UM Track, 1915, vs Notre Dame, distance race

[Ensian caption: Notre Dame offered stiff competition to Ufer, Carroll and Fox in the distance runs at South Bend.]

Exposé historique de l'honneur et du culte qu'on rend au bois de la vraie croix dans l'église paroissiale de Notre-Dame de la Chapelle à Bruxelles.

Mode of access: Internet.

The bridge of Notre Dame, or The Parricides's curse; a drama in three acts.

On cover:-Duncombe's acting edition, of the British theatre, 467.

Das Verhaltnis des "Nouveau Testament" von Geffroi de Paris zu der "Conception Notre-Dame" von Wace, zu der Handschrift ADD. 15606 des Britischen Museums und zu der Hamilton Handschrift No. 273 des Fitzwilliam Museums zu Cambridge.

Thesis (doctoral)--Universitat Greifswald.

Notre-Dame. With illus. by Hugo, Bayard, Brion, Johannot, and others.

Mode of access: Internet.

Le portail royal d'Étampes : portal méridional de l'église Notre Dame : XIIe siècle /

Autographed copy.

Notre-Dame de Paris : sa place dans l'histoire de l'architecture du XIIe au XIVe siècle /

Mode of access: Internet.

Updating the principles of the liturgical movement for a new liturgical movement

The author is a Benedictine monk of L’abbaye Sainte-Madeleine du Barroux in France. The original paper (in French) was delivered in July 2001 at a Liturgy Conference held at the Abbey of Notre Dame, Fontgombault, France,
in the presence of the then Joseph Cardinal Ratzinger when Prefect of the Congregation for the Doctrine of the Faith and was later published in the English translated proceedings of the conference edited by Dr Alcuin Reid, Looking Again at the Question of the Liturgy with Cardinal Ratzinger:
Proceedings of the July 2001 Fontgombault Liturgical Conference (St Michael’s Abbey, Farnborough, 2003). The paper here published is revised and translated from the original French especially for The Priest by Professor David Birch (Deakin University, Melbourne) at the invitation of the Editor, with the cooperation of Dom Charbel. The full set of footnotes is available in Reid (Ed.) (2003). Where passages are quoted from Magisterial texts, the Vatican website English translation is given rather than a translation of the French version used in the original paper. Sub-headings are due to the Editor.

Tombeaux de la cathédrale de Rouen /

Includes index.

Description historique de la cathédrale de Rouen.

Mode of access: Internet.

Histoire de l'Eglise cathedrale de Rouen, metropolitaine et primatiale de Normandie.

Mode of access: Internet.

Esprit Futur : Le Corbusier and José Oubrerie at Saint-Pierre De Firminy, Firminy-Vert, France, 1968–2006

What is the secret mesmerism that death possesses and under the operation of which a modern architect – strident, confident, resolute – becomes rueful, pessimistic, or melancholic?1 Five years before Le Corbusier’s death at sea in 1965, the architect reluctantly agreed to adopt the project for L’Église Saint-Pierre de Firminy in Firminy-Vert (1960–2006), following the death of its original architect, André Sive, from leukemia in 1958.2 Le Corbusier had already developed, in 1956, the plan for an enclave in the new “green” Firminy town, which included his youth and culture center and a stadium and swimming pool; the church and a “boîte à miracles” near the youth center were inserted into the plan in the ’60s. (Le Corbusier was also invited, in 1962, to produce another plan for three Unités d’Habitation outside Firminy-Vert.) The Saint-Pierre church should have been the zenith of the quartet (the largest urban concentration of works by Le Corbusier in Europe, and what the architect Henri Ciriani termed Le Corbusier’s “acropolis”3) but in the early course of the project, Le Corbusier would suffer the diocese’s serial objections to his vision for the church – not unlike the difficulties he experienced with Notre Dame du Haut at Ronchamp (1950–1954) and the resistance to his proposed monastery of Sainte-Marie de la Tourette (1957–1960). In 1964, the bishop of Saint-Étienne requested that Le Corbusier relocate the church to a new site, but Le Corbusier refused and the diocese subsequently withdrew from the project. (With neither the approval, funds, nor the participation of the bishop, by then the cardinal archbishop of Lyon, the first stone of the church was finally laid on the site in 1970.) Le Corbusier’s ambivalence toward the project, even prior to his quarrels with the bishop, reveals...

The Fifth Republic; [a political study of modern France.

Includes bibliography.

Collection des cartulaires de France ... /

Contents from t.p., half-titles, and OCLC OLUC.