958 resultados para Peyton, John Howe, 1778-1847.
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http://www.archive.org/details/anorientallandof00freeuoft
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http://www.archive.org/details/johninnocent00canduoft
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http://www.archive.org/details/johnludwigkrapfe00kretiala
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http://www.archive.org/details/fortyyearsamongt00craiuoft
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http://www.archive.org/details/historyofcatholi00sheaiala
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http://www.archive.org/details/jamesevans00maclrich
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http://name.umdl.umich.edu/ABB4262
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http://www.archive.org/details/womeninthemissio00telfuoft
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http://www.archive.org/details/johnwesleytheman00pikeuoft
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http://www.archive.org/details/missionarypionee00stewrich
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http://www.archive.org/details/75yearsmadurami00chanuoft
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http://www.archive.org/details/bibleillustratio00ingluoft
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Throughout the history of the Church, the Epistle to the Hebrews has been one of the most puzzling letters in the Canon, particularly regarding the implications of understanding the person of Jesus Christ. John Chrysostom, an important patristic writer, is acknowledged to have made significant contributions to the exegesis of this letter. Chrysostom's thought became the norm for traditional thinking and interpretation of this letter in the Middle Ages. Martin Luther's reception of Chrysostom's Homilies on Hebrews presents a unique interpretation that some scholars may describe as the "Reformation Discovery" on Hebrews. In tracing Luther's reception and appropriation of Chrysostom's exegesis of the letter to the Hebrews, there is a noticeable and significant shift in Christological interpretation. Whether or not these modifications were necessary is a matter of debate; however, they do reflect Luther's contextual and existential questions regarding faith, Christ and knowledge of God, which is evident in his Lectures on Hebrews.
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This thesis studies contemporary poetry’s innovations in textual borrowing and the range and scope of its appropriative practices. The restrictions of the inherited definitions of appropriation include a limited capacity for expression and meaningfulness, a partial concept of appropriation’s critical capacity, and an inadequate sense of the poet’s individual and unique practice of appropriation. This thesis resolves the problematic constraints limiting contemporary definitions of appropriation by tracing the history of the practice to reveal an enduring relation between appropriation and poetic expression. Close readings of Trevor Joyce’s, Alan Halsey’s, and Susan Howe’s poetry serve as evidence of contemporary poetry’s development of appropriation beyond the current ascriptions and offer some direction on how the critical understanding of appropriation might be extended and redefined. Here, appropriation is recognized as another source of lyric expression, critical innovation, and conceptual development in contemporary poetry. This thesis encourages a new perspective on the purpose and processes of poetic appropriation and the consequences of its declarative potential for both poet and poem.