responses of the sensors are not considered during this process. This produces some undesirable effects, such as resolution overinjection images and slightly modified spectral signatures in some features. The authors present a technique which takes into account the physical electromagnetic spectrum responses of sensors during the fusion process, which produces images closer to the image obtained by the ideal sensor than those obtained by usual wavelet-based image fusion methods. This technique is used to define a new wavelet-based image fusion method.

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A semisupervised support vector machine is presented for the classification of remote sensing images. The method exploits the wealth of unlabeled samples for regularizing the training kernel representation locally by means of cluster kernels. The method learns a suitable kernel directly from the image and thus avoids assuming a priori signal relations by using a predefined kernel structure. Good results are obtained in image classification examples when few labeled samples are available. The method scales almost linearly with the number of unlabeled samples and provides out-of-sample predictions.

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We have analyzed the effects of the addition of external noise to nondynamical systems displaying intrinsic noise, and established general conditions under which stochastic resonance appears. The criterion we have found may be applied to a wide class of nondynamical systems, covering situations of different nature. Some particular examples are discussed in detail.

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High-resolution side scan sonar has been used for mapping the seafloor of the Ría de Pontevedra. Four backscatter patterns have been mapped within the Ría: (1) Pattern with isolated reflections, correlated with granite and metamorphic outcrops and located close to the coastal prominence and Ons and Onza Islands. (2) Pattern of strong reflectivity usually located around the basement outcrops and near the coastline and produced by coarse-grained sediment. (3) Pattern of weak backscatter is correlated with fine sand to mud and comprising large areas in the central and deep part of the Ría, where the bottom currents are weak. It is generally featureless, except where pockmarks and anthropogenic features are present. (4) Patches of strong and weak backscatter are located in the boundary between coarse and fine-grained sediments and they are due to the effect of strong bottom currents. The presence of megaripples associated to both patterns of strong reflectivity and sedimentary patches indicate bedload transport of sediment during high energy conditions (storms). Side scan sonar records and supplementary bathymetry, bottom samples and hydrodynamic data reveal that the distribution of seafloor sediment is strongly related to oceanographic processes and the particular morphology and topography of the Ría.

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Calculations of the binding energy of bound positron states in metal surfaces, with explicit inclusion of plasmon dispersion and single-particle effects, are presented. The binding energy is greatly reduced with respect to the undispersed case.

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A surface dielectric function of a semi-infinite plane-bounded metal is defined in the spirit of the plasmon-pole dielectric function of the bulk. It is modeled in such a way that the surface-plasmon dispersion relation is recovered for small momentum transfer. This function is employed to compute the image potential at all distances outside the surface. Interaction with bulk modes is neglected for simplicity and clarity. The interaction of a massive point charge with a metal surface is also considered in the context of a boson model for surface-plasmon excitation. We present a new definition of the image potential for this case.

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Résumé de la thèse Le travail de thèse «VOIR LE MONDE COMME UNE IMAGE. Le schème de l'image mimétique dans la philosophie de Platon (Cratyle, Sophiste, Timée) » d'Alexandre NEVSKY étudie la conception philosophique de l'image chez Platon. En posant la question : qu'est-ce que l'image pour Platon? l'étude se propose, dans un premier temps, d'analyser la manière précise dont l'idée de l'image fonctionne dans l'articulation logique de l'enquête platonicienne, en se basant avant tout sur trois dialogues majeurs où cette idée est explicitement thématisée par Platon lui-même, à savoir le Cratyle, le Sophiste et le Timée. Par une analyse détaillée de ces textes, Alexandre Nevsky essaie de démontrer que l'idée de l'image fonctionne comme un schème euristique dont la logique interne détermine les moments clés dans le déroulement de chaque dialogue examiné, et constitue ainsi une véritable méthode d'investigation philosophique pour Platon. En suivant cette stratégie platonicienne, l'auteur nous montre quel rôle le schème de l'image joue selon Platon d'abord dans la constitution du langage (le Cratyle), puis, dans celle du discours (le Sophiste) et, enfin, dans celle du monde (le Timée). Une telle approche lui permet de revoir l'interprétation traditionnelle de certains passages clés, célèbres pour leurs difficultés, en mettant en évidence la façon dont la nouvelle perspective platonicienne, introduite grâce au schème de l'image, permet de formuler une solution philosophique originale du problème initial. On y trouve ainsi rediscutés, pour ne citer que quelques exemples, la théorie curieuse de l'imitation phonétique et le problème de la justesse propre du nom-image, la définition philosophique de la notion d'image et la distinction platonicienne entre limage-ressemblance et l'image-apparence, la logique paradoxale de l'introduction d'un troisième genre dans la structure ontologique de l'être et la question du sens exact à donner au «discours vraisemblable » de Platon sur la naissance de l'univers. Dans un deuxième temps, cette étude tente de dégager, derrière la méthode heuristique basée sur le schème de l'image, une véritable conception de l'image mimétique chez Platon. L'une des idées principales de la thèse est ici de montrer que cette conception présente une solution philosophique de Platon au problème de l'apparence archaïque. Car, face à la question sophistique : comment une chose - que ce soit le discours ou le monde - peut-elle être une apparence, quelque chose qui n'existe pas? Platon apporte une réponse tout à fait originale elle le peut en tant qu'image. Or, l'image n'est pas une simple apparence illusoire, elle est le reflet d'une autre réalité, indépendante et véritable, que l'on doit supposer, selon Platon, même quand sa nature exacte nous échappe encore. La conception platonicienne de l'image apparaît ainsi comme un pendant indispensable de la théorie des Formes intelligibles et aussi comme son étape préalable au niveau de laquelle l'âme du philosophe, dans son ascension vers la vérité, se retrouve dans un espace intermédiaire, déjà au-delà des illusions du monde phénoménal, mais encore en-deçà des engagements métaphysiques de la théorie des Formes.

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The aim of this article is to prove the real possibility of travelling intellectually to the Platonic image of the cave from different films. In this sense, one can speak of explicit references as in The Conformist by B. Bertolucci or in Shadowlands by R. Attenborough -if one bears in mind the Chronicles of Narnia by C. S. Lewis- or The Picture of Dorian Gray ¿if one bears in mind the well-known O. Wilde¿s novel-, but, on other occasions, although the Platonic influence cannot be proved, for instance in The Truman Show, A Room with a View or Brideshead Revisited, one can perfectly think of these films in order to guide the contemporary audiences to that Platonic image, since Plato himself affirms that it deals with an image which can be easily applied and, in first place, to his idealistic philosophy.