930 resultados para Planar Rooted Tree


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Identifying Broadleaf Trees...A brochure on what type of broad leafs you look for when looking at trees in Iowa. Produced by the Iowa Department of Natural Resources.

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This document lists all trees and shrubs that are native to Iowa is their common name and scientific name. Along with height of maturity, growth rate uses and limitations.

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Diffusion magnetic resonance studies of the brain are typically performed using volume coils. Although in human brain this leads to a near optimal filling factor, studies of rodent brain must contend with the fact that only a fraction of the head volume can be ascribed to the brain. The use of surface coil as transceiver increases Signal-to-Noise Ratio (SNR), reduces radiofrequency power requirements and opens the possibility of parallel transmit schemes, likely to allow efficient acquisition schemes, of critical importance for reducing the long scan times implicated in diffusion tensor imaging. This study demonstrates the implementation of a semiadiabatic echo planar imaging sequence (echo time=40 ms, four interleaves) at 14.1T using a quadrature surface coil as transceiver. It resulted in artifact free images with excellent SNR throughout the brain. Diffusion tensor derived parameters obtained within the rat brain were in excellent agreement with reported values.

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Finding an adequate paraphrase representation formalism is a challenging issue in Natural Language Processing. In this paper, we analyse the performance of Tree Edit Distance as a paraphrase representation baseline. Our experiments using Edit Distance Textual Entailment Suite show that, as Tree Edit Distance consists of a purely syntactic approach, paraphrase alternations not based on structural reorganizations do not find an adequate representation. They also show that there is much scope for better modelling of the way trees are aligned.

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We describe the spatial distribution of tree height of Pinus uncinata at two undisturbed altitudinal treeline ecotones in the southern Pyrenees (Ordesa, O, and Tessó, T). At each site, a rectangular plot (30 x 140 m) was located with its longest side parallel to the slope and encompassing treeline and timberline. At site O, height increased abruptly going downslope with a high spatial autocorrelation at short distances. In contrast, the changes of tree height across the ecotone at site T were gradual, and tree height was less spatially autocorrelated. These results can be explained by the greater importance of wind and snow avalanches at sites O and T, respectively.

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The Iowa Christmas Tree Growers and the Iowa Department of Agriculture and Land Stewardship published this brochure which discusses the benefits of using a real Christmas versus an artificial tree.

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Aim Species distribution models (SDMs) based on current species ranges underestimate the potential distribution when projected in time and/or space. A multi-temporal model calibration approach has been suggested as an alternative, and we evaluate this using 13,000 years of data. Location Europe. Methods We used fossil-based records of presence for Picea abies, Abies alba and Fagus sylvatica and six climatic variables for the period 13,000 to 1000yr bp. To measure the contribution of each 1000-year time step to the total niche of each species (the niche measured by pooling all the data), we employed a principal components analysis (PCA) calibrated with data over the entire range of possible climates. Then we projected both the total niche and the partial niches from single time frames into the PCA space, and tested if the partial niches were more similar to the total niche than random. Using an ensemble forecasting approach, we calibrated SDMs for each time frame and for the pooled database. We projected each model to current climate and evaluated the results against current pollen data. We also projected all models into the future. Results Niche similarity between the partial and the total-SDMs was almost always statistically significant and increased through time. SDMs calibrated from single time frames gave different results when projected to current climate, providing evidence of a change in the species realized niches through time. Moreover, they predicted limited climate suitability when compared with the total-SDMs. The same results were obtained when projected to future climates. Main conclusions The realized climatic niche of species differed for current and future climates when SDMs were calibrated considering different past climates. Building the niche as an ensemble through time represents a way forward to a better understanding of a species' range and its ecology in a changing climate.

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In the n{body problem a central con guration is formed when the position vector of each particle with respect to the center of mass is a common scalar multiple of its acceleration vector. Lindstrom showed for n = 3 and for n > 4 that if n ? 1 masses are located at xed points in the plane, then there are only a nite number of ways to position the remaining nth mass in such a way that they de ne a central con guration. Lindstrom leaves open the case n = 4. In this paper we prove the case n = 4 using as variables the mutual distances between the particles.

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L’arbre, un dels símbols més universals i un element intrínsecament vinculat al desenvolupament de la nostra cultura, esdevé, en aquest llibre, el pretext idoni per donar a conèixer alguns dels interrogants que la vivència de l’art contemporani planteja. L’artista Àlex Nogué obre les portes del seu procés de creació per fer visible com es desencadena la gènesi d’una obra d’art i posa a la llum les incerteses, les intuïcions i les aspiracions que comporta la creació artística. Dibuixar un arbre tracta de les similituds entre l’emoció que produeix un plançó al mig d’un bosc i l’emoció de traslladar-lo fins a l’interior d’una presó. De les diferències de dibuixar un xiprer dret o abatut. Dels silencis i dels sorolls de les imatges. Del que una obra pretén i del que mai aconsegueix. Les imatges i els textos d’aquest llibre ens permeten transitar per l’interior de vuit processos de creació i ens mostren com els treballs artístics neixen i creixen. Per emmarcar l’experiència creativa en el context cultural contemporani, Dibuixar unarbre s’inicia amb cinc reflexions d’autors que han viscut amb empatia aquest recorregutcreatiu. Ells mateixos estan immersos de manera apassionada en la creació, producció,difusió o direcció de projectes creatius, i són: Eudald Camps, Xavier Franquesa, Rosa Pera, Víctor Sunyol i Àngels Viladomiu.