Desenhando um paraíso tropical: a construção do Rio de Janeiro como um destino turístico

As primeiras imagens (gráficas ou narrativas) que circularam no exterior sobre o Rio de Janeiro. O complexo processo de produção em série da imagem, envolvendo vários profissionais que muitas vezes trabalhavam a distância. As possibilidades econômicas de uma cidade a ser construída, e o interesse de imigrantes aventureiros e empreendedores. A cidade que os primeiros guias para viajantes pretendiam mostrar. A modernização da urbe, voltada para o olhar internacional. A construção da identidade nacional pela música, dança e a indústria do entretenimento. A identificação do carioca com os estereótipos que lhe foram concedidos.A perpetuação dos ícones da cidade. Este trabalho perpassa várias categorias temáticas, buscando revelar o processo de construção da cidade do Rio de Janeiro enquanto um destino turístico. Um paraíso tropical a ser conhecido.

Preconceito e estereótipos relativos a cor, sexo e status

Esta pesquisa investiga os estereótipos positivos e/ou negativos, quando considerados como variáveis de cor, sexo status. O instrumento utilizado consistiu de oito desenhos estímulos, sendo quatro homens e quatro mulheres: homem branco de status alto (HBR), homem negro de status alto (HNR), homem branco de status baixo (HBP), homem negro de status baixo (HNP), mulher branca de status alto (MBR), mulher negra de status alto (MNR), mulher branca de status baixo (MBP) e mulher negra de status baixo (MNP), distribuídos equitativamente pela amostra, em um questionário com nove itens objetivos para pedir sobre o desenho estímulo, a distância social, a escolaridade, a posição hierárquica no trabalho, a ocupação desempenhada pelo estímulo e por seus pais para averiguar a mobilidade social, a classe sócio econômica e um item em aberto para apreender como a amostra percebe os estímulos. A amostra foi composta de 930 sujeitos: 482 de cor epidérmica e atributos físicos (boca, cabelos e sujeitos nariz) brancos e 448 sujeitos negros de cor epidérmica e atributos físicos negros, ou cor epidérmica branca e atributos físicos negros, ou cor epidérmica negra e atributos físicos brancos, atribuídos pelo experimentador. Estes mesmos sujeitos se auto classificaram como sendo 602 sujeitos "brancos" e 328 sujeitos negros. A hipótese básica testada foi: "Há estereótipos positivos e negativos relativos à cor, sexo e status." O único item que rejeitou a hip6tese nula básica, foi aquele sobre a ocupação desempenhada pelas figuras-estímulos onde as amostras brancas, atribuída pelo experimentador e autoclasificada, e negra autoclassificada corno branca, rejeitaram-na quanto às variáveis de sexo e status, sugerindo que os estereótipos aparecem de acordo com as ocupações atribuídas, quanto ao sexo e status das figuras-estímulos. As amostras negras, atribuída pelo experimentador e autoclassificada, rejeitaram-nas três variáveis, mostrando a influência da cor, sexo e status, separadamente, sobre o estereótipo medido através da ocupação atribuída aos estímulos, além da interação cor X status, sugerindo também a presença do estereótipo ocupacional, quando a cor se associa ao status dos desenhos. A amostra negra, atribuída pelo experimentador, rejeita-a, ainda, na interação cor X sexo X status parecendo existir discriminação quanto as ocupações dadas aos estímulas, quando estas três variáveis se associam. As amostras brancas, atribuída pelo experimentador e autoclassificada, apresentaram respostas ambíguas na maioria dos itens. As amostras negras, atribuída pelo experimentador e autoclassificada, não mostraram diferenças significativas entre as respostas, em parte dos itens. O critério ABIPEME expressou que ambas as amostras branca e negra, atribuídas pelo experimentador, apresentaram alta escolaridade e bom nível sócio-econômico. O número de mulheres era superior ao número de homens, embora homens e mulheres se equivalessem em ambas as amostras, o que sugere que mulheres brancas e negras e homens negros se com portaram de acordo com os valores culturais e dominantes, demonstrando auto-desvalorização e baixa auto-estima.

Dupla jornada de trabalho: conflito de papeis sociais da mulher

O presente trabalho utilizou conceitos da Psicologia Social de George H. Mead relativos ã interiorização da real idade social. Utilizou também a teoria da construção social do indivíduo de Berger e Luckmann, que considera a construção do sujeito a partir da socialização primária e secundária. Finalmente, utilizou a teoria do papel, de Goffman. A pesquisa procurou verificar a presença de maior antagonismo frente ao exercício da dupla jornada de trabalho, em mulheres que trabalham fora na faixa de 20-30 anos em relação a mulheres na faixa de 41-60 anos. Para tanto, utilizou-se um questionário constituído de duas partes: a primeira, apresentou itens que levantaram áreas de conflito frente ao exercício dos papéis domésticos do trabalho fora de casa. A segunda, detectou os estereótipos que as mulheres possuem sobre a mulher doméstica e a mulher que trabalha fora. o grupo experimental constituiu-se de 144 mulheres da cidade do Rio de Janeiro, pertencente à classe média, divididas em quatro grupos de 36 mulheres cada, distribuídos assim: dois grupos de 20-30 anos, um trabalhando fora e outro não; dois grupos de 41-60 'anos, um trabalhando fora e outro não. Os resultados obtidos mostraram que o exercício da dupla jornada de trabalho e vivenciado de forma mais conflitiva por parte das mulheres de 41-60 anos, do que pelas mulheres de 20-30 anos.

Um estudo sobre estereótipos positivos e negativos relativos as variáveis sexo, status e cor

Este trabalho pretende investigar os estereótipos positivos e ou negativos quando consideradas como variáveis sexo, status e cor. Foi usado um instrumento composto de oito desenhos, estímulo e quatro desenhos - resposta. A amostra foi composta de 48 sujeitos universitários e 34 sujeitos semi-alfabetizados. A hipótese básica testada foi que: Ha estereótipos positivos e negativos relativos a sexo, status e cor em situações de conotação positiva (trabalho e escola) e de conotação negativa (botquim e vadiagem). A hipótese nula básica foi rejeitada, nos dois grupos, no que diz respeito as variáveis sexo e status, mas não o foi em relação a variável cor. Foram feitas sugestões para pesquisas futuras.

Duque de Caxias para quem?: imaginários sociais e apropriações de territórios na cibercultura

A partir das múltiplas representações que se reproduzem sobre a cidade de Duque de Caxias ao longo dos anos, imaginários e identidades sociais são fortalecidos e transformados. No entanto, autorrepresentações, provindas de agentes culturais da cidade organizados em uma rede, que muito se fortalece com o uso da internet, buscam desconstruir estereótipos e reivindicar a cidade que eles querem e julgam ter direito. Neste contexto, a primeira parte do trabalho se dedica a uma investigação sobre como a cidade de Duque de Caxias foi e é representada por atores diversos, incluindo seus próprios moradores. São ressaltadas as aproximações entre a produção cultural dessa rede com a construção e ressignificação de símbolos e imaginários da cidade. São realizados, ainda, estudos de caso sobre o cineclube Mate com Angu, o coletivo de quadrinistas Capa Comics e o blog Lurdinha. A segunda parte do trabalho versa sobre as relações afetivas entre a população duque caxiense e os territórios habitados, em muito transformadas pelas produções culturais que enfatizam o pertencimento à cidade. O incentivo ao melhor uso dos espaços públicos e a criação de equipamentos de lazer se apresentam como essenciais neste processo. Os resultados dessa pesquisa apresentam uma reflexão sobre as potencialidades da internet para o fortalecimento das relações em rede, para oportunizar autorrepresentações e, ainda, para provocar mobilidades. As transformações ocorridas em torno das percepções sobre a cidade, a compreensão de pertencimento a ela e a apropriação dos espaços também são pontos destacados nesta dissertação.

Femininos de montar - Uma etnografia sobre experiências de gênero entre drag queens

The paper presents a discussion about gender and body in the drag queens experience at Natal city (RN). From the different concepts that characterizes the identity processes on subjects who perform gender transformation (transvestites, transsexuals and female impersonators), the justification for studying the drag character is observed as a means to understand matters that are important when you take such a position. Therefore, there is a need for a linkage between the various concepts responsible for this definition, in addition to considering the historical and cultural process responsible for the creation of such categories, identities and stereotypes among these individuals. In this sense it will be possible to carry out a critical analysis on the different social loads present in each representation, and understand what is at stake in the attribution of classifications and terminologies that are applied to different expressions of metamorphosis. This ethnography considers the debate from a field research conducted at LGBT social establishments and other performance spaces of these people, verifying their dynamics in these places and investigating relationships between performers, personas and characters and also backstage scene in which they participate

A ideologia da encenação: uma análise dos aspectos cênico/ideológicos da encenação produzida pela indústria cultural

The research that led to this dissertation adopted a set of scenic/ideological aspects inherent to the productions of the Culture Industry as its object of research. The intellectual output of Theodor W. Adorno and Max Horkheimer underscored the approaches on this subject, since it provides the same set of scenic/ideological features to be explored because, according to the authors, scenes produced by the culture industry are linked to the dominant ideology, since they act in favor of maintaining the status quo. The first objective was the definition this set of features inherent to the scene produced by the culture industry, through the exploration of literature produced by Adorno and Horkheimer, so it was possible to define a set composed of nine elements: Construction of characters as characteristic types; Stereotypes; Naturalization of Stereotyped language; Simplistic playwriting; Reuse dramatic formula; Love and sexuality as themes of plots; Utilization of tragic element; Objetive representation; Approximation of fiction and reality. The second goal was the analysis of scene produced by the culture industry nowadays, so that it was possible to verify if any scenic/ideological aspects indicated by Adorno and Horkheimer in the mid-twentieth century were present among the productions from this beginning of the twenty-first century. Through the analysis of three soap operas produced in Brazil in 2012, it was found that the nine scenic/ideological aspects as indicated by Adorno and Horkheimer appeared in the observed productions. Additionally, a new scenic/ideological feature, not indicated by Adorno and Horkheimer is present: the merchandising

Dos atos confessos aos afetos não-ditos: Um olhar sob as múltiplas experiências femininas a partir da análise dos discursos jurídicos, jornalísticos e orais

Women, subjectiveness, experimentations. This paper walks through gender, sexuality, body and subjectivity, bounding as the focus denaturalize the representations of womanlinessstaff and manliness and the modeled subjectivity by normative discusses that shows the transcendency based on multiplicities of experiences, wishes and life way wattled by men and women from the Caicó City s society in the decades from 1900 to 1945. For this, it was adopted a dialogic methodology inlcluding bibliographic and theorist references as well as sources like articles from Jornal das Moças (Lady s Journal); defloration s crime processes, abortion, infanticide and body lesions; iconographic sources and Caicó citizen memories in the period commented. Based on that sources, this work analyze the discursive construction of feminine through Justice and Jornal das Moças that paved by sanitarian, normalizing and moralizing discourses has spread clichés and stereotypes of womanlinessstaff and manliness, which has resulted by to universalize the experiences feminines in polarities and binary oppositions regarding to manliness, it has delineated them as asexual, irrational, anesthesiaed for pleasure and biologically meant to home activities modeling subjectivities that did not create ways for the singularization processes. This polarities, effects of sexual regulatory practices and gender legitimate the representations of courtship, maternity and honor, that although it has been incorporated not passivant on the building of the poor men and women subjectivity, it did not support itself in view of socio-cultural and economic reality of the poorest society side. Therefore, on this work emerge a plurality of women who has transited past the public sphere, who interlaced amorous informal relationships, who has kept relationships before the marriage, who hás established multiples familiar arrangements and helpful networks, who was single mothers without being considered dishonored women by social groups, who made matrimonial agreements without the rules of a formal civil marriage, who made use of beverageey to provoke the menstruation constituting multiples ways to experiment the life. This subjective feminine experimentations turned it possible to notice that representations concerning about the body, sexuality, date, maternity and honor of this women has constituted itself while molecularies and particulares . It was the affection not commented of the feminine sexuality that turned it possible to analyze the construction of singular subjectivities as a opened process, continuous, active, begetting new lands, life ways and wishes cartographies

"Antes que eu esqueça : trajetórias, laços e memórias produzidas por sujeitos da terceira idade na interação em territórios de sociabilidades

Currently the number of elderly in the world and Brazil is growing increasingly. However, old age is still presented as a complex issue that needs more depth. It is extremely important that society should create a discourse committed to reviewing negative stereotypes of old age as well as studies that allow the construction of new looks inclusive , as well as the creation of public policies that favor the elderly category, such as the National Policy and Elderly Statute established recently. The aim of this study is to analyze the spaces of sociability for the elderly Mossley and understand how the collective experiences in these environments influence the quality of life and influence in their depictions of the elderly subjects. To collect data observations were made, semi-structured interviews and wheels conversations with men and women aged 65 to 80 years old, retired, mostly widows, neighborhood residents Abolition in Mossley, participants (CCI) Coexistence Center Seniors Jose Sarney and (CRAS) Reference Center and Welfare. Thus, the spaces facing the elderly are presented as a good alternative for the rehabilitation, the fun and preserve their memories, while the agents posing as productive, active, and transformers of their reality

A tripla perspectiva: a vinda, a permanência e a volta de estudantes angolanos no Brasil

Este artigo é uma reflexão sobre o papel que as universidades paulistas e paranaenses desempenham no processo de formação acadêmica dos estudantes dos Países Africanos de Língua Oficial Portuguesa (Palop), em particular os angolanos. Essa formação na instituição de ensino superior propicia novos diálogos e novas sínteses identitárias possibilitadas por outras práticas culturais apreendidas no contato com alunos, docentes, funcionários, instituições acadêmicas e de pesquisa que ignoram a realidade vivenciada por eles em Angola. Constituiremos, assim, o cenário histórico-cultural; o percurso acadêmico e identitário do estudante angolano; o contexto estudantil angolano; a história recente desse país; o lugar do intelectual e do professor universitário; o papel e o uso da língua portuguesa no Brasil e em Angola no ambiente estudantil, familiar e na rua. Buscamos entender o imaginário do jovem estudante intercambista angolano que convive com os conflitos do estigma do migrante temporário e do estereótipo do refugiado de guerra.

Processos de construção do sentido na esquizofrenia: uma perspectiva cognitiva da linguagem

There is still a lot to be said about the relationship between culture, cognition and language. Within an embodied cognition perspective to language, it may be understood that the senses generated and used in discourse are built and negotiated not only linguistically, since they also involve stereotypes, schemes, frames, etc. These cognitive structures, in turn, would emerge from subjects experiences and interactions with a sociohistorically constituted environment. With that in mind, what would happen if someone had an altered view in the perception of such environment? The objective of this master s thesis was to understand the process of meaning construction, aiming at the activation of frames, in the discourse of people who have been diagnosed as schizophrenic and have been hospitalized, that is, individuals who have their socio-environmental perception affected. With that aim in mind, a speech corpus was generated with three schizophrenic patients from Professor Severino Lopes Psychiatric Hospital. The data were collected and analyzed qualitatively, based on the theoretical and analytical premises of Cognitive Linguistics, more specifically, of Simulation Semantic perspective. Therefore, it was possible to identify aspects related to meaning construction processes in the discourse of schizophrenic patients, understanding that language is integrated with cognition and culture. Therefore, the alteration in the way experiences are perceived by schizophrenic patients affect the linguistic production of these subjects. Finally, if we take into consideration that the mental disturbance caused by schizophrenia results in a change in perception of reality by these individuals, we can infer an implication of such factors in language and, subsequently, the interference of such issues in the meaning construction processes in the discourse of patients diagnosed with schizophrenia

Casal nacional: significações do corpo e do figurino no telejornalismo

The main objective of this study is to investigate the meanings of body and costume as essential components of television journalists aesthetic discourse, as exemplified by the presenters of Jornal Nacional, from Rede Globo. The study is inspired on the paths proposed by semiotics, and combines this approach with other techniques of scientific investigation to identify the meanings of this non-verbal communication form. For that, this work uses the concept of communication proposed by the Palo Alto School s authors, more specifically the concept of Watzlawick et al. (2005), which understands communication like relation and inherent of human beings. The precepts of complex thought and the hologramatic principle of Morin (1990), which value the union and the need to connect the knowledge of elements or parts to that of the systems these parts constitute, is also present in the thinking that guides the work. Throughout the chapters, we elucidate our understanding of body and television as media, and fashion and television journalism as languages. This work approaches a televisual history of Jornal Nacional in order to better understand the aesthetic proposed by television news over time, its presenters and costumes. The elements that are part of the televisual language s expression and content are addressed so that we can better understand the importance of body and presenters costume in this context. Finally, we conduct an analysis of the meanings of television journalism presenters body and costume through their stereotypes, their integration into the fashion cycle and also into the televisual analysis of the most important costume elements of Jornal Nacional s presenter couple: colors, models and accessories. We thus seek to strengthen the understanding of the wardrobe inseparable from the body as communication and detail some of their production understanding processes. The women historical role in brazilian television journalism, as well as masculinization of TV journalism environment are important elements to contextualize televisual language thinking in contemporary society. The investigation covers the origins, concepts, proposals, stereotypes, prejudices, reproductions, naturalizations and reinterpretation of the body and the costume of the presenters through time and the relationship between body, fashion and communication

No pulsar da clínica: a repetição e as produções corporais de uma criança

This study investigates the Repetition of movements shown in a stereotypical case of a child three years old. In line with the psychoanalysis model of search, this work presents fragments of the clinic process, the locus for the observation of repetitive, ritualized and choreographically movements of this child who used not to speak. The contrast between their movements and the issuance of a word verbalized at the end of the treatment caused the following question: repetition in this child production would be a reproduction of the same or would be directing for the difference? In the psychiatric speech, the stereotypes are listed as diagnostic criteria for certain mental disorders. In the psychoanalysis studies a question about the psych nature of ritualistic gestures apparently without purpose or direction is included. Thus, the route followed was the reading of the theoretical concept of repetition in the psychoanalytic works of S. Freud and J. Lacan. With Freud, the repetition is linked to the transfer and resistance. In that context, when it appears in act, in the place of the talk, it constitutes a particular way of remembering. But the existence of a force in the psychic apparatus that acts independent and involuntarily of the Principle of pleasure (the repetition compulsion) subsidizes the discovery of Freudian pulsion of death that is the tendency to return to itself. In the Lacan reading, the function of Repetition is magnified, as it fulfils two functions: the automaton - reminders of repetitive signs, and that the service of tiqué - the meeting of the subject with his lack constituent. In this sense, repetition is not simply a reproduction, but the search for new, the difference, caused by the lack of continuity that pushes the circuit. Finally, the clinic process and the theoretical readings made the comprehension of the child repetitive and choreographically movements and the pronouncement of a "good-bye", full of meaning. This repetitive scenario which is full of questions, by this very nature, insists in remains inconclusive

Mídia e gênero: análise crítica da violência contra a mulher no telejornalismo

This thesis is consisted of a theoretical and empirical study about the treatment given by media, particularly on telejournalism, to violence against women. It aims to analyze and reflect about the role of media, particularly television, on the process of reproduction of patriarchy system of gender on the context of Brazilian society, from content and narrative news about crimes committed against Andreia Rodrigues and Eliza Samudio. In light of the critical perspective, we seek to apprehend the particularities of patriarchy as a system of domination and subjugation of women, and also reveal the involvement of traditional means of media on reproduction and maintenance of inequality between men and women. To apprehend that reality, we had as guidance a critical social theory, grounded in historical-dialectical materialism which enabled us to apprehend the phenomenon under investigation actually enrolled in a dynamic and contradictory reality. The research had qualitative approach. We appeal to the specialized literature of the area from classical and contemporary authors. We conducted a content analysis of categorized matters, and interviews with individuals involved in issues of gender and / or communication. The critical examination of the matters indicated that television journalism is permeated by the contradictions inherent in social life, means that states and restates the ideology of ruling classes, their values and worldviews, but also express conflicts and social demands. The study revealed that prevails on television playing stereotypes and gender inequalities. We could also see that violence against women gets a sensationalist overblown approach and with no insights on the social relations that determine and base it.

Visual IMML: um perfil UML para a modelagem de interfaces de usuário

The software development processes proposed by the most recent approaches in Software Engineering make use old models. UML was proposed as the standard language for modeling. The user interface is an important part of the software and has a fundamental importance to improve its usability. Unfortunately the standard UML does not offer appropriate resources to model user interfaces. Some proposals have already been proposed to solve this problem: some authors have been using models in the development of interfaces (Model Based Development) and some proposals to extend UML have been elaborated. But none of them considers the theoretical perspective presented by the semiotic engineering, that considers that, through the system, the designer should be able to communicate to the user what he can do, and how to use the system itself. This work presents Visual IMML, an UML Profile that emphasizes the aspects of the semiotic engineering. This Profile is based on IMML, that is a declarative textual language. The Visual IMML is a proposal that aims to improve the specification process by using a visual modeling (using diagrams) language. It proposes a new set of modeling elements (stereotypes) specifically designed to the specification and documentation of user interfaces, considering the aspects of communication, interaction and functionality in an integrated manner